Eurodram 2018 Honours
Eurodram – European network for drama in translation 2018 Honours – Selection of...
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Featured
Between Panoramas And VR: What Does It Mean To Be Immersed?
Interview with Dr. Robin Curtis, professor of media studies at Albert-Ludwigs-Universität...
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“The Actor’s Life for Me:” A Conversation With David Greenspan
David Greenspan keeps busy. Just two weeks after closing his monumental solo rendition of Eugene...
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The Great War and Kings of War Journey from the Kill Zone to the Map Room
Two plays about war, one utilizing children’s toys, the other blank verse. In many ways,...
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How Can We Transform The World Through One’s Self? Amsterdam’s Butoh Festival
In Waves: Transforming The World Through One’s Self At Amsterdam’s Butoh Festival In...
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Jess Thom On Touretteshero’s Production Of Beckett’s “Not I”: Mouth as a Disabled Character
Following excellent reviews from a run of Samuel Beckett’s Not I in Edinburgh last summer...
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Cricoteka: A Centre Of New Life For Tadeusz Kantor’s Art
During Tadeusz Kantor’s lifetime (1915-1990), his singular performances found their way to many...
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“The White Card”: An Attempt To Communicate
The White Card, Claudia Rankine’s play on racism is having its world premiere at Boston’s...
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Interview With The Art Director Of MICET Interactive Theatre Museum In Kraków
Walking into the old basement of the legendary Old Theatre (Stary Teatr) in Krakow, you soon realize nothing is old here. MICET, the new interactive theatre museum, which opened just about a year ago, completely transforms the theatre’s dark, moldy basement into one of the most cutting-edge museum/installation/performance spaces in Europe.
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Dunedin’s Arcade Theatre Company And “Fold:” An Absurdist Production For A Post-Truth Era
The newest theatre company to emerge from Dunedin, New Zealand’s funky, eclectic arts scene is...
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Ellen Stewart Award Winner Announced: Zoukak Theatre From Lebanon
The Zoukak Theatre in Lebanon has received the 2nd Annual Ellen Stewart International Award for...
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Theatre Series “Tale Of The Century”: How Do You Trace The History of the Nation?
To mark the 100th anniversary of the Republic of Estonia in 2018, The Estonian Association of...
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Going Places Interview With Lauren Clancy, The New Executive Director of The Bush Theatre
Lauren Clancy, the new Executive Director of the Bush Theatre, talks to us about her first few...
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Still Unsettling: The Continuing Power of Larry Kramer’s “The Normal Heart”
Larry Kramer’s The Normal Heart is a play fueled by anger. Anger at the political, medical and...
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Contemporary “Electra” by DumbWise at The Bunker Theatre
Electra is the protagonist in two Ancient Greek tragedies, one by Sophocles and the other by...
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“Amy And The Orphans”: Down Syndrome Psychodrama?
Lindsey Ferrentino has done a marvelous thing in conceiving a substantial and nuanced lead...
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I Wanted To Remove The Language Of Gender: Hindi Adaptation of Lorca’s “Yerma”
Mahesh Dattani explores the symbolism, futurism and surreal influences of Spanish dramatist...
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Life Isn’t a Beach in “Einstein in the Carpark”
If the avant garde director Robert Wilson died and went to purgatory, Einstein in the Carpark is...
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The Performative Essay “(De)signing Time”: Essay in Motion
The Serbian choreographer, performance artist, and stage director Milos Sofrenovic has been at...
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The Bathroom Play: Georgia Christou’s “Yous Two” at The Hampstead Theatre
Theatre is a business as well as a craft. In an age of austerity cuts, and at a time when most...
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