“The House of the Spirits” at The Cervantes Theatre
South America’s trauma in the second half of the twentieth century can be summed up by one phrase:...
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United States of America
“All Hallows Eve” The Musical
Composer Paul Rudolph accompanies the cast through a score that is perfectly in sync with the story line. Delightfully, it is a musical score that reminds it’s listener that this is how Musical Theatre “really works.” Both Haley and Lott keep up the musical pace with Barnhart.
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The World Premiere of “Eight Nights” at Antaeus Theatre Company
“We are moving in the right direction, we cannot go back – There won’t be more camps, more...
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“Heroes of the Fourth Turning” at Playwrights Horizons
We live in a time, especially in America, of increasing political divide. Many politicians and...
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“Reparations” at the Billie
James Sheldon’s Reparations is a new play about racial grievance, guilt, and retribution in...
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“The Black History Museum…According to the United States of America”
The Black History Museum….According to the United States of America, Smoke & Mirrors...
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“The Thanksgiving Play” at Geffen Playhouse
“What can we do to break down the myths and stereotypes of Thanksgiving in forty-five minutes with...
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Bedlam Returns to Cambridge’s Nora Theatre Company with “The Crucible”
Bedlam Theatre, a New York City Company, was founded in 2012 by the actress Andrus Nichols and the...
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“Augustine’s Dream:” A Work in Development
Augustine’s Dream was presented in July 2019 at the Providence Fringe by AnomalousCo. An...
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New Rapp: “The Sound Inside”
Adam Rapp is a polarizing playwright. After bursting onto the scene in 2001 with Nocturne — a...
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“Painted Alice” Review: Down The Rabbit Hole Once More
Lewis Carroll’s Alice’s Adventures in Wonderland is a popular source of musical adaptions....
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Mozart by Way of Cape Town
The Magic Flute by the Isango Ensemble at ArtsEmerson When the Isango Ensemble plays—on only eight...
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“Dr. Ride’s American Beach House:” Ready for Orbit
It’s June 18, 1983. You’re a waitress in St. Louis who’s all but given up her dreams of achieving...
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Murray Mednick’s “Mayakovsky and Stalin” At The Cherry Lane Theatre: Men With Bloody Hands
In Murray Mednick’s “Mayakovsky and Stalin”, which made its New York premiere at the Cherry Lane...
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Living Skill At Work
In order to analyze the concepts “skill”, “artistry” and “virtuosity” within the performing arts,...
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“Oscar Wao” at Repertorio Español
Repetorio Español, in New York’s Gramercy Park neighborhood, is currently home to a new...
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Acceptance, Representation, and Everlasting Season of Love: Kelsee Sweigard as Maureen Johnson in The 20th Anniversary Touring Production of “Rent”
It has been nearly 25 years since RENT opened on Broadway, redefining the landscape of American...
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Annie Baker’s “The Antipodes” at the National Theatre
“Wily, slippery thing.” “Spiky little animal.” “One long nightmare.” These are the phrases that...
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Reflections on “Passageways”
Has Amy Oestreicher finally gotten that which she dreamed of? As a child, like so many other kids...
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Thrown into the Deep End! A Participant’s Perspective from The Kennedy Center New Play Dramaturgy Intensive 2019
Students and early career dramaturgs were invited to The John F. Kennedy Center for Performing...
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