New York Archives - Page 21 of 26

How Butoh, The Japanese Dance Of Darkness, Helps Us Experience Compassion In A Suffering World

Posted by Jeff Goldberg | 7th Jan 2018 | Interview, Japan, New York, Theatre and Dance, United States of America

Butoh is now being taught to Zen students, prisoners, and others as a way to acknowledge difficult...

Subjects For Some Short Stories: Acting Character In Postdramatic Chekhov

Posted by Michael Breslin | 6th Jan 2018 | LGBTQ+ Theatre, New York, Review, Russia, Russian Theatre Abroad, Theatre and Gender, United States of America

Twenty years after the Wooster Group’s seminal Three Sisters-inspired Brace Up!, contemporary New...

Monster Mashup: Mabou Mines Takes On Tennessee Williams

Posted by Jessica Rizzo | 3rd Jan 2018 | New York, Playwriting, Review, Theatre and Age, United States of America

The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...

The “KPOP” Invasion In A New American Musical Part II: Interview With Jason Kim And Helen Park

Posted by Walter Byongsok Chon | 2nd Jan 2018 | Interview, Musical Theatre, New York, South Korea, Transcultural Collaborations

To read Part I of the series on KPOP, click here. For the article, I spoke with Jason Kim and...

The “KPOP” Invasion in a New American Musical Part I

Posted by Walter Byongsok Chon | 1st Jan 2018 | Essay, Musical Theatre, New York, South Korea, Transcultural Collaborations, United States of America

In the last few months of 2017, K-pop (Korean pop) has made it into U.S. news reports in two...

Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company

Posted by Heather Waters | 24th Dec 2017 | Acting, Directing, New York, Review, United States of America

Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...

Afterthoughts On Ivo van Hove’s “The Fountainhead”

Posted by Jonathan Kalb | 8th Dec 2017 | Belgium, New York, Review, United States of America

Toward the end of the fourth and final hour of Ivo van Hove’s interminable adaptation of Ayn...

Julia Cho’s “Office Hour”

Posted by Jonathan Kalb | 28th Nov 2017 | New York, Review, Theatre and Politics, United States of America

Julia Cho’s Office Hour began life as a reaction to the 2007 mass-shooting at Virginia Tech. It...

American Lyric Theater: 10 Years of Nurturing the Future of Opera

Posted by Antigoni Gaitana | 25th Nov 2017 | Dramaturgy, Management, New York, Theatre and Opera, United States of America

Antigoni Gaitana Interviews Lawrence Edelson, Founder of ALT and Artistic and General Director of...

A Living Mockery: The Ridiculous Theatrical Company At Fifty

Posted by Jessica Rizzo | 16th Nov 2017 | LGBTQ+ Theatre, New York, Review, United States of America

In 1967, not one but two productions of Charles Ludlam’s deliciously demented Conquest Of The...

For The Love Of The Game: “Peh LO Tah” at BAM

Posted by Marcina Zaccaria | 13th Nov 2017 | Festivals, New York, Review, Theatre and Dance, United States of America

Beginning with the soccer ball, Marc Bamuthi Joseph moves to the left and to the right, shifting a...

The “Motherline” Project Honors The Stories Of Women With Depth And Diversity

Posted by Soha Elsirgany | 12th Nov 2017 | Egypt, New York, Review, Theatre and Gender, United States of America

After starting in New York, the storytelling performance made its international debut in Cairo,...

“Tiny Beautiful Things” at The Public Theatre

Posted by Jonathan Kalb | 12th Nov 2017 | Adaptation, New York, Review, United States of America

Dear Dust Man, I’m an avid theatergoer who missed seeing Nia Vardalos’s stage adaptation of Cheryl...

Dramaturgical Leadership And The Politics Of Appeal In Commercial Theatre

Posted by Ken Cerniglia | 8th Nov 2017 | Dramaturgy, Essay, Musical Theatre, New York, Producing, United States of America

In an early scene of Rick Elice’s irreverent Peter Pan prequel, Peter And The Starcatcher, the...

Apothetae And Lark National Convening: Five Conversations About Disability And Theater

Posted by Megan McClain | 6th Nov 2017 | Interview, New York, Theatre and Disability, United States of America

On September 15, 2017, over 60 artists, administrators, educators, and other various stakeholders...

“The Mecca Tales” in New York

Posted by Jack Wernick | 4th Nov 2017 | New York, Review, Transcultural Collaborations, United States of America

The Mecca Tales is an essential new work of theatre by emerging Chicago-based playwright Rohina...

David Greenspan Dazzles In One-Man “Strange Interlude”

Posted by Jessica Rizzo | 2nd Nov 2017 | Adaptation, New York, Review, United States of America

After his one visit to the country in 1909, Sigmund Freud reportedly remarked to a friend that...

Eurydice Among the Shades – Elfriede Jelinek’s “Shadow. Eurydice Says” in NYC

Posted by Donald Brown | 28th Oct 2017 | New York, Review, Theatre and Gender, Translation, United States of America

Elfriede Jelinek’s Shadow. Eurydice Says is not much of a drama, if by that is meant a...

Taylor Mac Makes History At Melbourne Festival Opening With “The Inauguration”

Posted by Sarah Balkin | 23rd Oct 2017 | Australia, Musical Theatre, New York, Review, United States of America

Taylor Mac described The Inauguration, which helped launch the 2017 Melbourne Festival, as “a...

Ping Chong + Company Presents “ALAXSXA | ALASKA”

Posted by Heather Waters | 21st Oct 2017 | New York, Puppetry, Review, Theatre and Art, United States of America

Ping Chong + Company’s show ALAXSXA | ALASKA subverts an overused Western storyline of people as...

New York

How Butoh, The Japanese Dance Of Darkness, Helps Us Experience Compassion In A Suffering World

Subjects For Some Short Stories: Acting Character In Postdramatic Chekhov

Monster Mashup: Mabou Mines Takes On Tennessee Williams

The “KPOP” Invasion In A New American Musical Part II: Interview With Jason Kim And Helen Park

The “KPOP” Invasion in a New American Musical Part I

Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company

Afterthoughts On Ivo van Hove’s “The Fountainhead”

Julia Cho’s “Office Hour”

American Lyric Theater: 10 Years of Nurturing the Future of Opera

A Living Mockery: The Ridiculous Theatrical Company At Fifty

For The Love Of The Game: “Peh LO Tah” at BAM

The “Motherline” Project Honors The Stories Of Women With Depth And Diversity

“Tiny Beautiful Things” at The Public Theatre

Dramaturgical Leadership And The Politics Of Appeal In Commercial Theatre

Apothetae And Lark National Convening: Five Conversations About Disability And Theater

“The Mecca Tales” in New York

David Greenspan Dazzles In One-Man “Strange Interlude”

Eurydice Among the Shades – Elfriede Jelinek’s “Shadow. Eurydice Says” in NYC

Taylor Mac Makes History At Melbourne Festival Opening With “The Inauguration”

Ping Chong + Company Presents “ALAXSXA | ALASKA”

Like Us On Facebook

Most Popular Posts

Recent Posts

SEARCH OUR ARCHIVES

Pin It on Pinterest