Ivo van Hove’s “The Damned” at Park Avenue Armory
Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the...
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Tartuffe or the Hypocrite: Tartare of Tartuffe
One of the most popular dishes in French cuisine is tartare. Diced beef with egg yolk and lots of...
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Miangaly Theatre Company: Defining the Stage in Madagascar
They say everyone can be an actor. Any location can transform into a theatre stage. Yet finding a...
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Nice to MITEM you: the 10th edition of the Madách International Theatre Meeting Opens in the Hungarian Capital
Budapest is becoming a vibrant place and proving highly attractive to theatre lovers. All the...
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The Many Publics Of “The Marché Des Arts Du Spectacle D’Abidjan”
The Marché des Arts du Spectacle d’Abidjan (Abidjan Market for Performing Arts), or MASA, is one...
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Fassbinder Takes The Stage At The Schaubühne
I first saw Rainer Werner Fassbinder’s Film, The Marriage of Maria Braun not long after it first...
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Edinburgh Festival Fringe 2025 in 22 Shows
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
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Unbound Curation – The Freedom Of Programming Without Frames
An Interview with Mr. Guy Coolen, art director, producer, manager, Antwerp, Belgium/Rotterdam,...
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Oscar Wilde’s “Salome” At Irondale
M-34 Productions and FringeNYC present a dazzling new production of Salome at the Irondale Center...
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“Translators As The Most Attentive And Analytical Readers: Knowing Every Corner, Strength, And Weakness Of A Text”
An interview with Mrs. Gabriela Abrasowicz (Slavist, translator, and theatre scholar, Poland)....
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Dissecting the Camera: Shifting Positions Between Theatre and Science
Defined as “a place to observe” The Theatron (theatre) has been an experimental platform for...
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Natalia Lizorkina’s “Vanya is Alive” Is Both A Play and Witness Statement
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we...
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From Richard To Richard: MITEM 2026 And a Europe in a State of Alarm
MITEM (Madách International Theatre Meeting), held annually at the National Theatre in Budapest,...
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“Border” And “Sheol/שאול” – Wachowicz/Fret Studio At Edinburgh Festival Fringe 2024
At this year’s Edinburgh Festival in the Grotowski Institute Residence Cube at Fringe 2024...
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Sentimentality and Mentality, Apocalypse and Theatrical Eclipse at 69th Sterijno Pozorje
The (Post)apocalyptic Light of the Stage – is the slogan of the 69th Sterijno pozorje, a festival...
Read More![“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/01/WK2023-10-07_0075-627x376.jpg.webp)
“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]
Ellen Pearlman interviewed by Ivo Marais Ivo: These questions are crafted to reflect the...
Read MoreLanguage Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]
Ellen Pearlman interviewed by Ivo Marais To read PART I of this interview, go to this link. ...
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Everything In Programming Matters To Cultivate The Spectator`S Free Will
An Interview with Mr. Hassane Kassi Kouyaté, Chair of the International Artistic Committee of MASA...
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“The Pillars of the Earth”: The Evolution of Spanish Musical Theatre. An exclusive interview with Iván Macías. Part I
In November 2024, the world premiere of a new musical by composer Iván Macías, The Pillars of the...
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Léonora Miano On “What Must be Said”
The stage adaptation of Léonora Miano’s Ce qu’il faut dire (or “What Must be Said”) addresses a...
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