Interview Archives - Page 18 of 37

Lockdown: A Testing Time for Surabhi Theatre Artistes in Hyderabad

Posted by Sangeetha Devi Dundoo | 2nd May 2020 | India, Interview, Theatre and Politics

With their sole means of livelihood being out of bounds, members of Sri Venkateswara Surabhi...

“De Lege Zaal: Broken Shapes” – Rimah Jabr and Dareen Abbas / Moussem

Posted by Rimah Jabr | 1st May 2020 | Belgium, Interview, Theatre and Art, Transmedia

The coronavirus empties streets and theatres. Because we prefer virtual theatre to none at all, we...

VR, Theatre and the Importance of Immersion

Posted by Ágnes Bakk | 26th Apr 2020 | Interview, Poland, Theatre and Age

Wojtek Markowski is the producer of the Polish experimental lab Dream Adoption Society. Together...

Community Theatre Is Not Amateurish – Rashida Namulondo

Posted by Ian Kiyingi Muddu | 23rd Apr 2020 | Acting, Interview, Uganda

The name ‘Rashida Namulondo’ will easily roll off any random tongue in the performing arts...

Narrative Game Design and Social Issues

Posted by Ágnes Bakk | 22nd Apr 2020 | Austria, Interview, Transmedia

Georg Hobmeier is an artist and narrative game designer who is working in several fields: game...

“The Conditions are Never Ideal:” In Conversation with Melanie Lomoff

Posted by Tomasz Wiśniewski | 16th Apr 2020 | Interview, Poland, Theatre and Dance

Song of the Goat Theatre was founded in 1996 by Grzegorz Bral and Anna Zubrzycki, and is now led...

Interview with Playwright David Lescot

Posted by Guillaume Clayssen | 13th Apr 2020 | France, Interview, Playwriting

Guillaume Clayssen, a fellow playwright, interviewed David Lescot on his newest piece in June 2016...

“Gardzienice:” Wesele – Wyspiański – Malczewski – Konieczny. Tomasz Wiśniewski in a Conversation with Włodzimierz Staniewski

Posted by Tomasz Wiśniewski | 5th Apr 2020 | Directing, Interview, Poland

One of the major figures in Polish experimental theatre, Włodzimierz Staniewski, is the founder of...

“New Dramaturgies:” Insights Into Mark Bly’s Playwriting Exercises. Interview with Mark Bly

Posted by Mary Davies | 4th Apr 2020 | Books, Dramaturgy, Interview, Playwriting, United States of America

Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the MFA Playwriting...

Interviewing Crystal Field, Artistic Director or Theater for the New City

Posted by Marcina Zaccaria | 31st Mar 2020 | Applied Theatre, Devised Theatre, Interview, New York, United States of America

Marcina Zaccaria, Editor of the Theatre and Opera Section of The Theatre Times, got the...

Ken Watanabe: A Conquistador in “Pizarro”

Posted by Nobuko Tanaka | 27th Mar 2020 | Interview, Japan, Theatre and Politics

Ever since his Oscar-nominated Hollywood debut as Lord Katsumoto in 2003’s The Last Samurai, Ken...

Lasting Friendships: An Interview with Philip Arnoult

Posted by Tamás Jászay | 26th Mar 2020 | Design, Hungary, Interview

When someone speaks about US and Hungarian theatrical relationships, you cannot miss his name....

Interactive Living and Aesthetic of Participation: A Conversation with Christa Sommerer

Posted by Louise Boisclair | 18th Mar 2020 | Austria, Interview, Theatre and Art, Transmedia

This conversation with Christa Sommerer focuses on some aspects of the gigantic artwork that...

Dancing with a Deer, a Jaguar or a Snake

Posted by Joachim Ben Yakoub | 13th Mar 2020 | Chile, Interview, Theatre and Politics, Transcultural Collaborations

A diptych on the re-appearance of other-than-Human movements, with Amanda Piña and Rolando...

Examining “A Black and White Cookie”

Posted by Cate Cammarata | 12th Mar 2020 | Interview, New York, Playwriting, United States of America

We can’t discuss unpleasant historical events or why you or I voted for that candidate without generating anger and accusations. A society which is afraid to think and respectfully consider different points of view will inevitably degrade its ability to understand. Then what?