Tamsin Greig’s Gender-Bending Performance in “Twelfth Night”
In 1602, a law student called John Manningham saw Twelfth Night, or What You Will, and wrote what...
Read MorePosted by Elizabeth Schafer | 3rd Apr 2017 | Theatre and Gender, United Kingdom
In 1602, a law student called John Manningham saw Twelfth Night, or What You Will, and wrote what...
Read MorePosted by Aleks Sierz | 3rd Apr 2017 | Adaptation, London, Review, United Kingdom
The rehabilitation of playwright Terence Rattigan has surpassed even the stage when not only are...
Read MorePosted by Rebecca Monks | 2nd Apr 2017 | Festivals, Scotland, Theatre and Politics, United Kingdom
In 1947 Edinburgh was still in a post-war haze. The city was craving colour, culture, and above...
Read MorePosted by Koos Couvée | 2nd Apr 2017 | Theatre and Disability, United Kingdom
An actor born with defects resulting from the drug Thalidomide has been cast as Shakespeare’s...
Read MorePosted by Aida Rocci | 2nd Apr 2017 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom
“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...
Read MorePosted by Irene Kukota | 1st Apr 2017 | Interview, Russia, United Kingdom
“Fire, Death, Anxiety, Love, Fear…It’s All There.” Brodsky / Baryshnikov is a one-man show based...
Read MorePosted by Adam Sherwin | 27th Mar 2017 | Immersive Theatre, London, Review, Theatre and Opera, United Kingdom
Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...
Read MorePosted by Aleks Sierz | 27th Mar 2017 | Review, Theatre and Politics, United Kingdom
Politics is a serious business, but it’s also a fun spectator sport. Think of the duels in Prime...
Read MorePosted by Aida Rocci | 22nd Mar 2017 | Festivals, Scotland
If you are a performer, comedian, musician, or artist of any kind, presenting your work at the Edinburgh festival can be quite an enterprise that might only pay off in terms of experience and, if lucky, reputation.
Read MorePosted by Aleks Sierz | 19th Mar 2017 | London, Review, United Kingdom
Playwright Philip Ridley has one of the most distinctive voices in contemporary theatre. His...
Read MorePosted by Aida Rocci | 16th Mar 2017 | Interview, London, Spain, Transcultural Collaborations, Translation, United Kingdom
Interview with Paula Paz, Associate Director of the Cervantes Theatre, the new theatre with hopes of becoming a house of Spanish and Latin American theatre and culture in London.
Read MorePosted by Mary Mazzilli | 15th Mar 2017 | Adaptation, United Kingdom
Global Shakespeare has been a phenomenon of adaptation, translation, cultural appropriation and...
Read MorePosted by Aleks Sierz | 14th Mar 2017 | Review, Theatre and Politics, United Kingdom
Oh dear. The first play explicitly about Brexit is being staged by the National Theatre in a...
Read MorePosted by Alice Jones | 13th Mar 2017 | Acting, Interview, London, United Kingdom
“I didn’t think this was what I would be doing when I left drama school,” says Oliver Chris. What...
Read MorePosted by Molly Ziegler | 11th Mar 2017 | Adaptation, United Kingdom
Molly Ziegler reviews Cheek by Jowl’s adaptation of The Winter’s Tale at Glasgow’ Citizen’s Theatre.
Read MorePosted by Aleks Sierz | 8th Mar 2017 | London, Review, United Kingdom
The current crisis in British new writing for the theatre is exemplified by the reliance of so...
Read MorePosted by Jonathan Kalb | 8th Mar 2017 | Review, Theatre and Age, Theatre and Politics, United Kingdom
Like Beckett and Pinter, Caryl Churchill is writing fugues in old age (she’s 77). Far Away, A...
Read MorePosted by Adam Sherwin | 7th Mar 2017 | Theatre and Politics, United Kingdom
The story of the “coughing Major” who cheated to win the Who Wants To Be A Millionaire? jackpot is...
Read MorePosted by Aleks Sierz | 6th Mar 2017 | Review, Theatre and Gender, United Kingdom
The 1980s were a great decade for British women playwrights. During those Thatcher-dominated...
Read MorePosted by Beatriz Cabur | 4th Mar 2017 | Immersive Theatre, Interview, Transmedia, United Kingdom
The Theatre Times recently republished an article called “A New Form of Theatre Consumption...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 

In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 