Unjust Laughter: Representations of Equity-Deserving Groups in Contemporary Iraqi Comedy
Introduction The ongoing unsettling shift of my identity from a “white” Iraqi back home (in Iraq)...
Read MorePosted by Amir Al-Azraki | 8th Jan 2023 | Essay, Iraq, Theatre and Politics
Introduction The ongoing unsettling shift of my identity from a “white” Iraqi back home (in Iraq)...
Read MorePosted by Ademola Bello | 7th Jan 2023 | LGBTQ+ Theatre, New York, Review, Theatre and Decolonization, United States of America
The young playwright Jordan E. Cooper deserves kudos for writing the play Ain’t No Mo. He is...
Read MorePosted by Todd Sullivan | 6th Jan 2023 | Nigeria, Producing, Taiwan, Theatre and Decolonization, Transcultural Collaborations
It began as a direct message conversation between two black creatives: Ghanniy Oyedele from...
Read MorePosted by Alexander Fatouros | 5th Jan 2023 | Interview, Ireland, Theatre and Dance, United Kingdom, United States of America
It was a chance meeting at MoMA’s dance series “Some sweet day” that brought Ingrid Nachstern and...
Read MorePosted by Alexander Nderitu | 4th Jan 2023 | Applied Theatre, France, Kenya, Participatory Theatre, Theatre for Young Audiences
Alliance Française de Nairobi celebrated of the fourth centenary of Molière’s birth with an...
Read MorePosted by Emilija Kvočka | 4th Jan 2023 | Adaptation, Directing, Festivals, Review, Serbia
At this “Desiré” festival in Subotica, on the stage of the Dezső Kosztolányi Theatre,...
Read MorePosted by Clare Cioffero | 3rd Jan 2023 | New York, Playwriting, Puppetry, South Korea, United States of America
The simplicity of the set was enriched with exquisite lighting design, by Oliver Wason, depicting the starry heavens above, exploding bombs, flocks of butterflies, even projections of characters.
Read MorePosted by Oliver Giles | 2nd Jan 2023 | China, Hong Kong, Producing, Theatre and Art
Para Site, one of Hong Kong’s leading contemporary art spaces, is famous for its sprawling,...
Read More