“Al Capone the musical” à la Francaise
The Italian American gangster – Al Capone (Alphonse Gabriel Capone), who reigned as a crime boss...
Read MorePosted by Lisa Monde | 31st Jan 2023 | Acting, France, Musical Theatre, Review
The Italian American gangster – Al Capone (Alphonse Gabriel Capone), who reigned as a crime boss...
Read MorePosted by Richard Newsome | 28th Jan 2023 | Devised Theatre, Directing, Essay, Finland, Italy, Translation
The summer of 1985 is oppressive around the medieval Italian town of Gubbio. Thick heat is held...
Read MorePosted by Josephine Burton | 27th Jan 2023 | Essay, London, Theatre and Politics, Ukraine, United Kingdom
Before the war, in what now feels like another lifetime but in reality is just over a year ago, I...
Read MorePosted by Susanna Sun | 26th Jan 2023 | Directing, Review, United States of America
Located at the end of a long, narrow corridor, seating the audience near the stage and close to...
Read MorePosted by Jingyi Zhang | 23rd Jan 2023 | Festivals, New York, Theatre and Gender, Theatre and Opera, United States of America
A double bill by Irish composer Emma O’Halloran and her uncle, librettist Mark O’Halloran,...
Read MorePosted by Aleks Sierz | 23rd Jan 2023 | Adaptation, Nigeria, Review, Theatre and Decolonization, Theatre and Politics, United Kingdom
Earlier in the week, I enjoyed a rainy afternoon at home by watching Inua Ellis’s 2019 adaptation...
Read MorePosted by Toni Hildebrandt and Zainabu Jallo | 22nd Jan 2023 | Adaptation, Review, Switzerland, Theatre and Gender, Theatre and Science
Sonne, los jetzt!, Elfriede Jelinek’s new theater piece, is imperative with an unknown addressee....
Read MorePosted by Jingyi Zhang | 21st Jan 2023 | Festivals, New York, Review, Theatre and Opera, Transmedia, United States of America
Undine is a three-act animated opera composed by Stefanie Janssen and Michaël Brijs. The pandemic...
Read MorePosted by The Theatre Times | 21st Jan 2023 | News, Theatre and Disability, Transmedia
A collaboration between metaLAB (at) Harvard and the Berkman Klein Center for Internet and...
Read MorePosted by Jingyi Zhang | 20th Jan 2023 | Festivals, New York, Review, Theatre and Opera, United States of America
In Our Daughter’s Eyes, composed by Pulitzer prize winning composer Du Yun and librettist Michael...
Read MoreWhen I thought about why I wanted to write this article, a simple, almost childlike thought came...
Read MorePosted by Jingyi Zhang | 18th Jan 2023 | Festivals, Japan, Review, Theatre and Opera, United States of America
note to a friend, composed by Pulitzer prize-winning composer David Lang, is a chamber opera...
Read MorePosted by Jingyi Zhang | 17th Jan 2023 | Festivals, New York, Review, Theatre and Opera, United States of America
Gelsey Bell’s Morning//Mourning is a quirky, experimental opera that defies categorization. It is...
Read MorePosted by Saraswathy Nagarajan | 16th Jan 2023 | Festivals, India, News, Theatre and Gender
A day in the museum turns out to be an unforgettable journey across time and regions for six...
Read MorePosted by Vera Bonder | 15th Jan 2023 | Festivals, Netherlands, Participatory Theatre, Review, Theatre and Dance, Theatre and Politics
On Saturday 19 November 2022, I witnessed the performance Hands Up! by dancer and choreographer...
Read MorePosted by Lydia Cochran | 14th Jan 2023 | Dramaturgy, Essay, United States of America
During a summer of uncertainty and anxiety for American theatres and artists alike, a cohort of...
Read MorePosted by Clare Cioffero | 12th Jan 2023 | Adaptation, New York, Review, Theatre and Politics, United States of America
On a cold November, New York Friday night, when temperatures approached freezing, the shivering audience waiting to experience Albert Camus’ The Fall at the Soho Playhouse checked in at the box office on the upper floor, then...
Read MorePosted by Helen Trenos | 11th Jan 2023 | Australia, Design, Directing, Review, Theatre and Gender
Review: D*ck Pics in the Garden of Eden, written and directed by Jeffrey Jay Fowler, The Last...
Read MorePosted by Clare Cioffero | 10th Jan 2023 | Design, New York, Puppetry, Review, United States of America
The show Lazarus 1972-2022 is difficult to pin down. How can what a thought looks like be...
Read MorePosted by Heather Waters | 9th Jan 2023 | Boston, Interview, Theatre and Politics, United States of America
Zahhak: The Legend of the Serpent King, will be performed January 12 – 15, 2023, at the Loeb...
Read More