Battery Dance Festival+: Canadian Voices in Dance
In August 2020, Battery Dance shifted its annual Battery Dance Festival to a virtual format. The...
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Month: May 2021
“La realidad”, Or How to Build Fake News
The premiere of La realidad, the new play by Darío Facal and Pedro Cantalejo, was in March at the...
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Spotlight on “Pale Sister”: On Lighting in Digital Theatre
Pale Sister is the latest adaptation of the Sophoclean tragedy, Antigone (c. 441 BC), written by...
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Be Creative with Your Videoconferencing, Make it Memorable, Make a Difference
On the 21st March 2020, I put out a simple message on my Facebook profile in response to the...
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“The Door You Never Saw Before: A Choosical Musical” at The Geffen
It’s been a decade of a year, and The Geffen Playhouse (or Geffen Stayhouse as they have been...
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“Lerumo”: A Cautionary Tale
Lerumo, written and directed by Malaika Ntsoeu and featuring Malaika Motshabi Ntsoeu, Malefu...
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Waking Up in the Morning, Thinking About “This American Wife”
“Waking up in the morning, thinking about so many things, I just wish things would get...
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Our Experiments: Democratizing The Creative Process
In December 2020, Teatro Stabile di Torino worked with 63 theatre artists on seven radical,...
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Robbie McCauley, Groundbreaking Playwright and Performer Dies at 79
Robbie McCauley, a groundbreaking playwright and performer has died. She received an OBIE Award...
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Online Acting Classes? Here Are the Pros and Cons
If you’re an out-of-work actor stuck at home in a lockdown, you’ve probably asked yourself this...
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Experimenting with Virtual Theatre: An Interview with Igor Golyak
Igor Golyak is the Artistic Director of Arlekin Players Theatre. Arlekin Players Theatre has...
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XR | AR | VR: CultureHub on La MaMa’s Coffeehouse Aesthetic, Immersive Art, and Tech-Integrated Theatre
Located in graffiti-laden downtown Manhattan where the East Village and NoHo meet at 47 Great...
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The Theatre Times Launches Third Edition of IOTF: International Online Theatre Festival
ANNOUNCING: IOTF 2021: THE THIRD INTERNATIONAL ONLINE THEATRE FESTIVAL Future Directions: R3 May...
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About “Saving Britney”: Prologue
Uncertainty can sometimes provoke creativity. When the opening of Shereen Roushbaiani’s one-woman...
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A Play Adapted From Paul Zacharia’s “Ithanente Peru” Puts Nathuram Godse Under The Spotlight
Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...
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Immersive Opera “Laila” at the 50th Hong Kong Arts Festival
Laila, a special co-production by the Hong Kong Arts Festival (HKAF) and the Finnish National...
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The Women Making Waves in Theatre in Africa Part 2
In most parts of Traditional Africa, theatre was a prerogative of the woman. Women were the...
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“We Wish We’d Had This Show When We Were Kids”: Interview With “The Glitter Garden” Playwrights George Fowler and Lori Leigh
The Glitter Garden by George Fowler and Lori Leigh. Directed by Lori Leigh. Circa Theatre,...
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Australia’s Settler and First Nations Histories Meet in The Wild of The Bush in “Dogged”
Review: Dogged, directed by Declan Greene. Griffin Theatre Company in association with Force...
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About “The Separation”
The camera can take you to places where the naked eye rarely goes. Like close. Very close. Close...
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