Death or Re-birth?: On Vicissitudes of the Egyptian Stage During 2020
This year, for theatre and dance artists around the world, it was necessary to convey the message...
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Tag: COVID-19
In India, 16% of Creative Sector Facing Permanent Closure
Many adapting to digital, live business models, but some of the workforces are changing careers....
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Interactive Online Theater – “Life on Earth”
Charles Mee’s Heaven on Earth conveys the message that our civilization, too, has come to an end;...
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Cards For Humanity: “Social Alchemix (Live!)” by Wil Petre
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
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2021 Flying Start For Human Rights Art Festival
First of the block is ‘Human Freedom 2021- A Theater for Human Rights Campaign’. This initiative is spearheaded by newly-appointed 2021 IHRAF International Fellow, Alessandro Lenzi. It is organized through a global collaboration between Raizes Teatro (Palermo), International Human Rights Art Festival (NYC), Avant – Garde Lawyers (Paris), and Global Campus of Human Rights (Venice). Alessandro Lenzi is the Director of Raizes Teatro. The Last Era, a play written by Alessandro Ienzi will be one of the features of the campaign.
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Sharm El-Sheikh International Theatre Festival for Youth: Beating the Pandemic
The festival’s fifth edition took place from November 16-20. Despite Covid-19 making even a...
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Shreyas Talpade Set to Unveil Nine Rāsā in January 2021
BShreyas Talpade hopes his new digital theatre initiative will create new opportunities for...
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Once Upon A Time In BIM: A Theatre Resuscitation In The Time Of COVID-19
Independence in Barbados is not without its many activities in celebration. We are accustomed to...
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The End of An Era: Goodbye and Thank-you to the Pavón Teatro Kamikaze
It’s December 22nd, not quite the night before Christmas but not far off, and the news has just...
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“A Christmas Carol”at The Bridge Theatre
A Christmas Carol is a seasonal standard. In a normal year, there are a couple of versions to be...
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Alexandra Theatre Academy Hosts Inaugural Current Affairs Theatre Festival
The sprawling township of Alexandra came alive from Friday 23 – Sunday 25 October when the...
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“Death of England: Delroy”, National Theatre
Okay, COVID-19 really sucks. This play opened and closed on the same night, 4 November, as the...
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“A Way Forward” For Theatre In The EU
After seven months of dialogue and organization, a group of “more than 150 policymakers, artists,...
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Transnational Chinese Theatres in Pandemic Times
I have hesitated for a while to engage with the increasingly ubiquitous “[insert own subject...
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Perspectives on the Internationalization of Theatre: An Interview with Thomas Irmer
Thomas Irmer is a scholar, dramaturg, and critic regularly contributing to Theater der Zeit,...
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The Art and Skills of Theater Festival Selections: An Interview with Slobodan Savic
Slobodan Savić (born in Požarevac in 1964) is an author, theatre critic, writer, and journalist....
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“Keely and Du” at The Seeing Place
Keely and Du, Jane Martin’s seminal work from 1993, is a piece often touted for its emotional...
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Contemporary Performing Arts Festival Stays Open to New Possibilities Despite COVID-19
Maybe 13 is an unlucky number? Contemporary theater’s annual Festival/Tokyo is known for its focus...
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Adapting Tarots in Performance: LipZinc’s “Talking Tarots”
In his very famous book The Castle of the Crossed Destinies (Il castello dei destini incrociati,...
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Foreword to “Youth Theatre- A Casebook”
It’s now June 2020. In most European countries, the first wave of Covid-19 has started to slow...
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