Ken Watanabe: A Conquistador in “Pizarro”
Ever since his Oscar-nominated Hollywood debut as Lord Katsumoto in 2003’s The Last Samurai, Ken...
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Interview
Lasting Friendships: An Interview with Philip Arnoult
When someone speaks about US and Hungarian theatrical relationships, you cannot miss his name....
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Interactive Living and Aesthetic of Participation: A Conversation with Christa Sommerer
This conversation with Christa Sommerer focuses on some aspects of the gigantic artwork that...
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Dancing with a Deer, a Jaguar or a Snake
A diptych on the re-appearance of other-than-Human movements, with Amanda Piña and Rolando...
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Examining “A Black and White Cookie”
We can’t discuss unpleasant historical events or why you or I voted for that candidate without generating anger and accusations. A society which is afraid to think and respectfully consider different points of view will inevitably degrade its ability to understand. Then what?
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Writer and Performer Sophie Woolley on Becoming a ‘Deaf Cyborg’ and Her New Solo Show “Augmented”
Natasha Sutton-Williams interviews Sophie Woolley about her play Augmented – a personal story...
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Who Am I, The Author? But Who Is The Author?: An Interview With Ulrike Syha
Ulrike Syha was born in 1976 in Wiesbaden, Germany. She studied Dramaturgy at the Hochschule für...
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The Bolshoi Theater School: Only in Russia and… Brazil
Twenty years ago, the school’s founders included leading Moscow ballet masters and today, a...
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An Interview with British Theatre-Maker and Comedian Jess Thom Co-Founder of Touretteshero
Touretteshero teams up with Battersea Arts Centre to make South London’s premier theatre space the...
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Dejan Sretenović on Marina Abramović: “She is a Case Study for Young Performers – to Learn, to Be Brave, to Know Different Genres”
Witch. Icon. Legend. Showman – Marina Abramović is all of that, and more. “I realized then...
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Theatre is What You Say: An Interview with Ali Hardiman, Dublin Actor, Writer, Producer and Theatre-Make
It’s been a busy twelve months for Dublin actor, writer, producer and theatre-maker Ali Hardiman....
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Updating “Romeo and Juliet” in a Bid to Fight Prejudice in Japan
With William Shakespeare’s iconic use of English lost in translation, bold and reimagined versions...
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A Hong Konger in Berlin – Armie Ma’s “No Coming Back” in Adelaide Fringe Festival
A one-man show by Hong Kong writer and performer Armie Ma will have its Australian debut in...
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Interview with Elise Vigneron, Théâtre de l’Entrouvert
New York City’s HERE Arts Center will present the U.S. premiere of Anywhere by Théâtre de...
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Theatreperson Phillip Zarrilli on Adopting and Adapting Intercultural Techniques in his Teachings and Works
The actor-director was at the 12th International Theatre Festival of Kerala (ITFoK) in Thrissur...
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Petar Miloshevski’s Remarkable Solo – Being Beautiful, Passionate, in Love
An interview with Petar Miloshevski – A London-based actor, performer, theatre artist. Petar...
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VR as a Narcissistic Medium
Rebecca Rouse is a Professor at the University of Skövde (Sweden), media artist and researcher. VR...
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Performativity and Worldmaking: An Interview with Chiel M. Kattenbelt
This interview was made within the framework of the exploratory research project rethinking...
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VR-adaptations: Faithfulness and Interactions
Mika Johnson is an artist with a background in theatre, but also a film director. Besides this, he...
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Bringing Haruki Murakami’s “The Wind-Up Bird Chronicle” to Japan’s Stages
Haruki Murakami is probably Japan’s best-known living writer — a worldwide bestseller with novels...
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