Stage Design: Tradition of Diversity
Germany has more theatres and concert halls than almost any other country in the world. From its...
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Interview
Anya Richkind: The Spontaneous Playwright in Experimental Theatre
Anya Richkind is an emerging Brooklyn-based playwright who has taken many different roles in...
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Capturing the Ephemeral: Marc J. Franklin on Theatre Photography, Inspiration, and Community
His photography is undoubtfully radiating, soulful, with a hint of edgy energy. Marc J. Franklin...
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Lockdown: A Testing Time for Surabhi Theatre Artistes in Hyderabad
With their sole means of livelihood being out of bounds, members of Sri Venkateswara Surabhi...
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“De Lege Zaal: Broken Shapes” – Rimah Jabr and Dareen Abbas / Moussem
The coronavirus empties streets and theatres. Because we prefer virtual theatre to none at all, we...
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VR, Theatre and the Importance of Immersion
Wojtek Markowski is the producer of the Polish experimental lab Dream Adoption Society. Together...
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Community Theatre Is Not Amateurish – Rashida Namulondo
The name ‘Rashida Namulondo’ will easily roll off any random tongue in the performing arts...
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Narrative Game Design and Social Issues
Georg Hobmeier is an artist and narrative game designer who is working in several fields: game...
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“The Conditions are Never Ideal:” In Conversation with Melanie Lomoff
Song of the Goat Theatre was founded in 1996 by Grzegorz Bral and Anna Zubrzycki, and is now led...
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Interview with Playwright David Lescot
Guillaume Clayssen, a fellow playwright, interviewed David Lescot on his newest piece in June 2016...
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“Gardzienice:” Wesele – Wyspiański – Malczewski – Konieczny. Tomasz Wiśniewski in a Conversation with Włodzimierz Staniewski
One of the major figures in Polish experimental theatre, Włodzimierz Staniewski, is the founder of...
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“New Dramaturgies:” Insights Into Mark Bly’s Playwriting Exercises. Interview with Mark Bly
Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the MFA Playwriting...
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Interviewing Crystal Field, Artistic Director or Theater for the New City
Marcina Zaccaria, Editor of the Theatre and Opera Section of The Theatre Times, got the...
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Ken Watanabe: A Conquistador in “Pizarro”
Ever since his Oscar-nominated Hollywood debut as Lord Katsumoto in 2003’s The Last Samurai, Ken...
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Lasting Friendships: An Interview with Philip Arnoult
When someone speaks about US and Hungarian theatrical relationships, you cannot miss his name....
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Interactive Living and Aesthetic of Participation: A Conversation with Christa Sommerer
This conversation with Christa Sommerer focuses on some aspects of the gigantic artwork that...
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Dancing with a Deer, a Jaguar or a Snake
A diptych on the re-appearance of other-than-Human movements, with Amanda Piña and Rolando...
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Examining “A Black and White Cookie”
We can’t discuss unpleasant historical events or why you or I voted for that candidate without generating anger and accusations. A society which is afraid to think and respectfully consider different points of view will inevitably degrade its ability to understand. Then what?
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Writer and Performer Sophie Woolley on Becoming a ‘Deaf Cyborg’ and Her New Solo Show “Augmented”
Natasha Sutton-Williams interviews Sophie Woolley about her play Augmented – a personal story...
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Who Am I, The Author? But Who Is The Author?: An Interview With Ulrike Syha
Ulrike Syha was born in 1976 in Wiesbaden, Germany. She studied Dramaturgy at the Hochschule für...
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