“Albion” Returns to The Almeida, but Falls Short of Its Political Aspirations
There is nothing wrong with Albion. But the fact that the play is now ‘returning’ to the Almeida...
Read MorePosted by Julian De Medeiros | 25th Feb 2020 | London, Review, Theatre and Politics, United Kingdom
There is nothing wrong with Albion. But the fact that the play is now ‘returning’ to the Almeida...
Read MorePosted by Mert Dilek | 22nd Feb 2020 | London, Review, Theatre and Politics, United Kingdom, United States of America
Antoinette Nwandu’s play Pass Over is a palimpsest. Its outer surface looks familiar: haunted by...
Read MorePosted by Mert Dilek | 20th Feb 2020 | Adaptation, London, Review, United Kingdom
Now that’s what I call a star turn. Hitting the brakes on an express train, Lesley Manville lands...
Read MorePosted by Aleks Sierz | 20th Feb 2020 | London, Review, Theatre and Politics, United Kingdom
Is this an angry island? Although the British national character (if there is such a thing) has...
Read MorePosted by Aleks Sierz | 18th Feb 2020 | London, Review, Theatre and Politics, United Kingdom
Last week, I went for the first time to Stoke Newington’s Tower Theatre, whose company has since...
Read MorePosted by Mert Dilek | 16th Feb 2020 | Adaptation, London, Review, United Kingdom
A woman walks into her home. Then does another. And another. Stef Smith’s Nora: A Doll’s House is...
Read MorePosted by Mert Dilek | 7th Feb 2020 | Adaptation, London, Review, United Kingdom
Could diabolical interference be the only way for a woman in 17th-century London to advance in...
Read MorePosted by Jack Wernick | 27th Dec 2019 | New York, Review, United States of America
The ghost of David Bowie is alive and well and residing in the basement of La MaMa’s...
Read MorePosted by Mert Dilek | 19th Dec 2019 | London, Review, United Kingdom
It is hard to believe that Shelagh Delaney wrote A Taste of Honey when she was only nineteen. This...
Read MorePosted by Mert Dilek | 15th Dec 2019 | London, Review, Theatre and Gender, United Kingdom
This Duchess of Malfi is a cool one. It is so cool that it has lost its gripping temper and, with...
Read MorePosted by Mert Dilek | 12th Dec 2019 | Adaptation, London, Review, United Kingdom
“You into words?” Jamie Lloyd’s magnificent treatment of Cyrano de Bergerac very much...
Read MorePosted by Mert Dilek | 8th Dec 2019 | London, Review, Theatre and Politics, United Kingdom
Fairview is a scorching minefield that looks like a green meadow. At long last, London audiences...
Read MorePosted by Mert Dilek | 6th Dec 2019 | London, Review, United Kingdom
’Tis the season for Christmas pantos across the UK, and there could not be a more ideal opener to...
Read MorePosted by Mert Dilek | 8th Nov 2019 | London, Review, United Kingdom
The winner of the 2019 Papatango New Writing Prize, Shook by Samuel Bailey offers a glimpse into...
Read MorePosted by Mert Dilek | 31st Oct 2019 | London, Review, United Kingdom, United States of America
“Wily, slippery thing.” “Spiky little animal.” “One long nightmare.” These are the phrases that...
Read MorePosted by Mert Dilek | 26th Oct 2019 | London, Review, Theatre and Gender, United Kingdom
Believe me when I tell you that there is much more to Alice Birch’s play [BLANK] than meets the...
Read MorePosted by Mert Dilek | 25th Oct 2019 | Adaptation, London, Review, United Kingdom
“Our family doesn’t get on,” sneers the eponymous matriarch of Maxim Gorky’s Vassa, now playing at...
Read MorePosted by Mert Dilek | 17th Oct 2019 | Adaptation, London, Review, United Kingdom
Far away from Earth, there is a planet called Solaris. It is covered by an ocean and orbits two...
Read MorePosted by Mert Dilek | 13th Oct 2019 | London, Review, Theatre and Politics, United Kingdom
What does it really mean to do political theatre? Does the theatre even hold any potential to...
Read MorePosted by Mert Dilek | 29th Sep 2019 | London, Review, United Kingdom
There is no denying that Cary Churchill is the greatest living British playwright. So, what you...
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