Chris Medvitz: Finding Artistic Solutions
With a background in theatrical lighting, Chris Medvitz is a current Partner and Principal at...
Read MorePosted by Madeline Engelsman | 13th Jan 2020 | Design, Immersive Theatre, Interview, United States of America
With a background in theatrical lighting, Chris Medvitz is a current Partner and Principal at...
Read MorePosted by Holly Rosen Fink | 12th Jan 2020 | Interview, New York, Theatre and Gender, United States of America
Rachel Pickup is currently playing Lady Gay Spanker in London Assurance, written by Dion...
Read MorePosted by James Montaño | 8th Jan 2020 | Adaptation, Boston, Review, United States of America
Moby-Dick at the American Repertory Theater in Cambridge, MA For those who are not familiar with...
Read MorePosted by Victoria Zavyalova | 4th Jan 2020 | Adaptation, New York, Review, Russian Theatre Abroad, Transcultural Collaborations, United States of America
A thread of life and blood, unconditional love and death, incest and destiny all interconnect in...
Read MorePosted by Wendy Arons | 2nd Jan 2020 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
When William Shakespeare died in 1616, he left behind dozens of plays and hundreds of poems, but...
Read MorePosted by James Montaño | 28th Dec 2019 | Boston, Musical Theatre, Review, United States of America
When the full company of the touring cast of Irving Berlin’s White Christmas bursts into the...
Read MorePosted by Jack Wernick | 27th Dec 2019 | New York, Review, United States of America
The ghost of David Bowie is alive and well and residing in the basement of La MaMa’s...
Read MorePosted by Wendy Arons | 25th Dec 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
The title of Jocelyn Bioh’s School Girls; or, The African Mean Girls Play tells you a certain...
Read MorePosted by Wendy Arons | 24th Dec 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Allow me to introduce you to the fierce yet fragile preteens who populate Clare Barron’s savagely...
Read MorePosted by Wendy Arons | 23rd Dec 2019 | Pittsburgh, Review, The Pittsburgh Tatler, Theatre and Politics, United States of America
After he won the World Heavyweight Championship by roundly defeating Sonny Liston on February...
Read MorePosted by Jonathan Kalb | 22nd Dec 2019 | Germany, Review, United Kingdom, United States of America
Two years ago, the British director Richard Jones brought a stunning production of Eugene...
Read MorePosted by Cindy Rosenthal | 18th Dec 2019 | New York, Review, Theatre and Gender, United States of America
Karen Malpede’s plays scream “Pay Attention.” Thus I titled my 2001 New York Times article on I...
Read MorePosted by Madeline Engelsman | 18th Dec 2019 | Directing, Interview, United States of America
Amanda Levie is the founder and director of No Peeking Theatre, Jersey City-based theatre company,...
Read MorePosted by Wendy Arons | 16th Dec 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Reader, if – like me – you’re a relatively recent transplant to Pittsburgh, the presence of the...
Read MorePosted by Abigail Weil | 15th Dec 2019 | New York, Participatory Theatre, Review, Theatre and Age, Transmedia, United States of America
I’m a thirty-four-year-old straight woman who grew up in the suburbs with an older brother. That...
Read MorePosted by Holly Rosen Fink | 14th Dec 2019 | Acting, Interview, New York, United States of America
If you’re a culture vulture and are interested in TV and theater, most likely, you know a...
Read MorePosted by Jonathan Kalb | 12th Dec 2019 | France, Germany, LGBTQ+ Theatre, New York, Review, Theatre and Politics, United States of America
First of all, don’t be put off by the pompous, academic title. Thomas Ostermeier’s...
Read MorePosted by James Montaño | 11th Dec 2019 | Review, Theatre and Religion, United States of America
At the center of the large wooden barn is a makeshift altar, wrapped in gauze and adorned in...
Read MorePosted by Aleks Sierz | 8th Dec 2019 | Documentary Theatre, Playwriting, Review, United Kingdom, United States of America
Today, we call it soft power. During the Cold War it was more like success at any cost—and by any...
Read MorePosted by Andrew Agress | 7th Dec 2019 | New York, Review, Theatre and Film, United States of America
If you love theatre, namely the experimental kind, I highly recommend a trip to the Edinburgh...
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