A Look Into Madrid’s 35th Festival De Otoño A Primavera
The Festival de Otoño (Fall Festival) was created in Madrid in 1984, and since then, it has...
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Month: September 2017
Exquisite Growth In “Frantic Beauty”
There is no growth without decay. When I was considering Dante in Italy, many years ago, I...
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When Real Life Out-Performs The Theatre: “1984” At The Reykjavik City Theatre
“If one is to rule, and to continue ruling, one must be able to dislocate the sense of reality.”...
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From Feminist to Globalist to Humanist: Intercultural Dramaturgy for Compassionate Action in Danai Gurira’s “Eclipsed”
They were all standing there beautifully, very funkily clad, in jeans and their shoulders and very...
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West Coast Premiere – “Please Excuse My Dear Aunt Sally” At The Odyssey Theatre
Founded in 1969 by Artistic Director Ron Sossi, The Odyssey Theatre Ensemble is Los Angeles’...
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Rajiv Joseph’s “Describe the Night” Perseveres in the Wake of Hurricane Harvey
As the floodwaters of Hurricane Harvey poured into Houston’s Alley Theatre on August 27,...
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Botho Pan African Arts Festival 2017
Wushwini Arts, Culture and Heritage Centre’s 4th Annual Festival runs from 28 September to 1...
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Sydney Festival Review: Beckett’s “All That Fall”
In the program notes to Pan Pan Theatre’s outstanding production of All That Fall at the Sydney...
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Arab Arts Focus At Edinburgh Festival Shines Despite Visa Rejections By UK
Organized by Cairo’s D-CAF festival, Arab Arts Focus ran for a month, garnering positive...
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Algorithm, Composition, And Metaphor
What is algorithmic theatre? For the last several years, I’ve been using the term...
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“Yerma” at The Young Vic.
Yerma in London, as the subtitle states, is a contemporary adaptation of Federico García...
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Where And How To Find Foreigner-Friendly Performances In Moscow’s Theaters
Moscow is an excellent venue for devoted drama connoisseurs, even if you don’t speak Russian. Here...
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A Step Forward: A Look Into The 2017 Cairo Intl. Festival For Contemporary And Experimental Theatre
The Cairo International Festival for Contemporary and Experimental Theatre (CIFCET) has just...
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Theaters In Japan Are Looking At Longer Runs For Their Productions
As I turned the pages of a free magazine in London this summer, a picture of a beaming woman...
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The Words of The Plays
Continta me tienes, the Spanish publishing house, sent us the volume The Words of the Plays,...
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Patricia Cornelius’ “Big Heart” Exposes Hypocrisy In Tale Of Multicultural Adoption
Playwright Patricia Cornelius is known for populating the stage with complex, working-class,...
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Supertitles Galore At The 2017 Avignon Festival: Necessary Or Not?
I’ve recently returned from the Avignon Festival where I’m sure I saw more shows with supertitles...
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The Inability to Fill the Void: Eduardo Orozco’s “Asatia”
Premise: The protagonist in Eduardo Orozco’s play Asatia discovers that dedicating...
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On Liberation And Progression – “Theatertreffen in Hong Kong”
It was an achievement that West Kowloon Cultural District Authority and Goethe-Institut Hong Kong...
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From “Hamlet” To “El Huracán”: An Interview With Charise Castro Smith
While Charise Castro Smith began her career as an actor, in recent years the Miami native has...
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