The Secret Lives of Playwrights
A new theatre podcast by the playwright Simon Stephens sheds light on the people behind the plays....
Read MorePosted by Alice Jones | 13th Dec 2016 | Playwriting, United Kingdom
A new theatre podcast by the playwright Simon Stephens sheds light on the people behind the plays....
Read MorePosted by Alex First | 13th Dec 2016 | Australia, LGBTQ+ Theatre, Review
Bold and provocative, directed by Sarah Vickery.Thomas Ian Doyle’s latest work – The Upstairs...
Read MorePosted by The Theatre Times | 12th Dec 2016 | Design, Education, News, Philippines
The Philippine Educational Theater Association (PETA) lives up to its vision of “mounting...
Read MorePosted by Ágnes Bakk | 12th Dec 2016 | Immersive Theatre, Interview, Participatory Theatre, Transmedia
Evert Hoogendoorn is a strategist and game designer at IJsfontein Interactive Media. He also has a...
Read MorePosted by Jessica Rizzo | 11th Dec 2016 | Philadelphia, Review, United States of America
Seuls Written, Directed, and Performed by Wajdi Mouawad The Wilma Theater, Philadelphia Nov....
Read MorePosted by Eric M. B. Becker | 11th Dec 2016 | Essay, Translation
More than ten years after Words without Borders presented its first issue of theater in...
Read MorePosted by The Theatre Times | 11th Dec 2016 | News, South Sudan, Theatre and Politics
Musicians played lively tunes in South Sudan’s capital, and pedestrians and market shoppers...
Read MorePosted by James Graham | 10th Dec 2016 | News, Theatre and Politics, United Kingdom
The danger of writing political plays is that reality, of course, has a habit of overtaking you....
Read MorePosted by Sallie Bieterman | 9th Dec 2016 | Millennial Perspectives
Being a white actor means actively challenging and refusing to participate in the whitewashed casting of shows that exists at all levels of theatre, show business, and media.
Read MorePosted by Lola Proaño Gomez | 9th Dec 2016 | Review, Theatre and Gender, Uruguay
Delmira Agustini (1886–1914), one of the most important Uruguayan poets, was assassinated by...
Read MorePosted by Julian Meyrick | 9th Dec 2016 | Australia, Essay
In 1955, two plays, The Torrents by Oriel Gray and Summer of the Seventeenth Doll by Ray Lawler,...
Read MorePosted by Magda Romanska | 9th Dec 2016 | Editorial
TheTheatreTimes.com is a non-partisan, volunteer-based, global portal for theatre news. With an...
Read MorePosted by Marina Shimadina | 9th Dec 2016 | Review, Russia
Yury Butusov premiered his new production of Brecht at the Pushkin Theater, which is fated to...
Read MorePosted by Kennith Rosario | 9th Dec 2016 | India, News
After over two decades, the Sultan Padamsee Award has been revived to discover fresh narratives in...
Read MorePosted by Ana-Maria Bandean | 9th Dec 2016 | New York, News, Romania, United States of America
On the nights of November 18 & November 20, 2016, at Here Arts Centre, NYC, I was being...
Read MorePosted by William Gregory | 8th Dec 2016 | London, News, Translation, United Kingdom
There are plenty of theatre translators who start out as actors, directors, playwrights or other...
Read MorePosted by Mohammad Asim Siddiqui | 8th Dec 2016 | Adaptation, India, Review, Theatre and Politics
In his institutional history of literature in American colleges and universities, Gerald Graff...
Read MorePosted by Lauren Dubowski | 8th Dec 2016 | News, Poland
Warsaw, The Centrala Theatre/Zachęta, National Gallery of Art: Orestes, directed by Michał Zadara...
Read MorePosted by Lauren Deutsch | 7th Dec 2016 | Essay, Japan, Musical Theatre, Theatre and Gender
Nothing’s clear-cut at Japan’s Takarazuka Revue, arguably one of the world’s largest all-female musical theatre groups. The women who portray male roles in the Revue’s repertoire must maintain a semblance of “maleness” off-stage as well, the “off” boundaries being far away from the theatre environs.
Read MorePosted by Michele Rolim | 6th Dec 2016 | Brazil, Dramaturgy, Essay, Festivals, Producing
The curator’s role in the performing arts area seems to be, for many—including the curators...
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