Sitting Down with Emerging Artist Thalia Ranjbar
The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...
Read MorePosted by Morgan Skolnik | 27th Feb 2023 | Directing, Interview, New York, United States of America
The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...
Read MorePosted by Penelope Woods | 23rd Feb 2023 | Adaptation, London, Review, Theatre and Film, United Kingdom
“What’s your type on paper?” is frequently asked by contestants on the popular reality dating...
Read MorePosted by Rhiannon Ling | 22nd Feb 2023 | Devised Theatre, New York, Review, Theatre and Politics, United States of America
Entering the theatre at HERE Arts, there is already a sense of broken ground. My companion and I...
Read MorePosted by Kate Hunter | 17th Feb 2023 | Australia, Melbourne, Review, Theatre and Science
Deep in the remote Pilbara region of Western Australia, the town of Wittenoom lies empty,...
Read MorePosted by Călin Ciobotari | 17th Feb 2023 | Covid-19, Essay, Festivals, Romania, Transmedia
The topic of the digital spectator and, implicitly, the one of the multi-stratified co-presence,...
Read MorePosted by Lisa Monde | 17th Feb 2023 | Interview, Musical Theatre, New York, Producing, United States of America
Dedicated to the 35th anniversary of the Broadway musical “The Phantom of the Opera.” It is known...
Read MorePosted by Aleks Sierz | 16th Feb 2023 | LGBTQ+ Theatre, London, Playwriting, Review, United Kingdom
The female monologue is a well-established contemporary theatre form, but often the content is...
Read MorePosted by Maria Delgado | 15th Feb 2023 | Directing, Review, Spain
Florian Zeller’s The Father, first produced in 2012, remains a timely play for various reasons. It...
Read MorePosted by Aleks Sierz | 15th Feb 2023 | Adaptation, London, Review, United Kingdom
How can old texts speak to us now? The point is not just to adapt classics, but to reimagine them...
Read MorePosted by Maria Delgado | 14th Feb 2023 | Adaptation, Design, Directing, Review, Spain
Catalan director Àlex Rigola, the former artistic director of the Venice Biennale’s theatre...
Read MorePosted by S.E. Gontarski | 13th Feb 2023 | Adaptation, Directing, New York, Review, United States of America
Much of my approach to theatre, to performance, especially, consists in locating and assessing a...
Read MorePosted by Rhiannon Ling | 13th Feb 2023 | Devised Theatre, New York, Review, Theatre and Gender, Theatre and Politics, United States of America
Only a week after the invasion of Ukraine, three creatives found themselves nestled around a...
Read MorePosted by Martin Blaszk | 10th Feb 2023 | Brazil, Education, Essay, Poland, Transcultural Collaborations
An ambitious plan to fly from Gdańsk, Poland to Goiânia, Brazil and co-organize as well as lead a...
Read MorePosted by Ivam Cabral and Marcio Aquiles | 9th Feb 2023 | Brazil, Education, Essay, Poland, Theatre and Politics, Transcultural Collaborations
Introduction São Paulo Theatre School was founded in 2009 with the aim to establish a democratic...
Read MorePosted by Luis Guilherme Barbosa dos Santos, Mariana Tagliari, Onira de Ávila Pinheiro Tancrede, Robson Corrêa de Camargo, and Ronei Vieira Nogueira | 7th Feb 2023 | Applied Theatre, Brazil, Education, Essay, Festivals, Poland, Transcultural Collaborations
ENTRE, is a Portuguese verb in the imperative tense that invites us to enter. That says to us:...
Read MorePosted by Rodolfo García Vázquez | 6th Feb 2023 | Brazil, Covid-19, Essay, Poland, Theatre and Science, Transcultural Collaborations
Praça Roosevelt (Roosevelt Square) is a square located in downtown São Paulo. It was a historic...
Read MorePosted by Aleks Sierz | 5th Feb 2023 | LGBTQ+ Theatre, Review, Theatre and Religion, United Kingdom
Willy Hudson is a writer and performer from Exeter — his Willy Hudson Ltd theatre company...
Read MorePosted by Sabrina Sabatino | 3rd Feb 2023 | Festivals, Italy, Musical Theatre, Review
Naples. Last October and November, Naples was traversed by a cultural event that aimed to reassign...
Read MorePosted by Kate Dossett | 2nd Feb 2023 | News, Theatre and Politics, United Kingdom
In an age of so-called “cancel culture” it’s important to remember that for much of British...
Read MorePosted by Aleks Sierz | 1st Feb 2023 | LGBTQ+ Theatre, Review, United Kingdom
Ever been to a queer club? You know, drag cabaret night at Madame Jojo’s, or the Black Cap or Her...
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