Beyond the Canvas: The Art of Candida Alvarez
…Alvarez. Photo Tom Van Eynde Alvarez is currently preparing for an exhibition at the GRAY NEW YORK gallery. Her work will be featured alongside pieces by Bob Thompson, an artist…
Read MorePosted by Alexander Fatouros | 21st Feb 2025 | New York, Transmedia, United States of America
…Alvarez. Photo Tom Van Eynde Alvarez is currently preparing for an exhibition at the GRAY NEW YORK gallery. Her work will be featured alongside pieces by Bob Thompson, an artist…
Read MorePosted by Aleks Sierz | 20th Feb 2026 | Playwriting, Review, Theatre and Politics, Ukraine, United Kingdom
…in Seryoga’s house and involve two families. In his 50s, he is a Ukrainian widower who lives with Marianca, a 32-year-old Moldovan woman. At the start of the play, his…
Read MorePosted by David Turner | 20th Nov 2023 | Documentary Theatre, Review, United Kingdom
…1996. It’s an old wound that refuses to heal. The loss sparked dejected England fans to vandalise German cars and burn Southgate effigies. Despite his emotional baggage, circumstances thrust Southgate…
Read MorePosted by Maria Delgado | 25th Mar 2024 | Review, Spain, Theatre and Opera
…is absent in both the play and the opera and here Loy gives her a physical presence. She hovers, picking up Elle’s discarded items of clothing, amd follows her from…
Read MorePosted by Verity Healey | 19th Nov 2023 | Kosovo, Review, Theatre and Politics
…Jan Anouilh, should be programmed towards the showcase’s end. Staged in Gjakova, a town hovering on the edges of the border with Albania, it has a distinctly local feel, where…
Read MorePosted by Annette Balaam | 4th Sep 2023 | Review, Transmedia, United Kingdom
…watches himself battle with the consequences of opening or not opening the box. Space, time, and causality cease to exist as with Stanley knife in hand he hovers in a…
Read MorePosted by Maria Delgado | 21st Dec 2023 | Management, Review, Spain, Theatre and Politics
…between stage and spectator has been seen as the key characteristic of much of his work of late, including Who is Me. Pasolini (2016) and Vania (2017). For the opening…
Read MorePosted by Emilija Kvočka | 13th Jun 2025 | Festivals, Review, Serbia
In honour of playwright Jovan Sterija Popović, Sterijino pozorje was held this year for the seventieth time. In the selection curated by theatrologist and theatre critic Ana Tasić, nine plays…
Read MorePosted by Javad Mohajeri | 6th Aug 2025 | Holland Festival 2025, Netherlands, Review, Theatre and AI
Arrival and Anticipation On Thursday, June 19, I participated in Michel van der Aa’s From Dust. The performance was presented as a virtual reality opera, scheduled into precise 20-minute time…
Read MorePosted by Suganthy Krishnamachari | 30th Apr 2024 | India, Playwriting, Review
Tiruchiyai Meetta Sundarapandiyan and Blackout — two plays with different plots were presented with a slice of comedy at the annual event. Theatre Karpanai Kudhirai’s Tiruchiyai Meetta Sundarapandian is about…
Read MorePosted by Molly Grogan Zolima CityMag | 19th Jun 2024 | Directing, Hong Kong, Interview, Singapore
…in the air representing the weight of institutions on artists in Hong Kong, China and Singapore. Describing the arts ecosystem in Hong Kong, he finger sketches a box that hovers…
Read MorePosted by Maria Delgado | 29th Mar 2026 | Argentina, Review
…dance floor. Two tables with DJ decks face each across the space, screens offer spaces for projection. A giant neon light hovers above the stage, modernist in design. A loose…
Read MorePosted by Maria Delgado | 30th Oct 2023 | Review, Spain
…sexual feelings for her. There is also the womanising Álvaro Mesía hovering in the distance who hopes to seduce her – Ana ultimately falling victim to two men who each…
Read MorePosted by Maria Delgado | 8th Feb 2024 | Review, Spain
…the first section of the action, move and slide during the storm scene. They hover menacingly over Lear and his entourage as the errant troupe seek protection from the elements….
Read MorePosted by Annette Balaam | 15th Dec 2023 | Design, London, United Kingdom
…daylight created the most wonderful experience of the infinite variety and play of light and shadow waltzing merrily across the floor, doors, walls and ceiling. Two hooded hairdryers hover over…
Read MorePosted by Jonathan Kalb | 2nd Apr 2023 | Devised Theatre, Documentary Theatre, New York, Review, Theatre and Politics, United Kingdom, United States of America
…these matters never rise to be gripping; rather they hover and dally as informational. At least from row J, the play’s events remain interesting ideas generated in improv material that…
Read MorePosted by Ian Maxwell | 16th Apr 2024 | Australia, Review, Theatre and Gender
…formally precise form hovering on cross-braced timber pillars a metre above the floor of the theatre, separated from the audience by a dark moat, towards which descend a flight of…
Read MorePosted by Jonathan Kalb | 10th Feb 2025 | Directing, Review, United States of America
…one section of Beckett Briefs that doesn’t quite gel. Not I is a monologue in which Mouth, hovering eight feet above the stage in a tight spotlight, emits a furious,…
Read MorePosted by David O'Donnell | 5th Feb 2024 | Documentary Theatre, New Zealand, Theatre and Age
…“I will be COOL”; “Everything would be BORING, but not senior discounts” “Asleep on my hovercraft chair” [with matching illustration]; “I will tell storys to my grankids”. From the intimacy…
Read MorePosted by Jonathan Kalb | 13th Feb 2025 | Review, Theatre and Politics, United States of America
…years in Manchester, hovers as its own mystery. Marjan’s enthusiasm for English is evident, as is her empathy with those trying to prepare themselves to leave Iran, but she never…
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The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026