Featured Archives - Page 113 of 259

Alice Birch’s “[BLANK]” at the Donmar Warehouse

Posted by Mert Dilek | 26th Oct 2019 | London, Review, Theatre and Gender, United Kingdom

Believe me when I tell you that there is much more to Alice Birch’s play [BLANK] than meets the...

An Interview with Stan Lai on “The Village,” His Artistic Vision, and Hong Kong

Posted by Michael Ka Chi Cheuk | 26th Oct 2019 | China, Directing, Interview, Taiwan

US-born, Taiwan-raised theatre director and playwright Stan Lai (Lai Sheng-chuan) has enjoyed...

Arinzé Kene’s “Little Baby Jesus” at the Orange Tree Theatre: Lyrical, Energetic and Wise Coming-of-Age Drama

Posted by Aleks Sierz | 26th Oct 2019 | London, Playwriting, Review, Theatre and Age, United Kingdom

Wow. Just wow. The moment you enter the auditorium of this venue it’s immediately obvious that...

Olonkho Show “Dzhyrybyna the Warrior Woman”: Hit the Tambourine

Posted by Emiliia Dementsova | 26th Oct 2019 | Festivals, Review, Russia, Theatre Olympics 2019

The guest performance of the Olonkho Theatre from Yakutia in St. Petersburg as part of the Theatre...

Thrown into the Deep End! A Participant’s Perspective from The Kennedy Center New Play Dramaturgy Intensive 2019

Posted by Elizabeth Leemann | 25th Oct 2019 | Dramaturgy, Essay, United States of America

Students and early career dramaturgs were invited to The John F. Kennedy Center for Performing...

Maxim Gorky’s “Vassa” at the Almeida Theatre

Posted by Mert Dilek | 25th Oct 2019 | Adaptation, London, Review, United Kingdom

“Our family doesn’t get on,” sneers the eponymous matriarch of Maxim Gorky’s Vassa, now playing at...

Samuel Gallet’s “Mephisto [A Rhapsody]” at The Gate Theatre

Posted by Aleks Sierz | 25th Oct 2019 | Adaptation, London, Review, Theatre and Politics, United Kingdom

Adaptation is too banal a word to describe the cross-fertilization of theatre and other art forms....

Protiv Etogo: “Mayakovsky and Stalin”

Posted by Abigail Weil | 24th Oct 2019 | New York, Review, Theatre and Politics, United States of America

As someone who has long been fascinated by both of the title characters, I am not sure who Murray...

“Slave Play”: Jeremy O. Harris’s “Balcony”

Posted by Jonathan Kalb | 24th Oct 2019 | New York, Review, Theatre and Politics, United States of America

Jeremy O. Harris’s Slave Play is the New York theater’s scandal du saison. It’s a play about race...

“A History Of Water In The Middle East” at The Royal Court

Posted by Aleks Sierz | 23rd Oct 2019 | London, Review, Theatre and Politics, United Kingdom

Sabrina Mahfouz is a British-Egyptian writer who has explored issues of Muslim and British...

“Found” at The Cell: Immersive Theatrical Experience

Posted by Jack Wernick | 23rd Oct 2019 | Immersive Theatre, New York, Review, Theatre and Politics, United States of America

Multi-disciplinary hothouse The Cell in New York’s Chelsea neighborhood is currently home to...

Danusia Samal’s “Out of Sorts” at the Theatre 503: Deeply Emotional Account of Personal Identity

Posted by Aleks Sierz | 22nd Oct 2019 | London, Review, United Kingdom

One of the delights of London fringe theatre is its ability to nurture new talent. In this respect...

How to Stage an Opera? Summer Munich Opera Festival as a Role Model

Posted by Antonio Hernández | 22nd Oct 2019 | Germany, Review, Theatre and Opera

Summer in Europe is the time for performing art festivals. Avignon in France or Edinburgh in...

“1984” at The Actors’ Gang

Posted by Christine Deitner | 22nd Oct 2019 | Los Angeles, Review, United States of America

“He who controls the present controls the past, and he who controls the past controls the...

Taking Classic Musical “West Side Story” to New Heights.

Posted by Nobuko Tanaka | 21st Oct 2019 | Japan, Musical Theatre, Review

Back in 1961, Robert Wise and Jerome Robbins’ Hollywood film West Side Story became something of a...

Playing the Family: Dramaturgy in Peeping Tom’s Family Trilogy

Posted by Zhanna Chernenko | 21st Oct 2019 | Belgium, Dramaturgy, Essay, Theatre and Dance

Peeping Tom is a theatre company founded in 2000 in Brussels by Gabriela Carrizo and Franck...

Vienna: Mental Eclipse Theater’s “Blasted” (Sarah Kane). Separating Admirable Impulse From Mixed Impact

Posted by Aisling Murphy | 20th Oct 2019 | Austria, Review, Theatre and Art

Mental Eclipse Theater’s production of Sarah Kane’s Blasted is, admittedly, a mixed experience,...

“Games” at Soho Playhouse

Posted by Abigail Weil | 20th Oct 2019 | Acting, New York, Review, Theatre and Politics, United States of America

Henry Naylor’s Games, now at the SoHo Playhouse, highlights those human activities that are...

“Farewell My Concubine” Is Rekindling Hong Kong’s Interest in Cantonese Opera

Posted by Zolima Citymag | 19th Oct 2019 | China, Hong Kong, Review, Theatre and Opera, Theatre and Politics

Three years before the Xiqu Centre opened as Hong Kong’s first purpose-built center for Chinese...

Reflecting on Theatre Education and History with Laurence Senelick

Posted by Irina Yakubovskaya | 19th Oct 2019 | Boston, Education, Interview, United States of America

Laurence Senelick, Fletcher Professor of Drama and Oratory Emeritus, is a theatre historian...

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Featured

An Interview with Stan Lai on “The Village,” His Artistic Vision, and Hong Kong

Arinzé Kene’s “Little Baby Jesus” at the Orange Tree Theatre: Lyrical, Energetic and Wise Coming-of-Age Drama

Olonkho Show “Dzhyrybyna the Warrior Woman”: Hit the Tambourine

Thrown into the Deep End! A Participant’s Perspective from The Kennedy Center New Play Dramaturgy Intensive 2019

Maxim Gorky’s “Vassa” at the Almeida Theatre

Samuel Gallet’s “Mephisto [A Rhapsody]” at The Gate Theatre

Protiv Etogo: “Mayakovsky and Stalin”

“Slave Play”: Jeremy O. Harris’s “Balcony”

“A History Of Water In The Middle East” at The Royal Court

“Found” at The Cell: Immersive Theatrical Experience

Danusia Samal’s “Out of Sorts” at the Theatre 503: Deeply Emotional Account of Personal Identity

How to Stage an Opera? Summer Munich Opera Festival as a Role Model

“1984” at The Actors’ Gang

Taking Classic Musical “West Side Story” to New Heights.

Playing the Family: Dramaturgy in Peeping Tom’s Family Trilogy

Vienna: Mental Eclipse Theater’s “Blasted” (Sarah Kane). Separating Admirable Impulse From Mixed Impact

“Games” at Soho Playhouse

“Farewell My Concubine” Is Rekindling Hong Kong’s Interest in Cantonese Opera

Reflecting on Theatre Education and History with Laurence Senelick

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