United States of America Archives - Page 33 of 57

“Art Tells Truth That Truth Itself Can’t”: A Glimpse Into The Multimedia Mind Of Andrew Schneider

Posted by Irina Yakubovskaya | 26th Apr 2019 | Interview, Transmedia, United States of America

Andrew Schneider, a Milwaukee native, is an OBIE Award-winning, Drama Desk-nominated performer,...

“Diana of Dobson’s” at Antaeus Theatre Company

Posted by Christine Deitner | 25th Apr 2019 | Los Angeles, Review, United States of America

A young woman with no family to fall back on earns a meager living as a shopgirl but her salary is...

“The Burdens” At City Theatre In Pittsburgh, PA, USA

Posted by Wendy Arons | 23rd Apr 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America

Words, such tricky things! So vital to our survival as social creatures, yet so easily mis-fired...

“Les Miz And Friends: A Puppet Parody” At The Hudson Theatre Is An Absolutely Hysterical Delight.

Posted by Christine Deitner | 21st Apr 2019 | Los Angeles, Puppetry, Review, United States of America

The press for the show promises audience interaction and improv but the way both are utilized here is utterly impressive. In three of those many “Master of the House” reprises, Flati and Makarayk sing songs about three members of the audience who have volunteered and base their verses off of the volunteers entirely. This is a talented cast of truly funny people who can really, really sing. And if you are a fan of any Muppet-inspired vehicle, it’s hard not to be jealous of those three volunteers for they get to interact with such beautifully crafted characters.

“Cardboard Piano.” A Play Of Strong Emotions

Posted by Jane Baldwin | 20th Apr 2019 | Review, United States of America

Hansol Jung’s Cardboard Piano explores love, hate, war, sexuality, and religion in Northern...

Fiona Shaw Performs “The Waste Land” In Madison Square Park

Posted by Jonathan Kalb | 20th Apr 2019 | New York, Review, United States of America

At the risk of throwing a wrench in your schedule, you really do have to drop everything (for the...

On Broadway, “Burn This” Singes the Frayed Nerves of 20th Century Romance

Posted by Michael Appler | 19th Apr 2019 | New York, Review, United States of America

“I’m being pillaged and raped. I’m being pillaged and I’m being raped. And I don’t like it,” says...

World Premiere of Georgina Escobar’s “Then They Forgot About The Rest” Delivers Frontier Futura Funk

Posted by Trevor Boffone | 19th Apr 2019 | New York, United States of America

What lengths would you go to forget about the greatest pain of your life? Losing a child, a...

Necromancers of the Public Domain: Art Both Free and Liberating

Posted by Abigail Weil | 17th Apr 2019 | Design, Devised Theatre, Musical Theatre, New York, Review

In 1919, following the devastation of the First World War, a movement arose to aid in the...

Finding Leonardo

Posted by AeRhee Lee | 17th Apr 2019 | New York, Review, Theatre and Politics, United States of America

Words that should mean something were thrown across the stage as a light beam, giving a glimpse of hope that somehow, music or singer will communicate a genius who saw ugliness in his fellow human yet wanted to please, to serve them, who wrote he was never tired of serving, pleasing.No, that did not happen.