Featured Archives - Page 137 of 259

Demystifying The Religious Fountainhead

Posted by Vikram Phukan | 3rd May 2019 | Adaptation, India, Review

Marathi play, Avyahat has a cinematic sweep and a multi-layered narrative. The third generation of...

Fresh Perspectives: A Selection of Madrid’s Brightest Young Theatrical Voices

Posted by Antonio Hernández | 1st May 2019 | News, Playwriting, Spain

Looking for new playwrights? Why not try young Spanish playwrights? Playwrights featured include Alberto Conejero, Álvaro Tato, Antonio Rojano, Carolina África, Gon Ramos, Iñigo Guardamino, Lucía Carballal, Manuel Benito, Nando J. López, Pablo Remón, Paco Bezerra, and Pilar G. Almansa.

Why Is Rudolf Nureyev So Popular Worldwide Even 26 Years After His Death?

Posted by Alexandra Guzeva - Russia Beyond the Headlines | 1st May 2019 | Essay, LGBTQ+ Theatre, Russia, Theatre and Dance

He was first in every sense: the first Soviet performer to refuse to return from an international...

Tribute to Author Celebrates the Life of The Imagination: “I Am Not Margaret Mahy”

Posted by David O'Donnell | 30th Apr 2019 | New Zealand, Review

I am not Margaret Mahy by Jane Waddell, based on Notes of a Bag Lady by Margaret Mahy, BATS...

Encouraging New Voices In Theatre Criticism

Posted by Jamie Potter | 30th Apr 2019 | Essay, United Kingdom

This series of articles, commissioned together with HowlRound in the framework of IETM Hull,...

The Non-Hierarchical Theatre Of Rebecca Wright

Posted by Ian Stewart Riley | 30th Apr 2019 | Interview, Philadelphia, United States of America

Rebecca Wright is a director and devisor based in Philadelphia. She is the co-founder and artistic...

New Play Examines Shakespeare’s Gender Politics: Sarah Delahunty’s “This Long Winter”

Posted by David O'Donnell | 29th Apr 2019 | New Zealand, Review, Theatre and Gender

Despite being dead for 400 years and having lived and worked on the far side of Planet Earth,...

Escaping The Imaginary Of Engaged Arts

Posted by Goran Toka | 29th Apr 2019 | Essay, Europe, Participatory Theatre

This series of articles, commissioned together with HowlRound in the framework of IETM Hull,...

Theatrekaran’s Tamil Tales

Posted by Susanna Myrtle Lazarus and Srivatsan S. | 28th Apr 2019 | India, News, Producing

No one is ever too old for stories. City-based theatre group, Theatrekaran, is counting on this,...

Veteran Kenyan Actress Returns to Stage With Feminist Show

Posted by Alexander Nderitu | 28th Apr 2019 | Kenya, News, Theatre and Gender

Veteran Kenyan thespian Mŭmbi Kaigwa returns to the stage on 25th April 2019 for a single showing...

Cultural Snacks In A Chinese Karaoke Bar: “Lucky Ping-Pong Dragon Karaoke”

Posted by Ian Zarate and Haylin Cai | 27th Apr 2019 | Festivals, London, Review, United Kingdom

Turbo bubble-tea brewing, participative economic discussions, and live, squirting orgasms were...

Theatre Of The Real And Embracing The Politics Of The Current Moment: Lee Hall And Ivo van Hove’s “Network”

Posted by Lucas Kernan | 27th Apr 2019 | Belgium, New York, Review, United States of America

“Man can change the world with bayonet and with science, but only art can renew it, in play, in...

Sergi López Heads an Impressive Cast in Andrés Lima’s Staging of Juan Mayorga’s “The Boy at the Back”

Posted by Maria Delgado | 27th Apr 2019 | Review, Spain

El chico de la última fila (English title The Boy at the Back) is one of Juan Mayorga’s most...

The Third Edition Of Loja’s International Festival Of Living Arts, Ecuador (FIAVL 2018)

Posted by Lola Proaño Gomez | 26th Apr 2019 | Ecuador, Festivals, News

The third edition of the Festival of the Living Arts of Loja (FIAVL), the southernmost Ecuadorian...

“Art Tells Truth That Truth Itself Can’t”: A Glimpse Into The Multimedia Mind Of Andrew Schneider

Posted by Irina Yakubovskaya | 26th Apr 2019 | Interview, Transmedia, United States of America

Andrew Schneider, a Milwaukee native, is an OBIE Award-winning, Drama Desk-nominated performer,...

“Diana of Dobson’s” at Antaeus Theatre Company

Posted by Christine Deitner | 25th Apr 2019 | Los Angeles, Review, United States of America

A young woman with no family to fall back on earns a meager living as a shopgirl but her salary is...

“A German Life” at The Bridge Theatre

Posted by Aleks Sierz | 25th Apr 2019 | London, Review, United Kingdom

Maggie Smith is not only a national treasure but every casting director’s go-to “old bat” (her...

“Black: The Sorrows Of Belgium”–Luk Perceval/NTGent and “Flandria”–Roland Gunst/LOD

Posted by Liam Rees | 25th Apr 2019 | Belgium, Review, Theatre and Decolonization

A continuous conversation, not a hot topic With the reopening of the Africa Museum in Brussels and...

José Sacristán Brings Miguel Delibes Back To The Spanish Stage

Posted by Maria Delgado | 25th Apr 2019 | Review, Spain

Miguel Delibes wrote his novella Señora de rojo sobre fondo gris (English title Woman In Red...

“Giselle”–A World Premiere Reveals Ivan Cavallari’s Contemporary Vision Of A 19th Century Ballet Through The Prism Of ‘Total Art.’

Posted by Alvina Ruprecht | 24th Apr 2019 | Canada, Review, Theatre and Dance

The NAC dance program emphasized the fact that this version of Giselle, the first for the Grands...

Featured

Demystifying The Religious Fountainhead

Fresh Perspectives: A Selection of Madrid’s Brightest Young Theatrical Voices

Why Is Rudolf Nureyev So Popular Worldwide Even 26 Years After His Death?

Tribute to Author Celebrates the Life of The Imagination: “I Am Not Margaret Mahy”

Encouraging New Voices In Theatre Criticism

The Non-Hierarchical Theatre Of Rebecca Wright

New Play Examines Shakespeare’s Gender Politics: Sarah Delahunty’s “This Long Winter”

Theatrekaran’s Tamil Tales

Veteran Kenyan Actress Returns to Stage With Feminist Show

Cultural Snacks In A Chinese Karaoke Bar: “Lucky Ping-Pong Dragon Karaoke”

Theatre Of The Real And Embracing The Politics Of The Current Moment: Lee Hall And Ivo van Hove’s “Network”

Sergi López Heads an Impressive Cast in Andrés Lima’s Staging of Juan Mayorga’s “The Boy at the Back”

The Third Edition Of Loja’s International Festival Of Living Arts, Ecuador (FIAVL 2018)

“Art Tells Truth That Truth Itself Can’t”: A Glimpse Into The Multimedia Mind Of Andrew Schneider

“Diana of Dobson’s” at Antaeus Theatre Company

“A German Life” at The Bridge Theatre

“Black: The Sorrows Of Belgium”–Luk Perceval/NTGent and “Flandria”–Roland Gunst/LOD

José Sacristán Brings Miguel Delibes Back To The Spanish Stage

“Giselle”–A World Premiere Reveals Ivan Cavallari’s Contemporary Vision Of A 19th Century Ballet Through The Prism Of ‘Total Art.’

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