“Penelope Sleeps” – Mette Edvardsen & Matteo Fargion
Penelope Sleeps begins in medias res. Three performers, lying as though dead onstage, and a small...
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Month: June 2019
“ANNA” at The National Theatre
Stasiland is a fascinating mental space. As a historical location, the former East Germany, or...
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STO Union’s Nadia Ross Charting Her Own Disruptive Course North Of Wakefield
An abandoned high school in the village of Farrellton, Que., just north of Wakefield, seems an...
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Shakespeare, Sinatra, And The Philosophy Of Aging
Aging in the world of entertainment is portrayed in a variety of ways. In some cases it’s graceful...
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“The Rite Of Spring”: A Notoriously Difficult Ballet Comes To The Hong Kong Stage
Hong Kong Ballet gave two young choreographers a difficult task: produce the notoriously difficult...
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Theatre Kraken’s “Lysistrata” at the Gladstone Theatre
I naively asked the production team which translation they used for the production since I assumed...
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“Amour” at Charing Cross Theatre
In Amour at Charing Cross Theatre, Post-World War II Paris is putting itself back together. People...
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Sachli Gholamalizad’s “Let us believe in the beginning of the cold season”: Iranian Identity in an Age of Diaspora
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
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“Our Stage: European Bürgerbühne Festival”: Day Five, Wednesday
Pending Vote is a fully-interactive performance from Catalan director Roger Bernat, with a text by...
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“Our Stage: European Bürgerbühne Festival”: Day Four, Tuesday
Hungarian company ‘Lifeboat Unit – STEREO AKT’ bring their enticing and interactive performative...
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“Our Stage: European Bürgerbühne Festival”: Day Three, Monday
Heavy rain has restricted the opportunity to take a city walk around Dresden with festival...
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Julia Pascal’s “Blueprint Medea” at The Finborough Theatre: Mythical Reboot
The rewriting of Ancient Greek myth offers a way of creating contemporary stories that have a deep...
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“Let Us Believe In The Beginning Of The Cold Season” – Sachli Gholamalizad
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
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salt. at The Royal Court
A hit of the Edinburgh Fringe 2017, Selina Thompson’s one-woman show salt is on at the Royal Court...
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