“Dr. Ride’s American Beach House:” Ready for Orbit
It’s June 18, 1983. You’re a waitress in St. Louis who’s all but given up her dreams of achieving...
Read MorePosted by Abigail Weil | 8th Nov 2019 | New York, Review, United States of America
It’s June 18, 1983. You’re a waitress in St. Louis who’s all but given up her dreams of achieving...
Read MorePosted by Zhe Pan | 7th Nov 2019 | New York, Review, Theatre and Politics, United States of America
In Murray Mednick’s “Mayakovsky and Stalin”, which made its New York premiere at the Cherry Lane...
Read MorePosted by Frida Sandström | 7th Nov 2019 | Essay, Theatre and Dance, United States of America
In order to analyze the concepts “skill”, “artistry” and “virtuosity” within the performing arts,...
Read MorePosted by Jack Wernick | 2nd Nov 2019 | Adaptation, New York, Theatre and Politics, United States of America
Repetorio Español, in New York’s Gramercy Park neighborhood, is currently home to a new...
Read MorePosted by Irina Yakubovskaya | 1st Nov 2019 | Boston, Interview, Musical Theatre, United States of America
It has been nearly 25 years since RENT opened on Broadway, redefining the landscape of American...
Read MorePosted by Mert Dilek | 31st Oct 2019 | London, Review, United Kingdom, United States of America
“Wily, slippery thing.” “Spiky little animal.” “One long nightmare.” These are the phrases that...
Read MorePosted by David Vernon | 29th Oct 2019 | Musical Theatre, New York, Review, United States of America
Has Amy Oestreicher finally gotten that which she dreamed of? As a child, like so many other kids...
Read MorePosted by Elizabeth Leemann | 25th Oct 2019 | Dramaturgy, Essay, United States of America
Students and early career dramaturgs were invited to The John F. Kennedy Center for Performing...
Read MorePosted by Abigail Weil | 24th Oct 2019 | New York, Review, Theatre and Politics, United States of America
As someone who has long been fascinated by both of the title characters, I am not sure who Murray...
Read MorePosted by Jonathan Kalb | 24th Oct 2019 | New York, Review, Theatre and Politics, United States of America
Jeremy O. Harris’s Slave Play is the New York theater’s scandal du saison. It’s a play about race...
Read MorePosted by Jack Wernick | 23rd Oct 2019 | Immersive Theatre, New York, Review, Theatre and Politics, United States of America
Multi-disciplinary hothouse The Cell in New York’s Chelsea neighborhood is currently home to...
Read MorePosted by Christine Deitner | 22nd Oct 2019 | Los Angeles, Review, United States of America
“He who controls the present controls the past, and he who controls the past controls the...
Read MorePosted by Abigail Weil | 20th Oct 2019 | Acting, New York, Review, Theatre and Politics, United States of America
Henry Naylor’s Games, now at the SoHo Playhouse, highlights those human activities that are...
Read MorePosted by Irina Yakubovskaya | 19th Oct 2019 | Boston, Education, Interview, United States of America
Laurence Senelick, Fletcher Professor of Drama and Oratory Emeritus, is a theatre historian...
Read MorePosted by John Brunner | 17th Oct 2019 | New York, Review, Theatre and Age, United States of America
Is the truth always best or should some secrets go to the grave? For playwright Paul David Young,...
Read MorePosted by Jonathan Kalb | 17th Oct 2019 | New York, Review, Theatre and Gender, United States of America
Frank Wedekind’s Lulu is the archetypal modern classic about a sexy woman. Precisely for that...
Read MorePosted by Wendy Arons | 16th Oct 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Lauren Yee’s new play Cambodian Rock Band is one of the most-produced plays in the 2019-20...
Read MorePosted by Wendy Arons | 15th Oct 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Do you know where your data is? I sure don’t. But I’ve been thinking about my data – and the...
Read MorePosted by Wendy Arons | 14th Oct 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Ah, if only we could take a trip back in time, to an era when the surfacing of facts that pointed...
Read MorePosted by James Montaño | 14th Oct 2019 | Boston, Review, Theatre and Politics, United States of America
When Audrey (Katrina Pavao) sings “Somewhere That’s Green” in Lyric Stage Company of Boston’s...
Read More

Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026 

Writing On An Empty Page: An Interview with… by Kuan-Ting Lin 9th July 2026 

“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026 | M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 1 | 2 | |||||
| 3 | 4 | 5 | 6 | 7 | 8 | 9 |
| 10 | 11 | 12 | 13 | 14 | 15 | 16 |
| 17 | 18 | 19 | 20 | 21 | 22 | 23 |
| 24 | 25 | 26 | 27 | 28 | 29 | 30 |
| 31 | ||||||