The Brilliance of Nuria Espert: Secrets, Lies and “La Isla Del Aire”
…a toxicity between Flavía and Mencía that hovers over the proceedings from the beginning – the reason is revealed at the end of the play. In addition, Lía had a…
Read MorePosted by Maria Delgado | 18th Apr 2023 | Adaptation, Review, Spain
…a toxicity between Flavía and Mencía that hovers over the proceedings from the beginning – the reason is revealed at the end of the play. In addition, Lía had a…
Read MorePosted by Maria Wojtan, Magdalena Borowska, Natalia Rutkowska, Barbara Herbasz | 17th Mar 2026 | Essay, Poland, United Kingdom
…performance, entitled “The List,” where, in a scene emotional to its very core, two dancers entered into a duet composed of delicate, almost weightless, bird-like movements that seemed to hover…
Read MorePosted by Maria Delgado | 11th Nov 2024 | Review, Spain
…on the margins of one wall of the auditorium. Sandra and Andrés hover around the opposing wall. Francesc watches Andrés and Sandra from across the stage, neither appear to register…
Read MorePosted by Molly Grogan Zolima CityMag | 21st Jun 2024 | Hong Kong, Review, Theatre and Art
…that hovers over the top half of his Zoom screen. He elaborates: artists in Hong Kong “are constantly thinking about their relationship between their own safe structure and the bigger…
Read MorePosted by Kirk Dodd | 20th Jul 2024 | Australia, Dramaturgy, Review, Sydney
…space. This allows for a fluent orchestration of the play’s many diversions. And hovering above the stage is a gold cosmic spiral, like a galaxy, and centered disc (the sun?)…
Read MorePosted by Maria Delgado | 12th Apr 2024 | Review, Spain
…Susana, as if observing her every move. Carlos, their “assistant”, sometimes sits at a distance, observing the proceedings; at other times he hovers behind Berna and Héctor. For all the…
Read MorePosted by Maria Delgado | 18th Jan 2024 | Chile, Review, Santiago a Mil 2024
…hour-long duration. María Onetto, the actress who created the role in Veronese’s first outing of the production in 2019, suffered from depression and committed suicide in 2023. Her ghost hovers…
Read MorePosted by Maria Delgado | 22nd Dec 2024 | Review, Spain, Theatre and Opera
…it hovered above the stage. Maria dominates Act 2, a figure increasingly vulnerable, falling to the floor in fear and panic. She appears in a white veil and black dress…
Read MorePosted by Maria Delgado | 15th Feb 2024 | Review, Spain
…ideas of legacy, agency, and forgiveness, the play examined the spectre of Lorca that hovers over Rodríguez Rapún – the celebrated writer’s name cannot be uttered in a climate of…
Read MorePosted by Aleks Sierz | 21st Feb 2025 | Playwriting, Review, Theatre and Gender, United Kingdom
…about telling your boss to shove “your Dictaphone up your arse”, offer in-yer-face surprises, while the episode in which the C-word is spoken 40 times (one for each of Leah’s…
Read MorePosted by Jack Wernick | 20th Aug 2024 | Adaptation, Argentina, Interview
…way of expressing the opposite of Lorca’s interiority. Similar in different intensity in their searches but immersed in a violent and intolerable reality where death hovers. There is intolerance. Jack…
Read MorePosted by Aleks Sierz | 5th Mar 2025 | Acting, Playwriting, Review, United Kingdom
…exactly at the moment when both of them hover on the edge of expressing themselves. Somehow this is unfairly tricksy. Instead, Payne gives us some lovely moments of social awkwardness,…
Read MorePosted by Margaret Rose | 10th Mar 2025 | Directing, Italy, Review
…the play an everyday earthiness, instead of the aura of romanticism that still hovers over some Italian productions. Juliet (Francesca Massari) and Romeo (Marcos Piacentini) make you think of any…
Read MorePosted by Annette Balam | 10th Sep 2023 | Review, Transmedia, United Kingdom
…of online theatre through blending the live and online, so their new live theatre production of Stumped equally defies and hybridizes genera categorizations by hovering around the borders of: black…
Read MorePosted by David O'Donnell | 19th Apr 2024 | Adaptation, New Zealand, Review, Worldwide
…from a description of two lovers resting under a tree. His expressive body is perfectly matched with the text, at times hovering in space in stillness, at other times moving…
Read MorePosted by Rhiannon Ling | 12th Dec 2023 | New York, Review, Theatre and Gender, Theatre and Politics, United States of America, Worldwide
…to her lover, away at war. Her hand hovers above a piece of parchment; she worries at her lip; she smiles, falters, laughs, gasps. She cannot write, and she turns…
Read MorePosted by Róisín Daly | 6th Aug 2025 | Holland Festival 2025, Netherlands, Review, Theatre and AI
Stepping into From Dust feels less like attending a performance and more like consciously entering a dream. In this virtual reality opera, Michel Van der Aa extends his innovation in…
Read MorePosted by Meg Hands | 7th May 2023 | Belgium, Essay, Theatre and Dance
…houses are now regularly using parties to seduce a (new) audience. “About last night”, Kristof van Baarle asks himself: what does this trend have to offer to the theatre? Sometimes…
Read MorePosted by Maria Delgado | 26th Dec 2025 | Review, Spain
…their son, Iván was murdered in a school shooting by another pupil, Jaime, his parents Beatriz and Martín have come to a neutral location, an arts-community venue run by a…
Read MorePosted by Maria Delgado | 4th Feb 2026 | Chile, Festivals, Review
…A frustrated Vanya and a sleeping Serebryakov in Vania. Photo courtesy of Teatro a Mil Argentine director Guillermo Cacace provided one of the highlights of Teatro a Mil in 2024…
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From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026 
