Featured Archives - Page 154 of 252

Nina Raine’s “Stories” at The National Theatre

Posted by Aleks Sierz | 6th Nov 2018 | London, Review, United Kingdom

In 2017, playwright Nina Raine’s Consent, an excellent National Theatre play about lawyers and...

Theatre Review: Xameleon Theatre’s “The Little Prince”–”A Play For Young And Old”

Posted by Juno Schwarz | 5th Nov 2018 | Adaptation, London, Review, United Kingdom

First published in 1943 in New York, the story of the little prince and his travels hasn’t lost...

A New Take On “An Enemy Of The People” Fizzes With Contemporary Relevance

Posted by Huw Griffiths | 5th Nov 2018 | Adaptation, Australia, Review, Sydney

The fitness of Henrik Ibsen’s plays to address the political questions of our modern lives renews...

Kinetics Of Sound

Posted by Andres Hasmo | 5th Nov 2018 | Croatia, News, Norway, Transcultural Collaborations

Kinetics Of Sound takes its starting point in an ordinary theatre exchange programme in which two...

Neapolitan Actor And Director Carlo Giuffré Dies At 89

Posted by Armando Rotondi | 5th Nov 2018 | Italy, News

Naples is a Theatrum Mundi, a place where theatre and theatricality are an integral part of the...

debbie tucker green’s “ear for eye” At The Royal Court

Posted by Aleks Sierz | 4th Nov 2018 | London, Review, United Kingdom

Two countries; two histories. Being black in the US; being black in the UK. Compare and contrast....

“Artificial Things”: An Introduction

Posted by Katalin Trencsényi | 4th Nov 2018 | Devised Theatre, Essay, Theatre and Dance, Theatre and Disability, United Kingdom

Artificial Things [i] (directed by Sophie Fiennes) is a re-imagination of a contemporary dance...

“Dysconnect” – Towards A Digital Political Dramaturgy: Re-Humanizing Agency In The Age Of Algorithms

Posted by Amanda Fromell | 4th Nov 2018 | Dramaturgy, Essay, Participatory Theatre, Sweden, Transmedia

In 2011, a woman stood outside an abortion clinic in Manhattan and asked...

The Futility Of Mediated Communication: “Together” At Camden Underground

Posted by Haylin Cai | 3rd Nov 2018 | China, Chinese Theatre Abroad, London, Review, Transmedia, United Kingdom

Exploring the common phenomenon of livestream communication in modern society, the performance...

“We Always Depend On Other People”–Dramaturg Stefan Bläske On His Process Of “Five Easy Pieces” With Milo Rau

Posted by Clement Lee | 3rd Nov 2018 | Belgium, Dramaturgy, Hong Kong, Interview, Theatre and Politics

It was a pleasure to sit down and talk to Stefan Bläske, the resident dramaturg of the...

“Rags Parkland Sings The Songs Of The Future” – Sci-fi Folk Concert at Ars Nova

Posted by Abigail Weil | 2nd Nov 2018 | New York, Review, United States of America

What forces in today’s society will retain their power three hundred years into the future?...

Jonathan Kalb Interviews Himself On Daniel Fish’s “Oklahoma!”

Posted by Jonathan Kalb | 2nd Nov 2018 | Interview, Musical Theatre, New York, Review, Theatre and Disability, Transcultural Collaborations, United States of America

Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...

An Intricate Rumination On The Partnership Between Music And Dance

Posted by Miranda Laurence | 2nd Nov 2018 | Dance Umbrella 2018, Festivals, London, Review, Theatre and Dance, United Kingdom

Concert, By Colin Dunne, Dance Umbrella Festival 2018, London, Barbican The important thing about...

In “Midsummer” The Mobile Unit Delivers a Joyous Celebration of Life and Shakespeare

Posted by Michael Appler | 1st Nov 2018 | New York, Review, United States of America

Joe Papp would be proud had he lived to see what his Mobile Theater had become: a brimming, joyous sanctuary of inclusivity and plurality, of Shakespearean excellence armed with subtle and striking mindfulness, no longer a struggling caravan of the American theater’s earliest pioneers, but a rag-tag group of brilliant players all the same.