Aiming The Guts
It is true of all of the FC Bergman collective’s productions, but 300 el x 50 el x 30 el is...
Read MorePosted by Fanni Nánay | 30th Aug 2018 | Belgium, Review, Transmedia
It is true of all of the FC Bergman collective’s productions, but 300 el x 50 el x 30 el is...
Read MorePosted by Christopher Harris | 29th Aug 2018 | Dramaturgy, Essay, London, Netherlands, Theatre and Opera, United Kingdom
The dramaturgy of love’s intertwining with violence has been a recurring theme in the...
Read MorePosted by Chan Sze-Wei | 28th Aug 2018 | Essay, Singapore, Theatre and Dance
L-E-V Dance company’s OCD Love is tightly choreographed and intense in its physicality, as might...
Read MorePosted by Jocelyn Chng | 28th Aug 2018 | Essay, Festivals, Singapore, Theatre and Opera
A Festival Commission for the Singapore International Festival of Arts (SIFA) 2018, Toy Factory’s...
Read MorePosted by REUTERS | 28th Aug 2018 | News, Playwriting, United States of America, Worldwide
Simon’s plays made him a wealthy man and many were turned into films, which made him even...
Read MorePosted by Sebastian Samur & Richard Windeyer | 28th Aug 2018 | Acting, Canada, Essay
With backgrounds in performance and sound design, we were interested in investigating how the...
Read MorePosted by Emily Jupp | 27th Aug 2018 | Festivals, Playwriting, Review, Theatre and Gender, United Kingdom
Angry Alan Underbelly Cowgate, Edinburgh ★★★★★ Playwright Penelope Skinner’s new work, Angry Alan,...
Read MorePosted by Culture360 | 26th Aug 2018 | Kazakhstan, News, Transcultural Collaborations
Kazakhstan’s State Republican Academic Korean Theater of Musical Comedy has received...
Read MorePosted by Dorota Sajewska and Dorota Sosnowska | 26th Aug 2018 | Essay, Poland, Transmedia
Peggy Phelan in her famous text Ontology of Performance asserts that: “Performance cannot be...
Read MorePosted by Daniel Teo | 25th Aug 2018 | Adaptation, Review, Singapore
In Pissed Julie, the magic number is three. The play begins with a row of three chairs, dwarfed by...
Read MorePosted by Alice Jones | 25th Aug 2018 | Festivals, Review, United Kingdom
Jayde Adams Pleasance Courtyard, Edinburgh ★★★ Jayde Adams is playing the Edinburgh Fringe in a...
Read MorePosted by Duška Radosavljević | 25th Aug 2018 | Festivals, Review, Theatre and Politics, United Kingdom
“It’s not another Brexit show,” Chris Thorpe declares as he embarks on his...
Read MorePosted by Nobuko Tanaka | 24th Aug 2018 | Interview, Japan, Playwriting
When he was 16, Hideto Iwai was perplexed as to why everyone around him unquestioningly jumped...
Read MorePosted by Duška Radosavljević | 24th Aug 2018 | Adaptation, Festivals, Review, Theatre and Gender, Transcultural Collaborations, United Kingdom
As its title suggests, La Maladie De La Mort is not exactly an uplifting piece of theatre. In...
Read MorePosted by Vikram Phukan | 23rd Aug 2018 | India, Interview, Japan, Transcultural Collaborations
Passing through Mumbai last week was Japanese composer Yasuhiro Morinaga. Arts aficionados in...
Read MorePosted by Nobuko Tanaka | 23rd Aug 2018 | Japan, News
When the circus comes to town in most parts of the world these days, you won’t see elephants,...
Read MorePosted by Sandra D'urso | 22nd Aug 2018 | Belarus, Review, Theatre and Politics
Review: Generation Jeans in Melbourne. With two of their founding members in exile, it is little...
Read MorePosted by Vikram Phukan | 22nd Aug 2018 | Festivals, India, News, Playwriting
The second edition of the Sanchita Manch fest will feature three new original plays Entering its...
Read MorePosted by Alice Jones | 21st Aug 2018 | Festivals, Review, United Kingdom
Jon Harvey Assembly George Square Theatre ★★★★ In a stuffy Portakabin tucked around the back of...
Read MorePosted by Aleks Sierz | 21st Aug 2018 | London, Playwriting, Review, United Kingdom
The Dark Web has an intriguing sound about it. Like something out of JRR Tolkien or JK Rowling, it...
Read More
The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025 
The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025 
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
| M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 1 | 2 | 3 | 4 | 5 | 6 | 7 |
| 8 | 9 | 10 | 11 | 12 | 13 | 14 |
| 15 | 16 | 17 | 18 | 19 | 20 | 21 |
| 22 | 23 | 24 | 25 | 26 | 27 | 28 |
| 29 | 30 | 31 | ||||