Monster Mashup: Mabou Mines Takes On Tennessee Williams
The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...
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New York
The “KPOP” Invasion In A New American Musical Part II: Interview With Jason Kim And Helen Park
To read Part I of the series on KPOP, click here. For the article, I spoke with Jason Kim and...
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The “KPOP” Invasion in a New American Musical Part I
In the last few months of 2017, K-pop (Korean pop) has made it into U.S. news reports in two...
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Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company
Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...
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Afterthoughts On Ivo van Hove’s “The Fountainhead”
Toward the end of the fourth and final hour of Ivo van Hove’s interminable adaptation of Ayn...
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Julia Cho’s “Office Hour”
Julia Cho’s Office Hour began life as a reaction to the 2007 mass-shooting at Virginia Tech. It...
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American Lyric Theater: 10 Years of Nurturing the Future of Opera
Antigoni Gaitana Interviews Lawrence Edelson, Founder of ALT and Artistic and General Director of...
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A Living Mockery: The Ridiculous Theatrical Company At Fifty
In 1967, not one but two productions of Charles Ludlam’s deliciously demented Conquest Of The...
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For The Love Of The Game: “Peh LO Tah” at BAM
Beginning with the soccer ball, Marc Bamuthi Joseph moves to the left and to the right, shifting a...
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The “Motherline” Project Honors The Stories Of Women With Depth And Diversity
After starting in New York, the storytelling performance made its international debut in Cairo,...
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“Tiny Beautiful Things” at The Public Theatre
Dear Dust Man, I’m an avid theatergoer who missed seeing Nia Vardalos’s stage adaptation of Cheryl...
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Dramaturgical Leadership And The Politics Of Appeal In Commercial Theatre
In an early scene of Rick Elice’s irreverent Peter Pan prequel, Peter And The Starcatcher, the...
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Apothetae And Lark National Convening: Five Conversations About Disability And Theater
On September 15, 2017, over 60 artists, administrators, educators, and other various stakeholders...
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“The Mecca Tales” in New York
The Mecca Tales is an essential new work of theatre by emerging Chicago-based playwright Rohina...
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David Greenspan Dazzles In One-Man “Strange Interlude”
After his one visit to the country in 1909, Sigmund Freud reportedly remarked to a friend that...
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Eurydice Among the Shades – Elfriede Jelinek’s “Shadow. Eurydice Says” in NYC
Elfriede Jelinek’s Shadow. Eurydice Says is not much of a drama, if by that is meant a...
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Taylor Mac Makes History At Melbourne Festival Opening With “The Inauguration”
Taylor Mac described The Inauguration, which helped launch the 2017 Melbourne Festival, as “a...
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Ping Chong + Company Presents “ALAXSXA | ALASKA”
Ping Chong + Company’s show ALAXSXA | ALASKA subverts an overused Western storyline of people as...
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Maria Irene Fornes’s “Mud” at Teatro Circulo
Maria Irene Fornes’s 1983 play Mud, widely considered a contemporary classic, is rarely produced...
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Vietnam Is A Lullaby Of Dissolution In “My Lai” at BAM
It’s breathtaking, attending the 2017 BAM Next Wave Festival. Few opera houses have the majestic...
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