Poetic Political Theatre: A Review of “The Secret River” by Kate Grenville, Adapted by Andrew Bovell
The Sydney Theatre Company’s 2013 landmark staging of The Secret River to the United Kingdom was...
Read MorePosted by Katalin Trencsényi | 28th Sep 2019 | Australia, London, Review, United Kingdom
The Sydney Theatre Company’s 2013 landmark staging of The Secret River to the United Kingdom was...
Read MorePosted by Mert Dilek | 21st Sep 2019 | London, Review, Theatre and Politics, United Kingdom
Alexander Zeldin’s new play arrives at the National Theatre’s Dorfman stage with a title...
Read MorePosted by Mert Dilek | 8th Sep 2019 | London, Review, United Kingdom
The Turbine Theatre opens its doors to London audiences with Drew McOnie’s intimate production of...
Read MorePosted by Mert Dilek | 7th Sep 2019 | London, Review, United Kingdom
A defrocked minister who botches up his job as a tour guide; a recently widowed hotel manager who...
Read MorePosted by Mert Dilek | 5th Sep 2019 | Adaptation, London, Review, United Kingdom
“Crystal clear.” The adjective, repeated like a mantra in Robert Icke’s The Doctor, is charged...
Read MorePosted by Kaggwa Andrew Mayiga | 23rd Aug 2019 | Producing, Review, Rwanda
The year 1994 In 1994, Nelson Mandela had been free since 1990, but a candidate in the upcoming...
Read MorePosted by Laura Kressly | 3rd Jul 2019 | The Play's The Thing UK
In the programme notes, director Graham Watts states, “there are hundreds of astonishing plays...
Read MorePosted by Mert Dilek | 22nd Jun 2019 | London, Review, Theatre and Science, United Kingdom
Dramatic representations of ennui often have an important decision to make at the onset of their...
Read MorePosted by Mert Dilek | 20th Jun 2019 | London, Review, Theatre and Politics, United Kingdom
Many a dramatist has imagined what happens to Nora after she slams the door at the end of Ibsen’s...
Read MorePosted by Laura Kressly | 12th Jun 2019 | The Play's The Thing UK
It’s 2019 and we’re in purgatory. Some (many?) might say hell, considering the late capitalist...
Read MorePosted by Laura Kressly | 10th Jun 2019 | The Play's The Thing UK
In 1930s St Louis, Missouri, housing laws ensured black people and white people lived in separate...
Read MorePosted by Laura Kressly | 8th Jun 2019 | The Play's The Thing UK
The patriarchy has a lot to answer for, including what must be a ridiculous profit margin for the...
Read MorePosted by Aleks Sierz | 1st Jun 2019 | London, Review, Theatre and Politics, United Kingdom
The rewriting of Ancient Greek myth offers a way of creating contemporary stories that have a deep...
Read MorePosted by Mert Dilek | 26th May 2019 | London, Review, Theatre and Politics, United Kingdom
Something is tantalizingly amiss at the National’s Dorfman Theatre. There is a headset attached to...
Read MorePosted by Mert Dilek | 24th May 2019 | Adaptation, London, Review, Russian Theatre Abroad, United Kingdom
“I’m bored, bored, bored.” The refrain, occasionally spoken but frequently felt, is at the heart...
Read MorePosted by Nobuko Tanaka | 16th May 2019 | Adaptation, Japan, News, Transcultural Collaborations
With praise for his Hamlet with the Royal Shakespeare Company in 2016 still ringing in his ears —...
Read MorePosted by Zabrina Lo | 14th May 2019 | Hong Kong, News, Theatre and Opera
Being one of China’s Three Tenors meant that Easter was no holiday for Warren Mok. The opera giant...
Read MorePosted by Colin Hambrook | 11th May 2019 | LGBTQ+ Theatre, News, Theatre and Disability, United Kingdom
Lesbian Pirates! is a musical based on the untold true story of the ruthless, maverick and lesbian...
Read MorePosted by Aleks Sierz | 8th May 2019 | London, Review, Theatre and Gender, United Kingdom
If British theatre often seems to lack ambition, the same cannot be said of The Half God Of...
Read MorePosted by Nobuko Tanaka | 4th May 2019 | Adaptation, Japan, News, Transcultural Collaborations
Tom Stoppard is one of the most influential figures in theater today and one of the most...
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