“Yerma:” Visceral Obsession
In a new translation/adaptation by Huntington Playwright-in-Residence Melinda Lopez, Yerma,...
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Hollywood Fringe Festival – “Twirly’s Traveling Tricks”
Though everywhere you look in Hollywood, CA these days it seems more old school bungalows and...
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Winners Demand More Gender Parity, Representation, and Diversity at 2019 Tony Awards
When Rachel Chavkin walked into the Tony Awards media room, she continued the conversation she had...
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On Improvisation, Soundpainting, and Artistic Community: A Conversation with Leese Walker, the Founder of the Strike Anywhere Performance Ensemble
Established in 1997 by Leese Walker, the Strike Anywhere Performance Ensemble is an...
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Revisiting Broadway’s Forgotten Genius, John Latouche
Born into poverty in Richmond, Virginia, John Latouche (1914-1956) even as a youth established...
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“As You Like It”at The Oregon Shakespeare Festival
To take the title of dramaturg Amrita Ramanan’s program note, As You Like It is “a comedy that...
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“The View Upstairs:” A Slice of Gay, Kitschy, Bar Life
Pushing through the colored streamers that shield the doorway of the Plaza Theatre at the Boston...
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“The Impossible She” and The Evolution of Queer Stories in Opera
Representation within opera has always been thin; The Impossible She stood to try to expand those...
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“Hairspray” at The Oregon Shakespeare Festival
John Waters called Hairspray “the only radical movie I ever made” (from Dawn Monique Williams’s...
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“Dreams in Black Major”: Nia Farrell and Talia Paulette Oliveras on Afrofuturism and Creating Black Spaces
In anticipation of their Afrofuturist event, Dreams in Black Major, being performed at the Ars...
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Hollywood Fringe Festival – “The Same Room”
On its 10th Anniversary, the Hollywood Fringe Festival and its almost 400 shows, events and...
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The Hollywood Fringe Festival – “The Bully Problem”
It’s Hollywood Fringe Festival time here in Los Angeles, and for those of you who are not...
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Shakespeare, Sinatra, And The Philosophy Of Aging
Aging in the world of entertainment is portrayed in a variety of ways. In some cases it’s graceful...
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“Pacific Overtures:” Solid, Safe, Sondheim
Pacific Overtures, currently running through June 16th at The Lyric Stage in Boston, is one of...
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“School Girls; Or The African Mean Girls Play”: A Show About Competition
Jocelyn Bioh’s School Girls; Or, the African Mean Girls Play now appearing at Boston’s SpeakEasy...
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Actress Holley Fain on the Art of Having Fierce Womanly Support in Broadway’s ”The Ferryman”
Holley Fain is no stranger to Broadway, having appeared in Present Laughter and Harvey in recent...
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“We Live in Cairo:” Fully Committed, Still in Beta-Testing
We Live in Cairo, a new musical written by brothers Daniel Lazour & Patrick Lazour, directed...
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Review: “Scenes from 71* Years” by Hannah Khalil
Scenes from 71* Years is a play of remembrance showing a diasporic perspective on the Palestinian...
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“Gary” Isn’t Queer Enough
The critical responses to Taylor Mac’s debut, Gary: A Sequel to Titus Andronicus, have been...
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“Happy Days” at the Mark Taper Forum – Sorrow Keeps Breaking In
“Begin your day, Winnie.” In Samuel Beckett’s Happy Days, Dianne Wiest’s enviable range and...
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