…be seen as uniquely American signs, to riff on the title. Problems can be looked upon from the Australian vantage point as happening “over there.” This raises at least two…
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…the stage, even in an unfamiliar language, adds a special aura to the audience’s perception of the production. Leaning Church, directed by Radovan Lipus, is a production of the Czech…
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…between stage and spectator has been seen as the key characteristic of much of his work of late, including Who is Me. Pasolini (2016) and Vania (2017). For the opening…
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…1996. It’s an old wound that refuses to heal. The loss sparked dejected England fans to vandalise German cars and burn Southgate effigies. Despite his emotional baggage, circumstances thrust Southgate…
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…is absent in both the play and the opera and here Loy gives her a physical presence. She hovers, picking up Elle’s discarded items of clothing, amd follows her from…
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…of the play, steering much of the action from her vantage point. Okereke’s magnificent voice, moreover, infuses the well-known songs in the play with new life. Towards the end, her…
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…watches himself battle with the consequences of opening or not opening the box. Space, time, and causality cease to exist as with Stanley knife in hand he hovers in a…
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…Jan Anouilh, should be programmed towards the showcase’s end. Staged in Gjakova, a town hovering on the edges of the border with Albania, it has a distinctly local feel, where…
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…in Seryoga’s house and involve two families. In his 50s, he is a Ukrainian widower who lives with Marianca, a 32-year-old Moldovan woman. At the start of the play, his…
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…Alvarez. Photo Tom Van Eynde Alvarez is currently preparing for an exhibition at the GRAY NEW YORK gallery. Her work will be featured alongside pieces by Bob Thompson, an artist…
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…in the air representing the weight of institutions on artists in Hong Kong, China and Singapore. Describing the arts ecosystem in Hong Kong, he finger sketches a box that hovers…
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…the play an everyday earthiness, instead of the aura of romanticism that still hovers over some Italian productions. Juliet (Francesca Massari) and Romeo (Marcos Piacentini) make you think of any…
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…formally precise form hovering on cross-braced timber pillars a metre above the floor of the theatre, separated from the audience by a dark moat, towards which descend a flight of…
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…one section of Beckett Briefs that doesn’t quite gel. Not I is a monologue in which Mouth, hovering eight feet above the stage in a tight spotlight, emits a furious,…
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…“I will be COOL”; “Everything would be BORING, but not senior discounts” “Asleep on my hovercraft chair” [with matching illustration]; “I will tell storys to my grankids”. From the intimacy…
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…years in Manchester, hovers as its own mystery. Marjan’s enthusiasm for English is evident, as is her empathy with those trying to prepare themselves to leave Iran, but she never…
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…a toxicity between Flavía and Mencía that hovers over the proceedings from the beginning – the reason is revealed at the end of the play. In addition, Lía had a…
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…performance, entitled “The List,” where, in a scene emotional to its very core, two dancers entered into a duet composed of delicate, almost weightless, bird-like movements that seemed to hover…
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…on the margins of one wall of the auditorium. Sandra and Andrés hover around the opposing wall. Francesc watches Andrés and Sandra from across the stage, neither appear to register…
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…Susana, as if observing her every move. Carlos, their “assistant”, sometimes sits at a distance, observing the proceedings; at other times he hovers behind Berna and Héctor. For all the…
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Chess The Musical: About Human Nature, Not Politics.… 20th May 2026 
Waking Up in the Spotlight with “The Unusual… 24th March 2026 
Christopher Hampton’s “Les Liaisons Dangereuses” at… 8th April 2026 
“No Man’s Land:” Architecture As Collective… 6th July 2026 
“Translators As The Most Attentive And… 26th June 2026 