A New Version of Christopher Marlowe’s “Tamburlaine” by Yellow Earth Opens in London
Global Shakespeare has been a phenomenon of adaptation, translation, cultural appropriation and...
Read MorePosted by Mary Mazzilli | 15th Mar 2017 | Adaptation, United Kingdom
Global Shakespeare has been a phenomenon of adaptation, translation, cultural appropriation and...
Read MorePosted by Aleks Sierz | 14th Mar 2017 | Review, Theatre and Politics, United Kingdom
Oh dear. The first play explicitly about Brexit is being staged by the National Theatre in a...
Read MorePosted by Alice Jones | 13th Mar 2017 | Acting, Interview, London, United Kingdom
“I didn’t think this was what I would be doing when I left drama school,” says Oliver Chris. What...
Read MorePosted by Molly Ziegler | 11th Mar 2017 | Adaptation, United Kingdom
Molly Ziegler reviews Cheek by Jowl’s adaptation of The Winter’s Tale at Glasgow’ Citizen’s Theatre.
Read MorePosted by Aleks Sierz | 8th Mar 2017 | London, Review, United Kingdom
The current crisis in British new writing for the theatre is exemplified by the reliance of so...
Read MorePosted by Jonathan Kalb | 8th Mar 2017 | Review, Theatre and Age, Theatre and Politics, United Kingdom
Like Beckett and Pinter, Caryl Churchill is writing fugues in old age (she’s 77). Far Away, A...
Read MorePosted by Adam Sherwin | 7th Mar 2017 | Theatre and Politics, United Kingdom
The story of the “coughing Major” who cheated to win the Who Wants To Be A Millionaire? jackpot is...
Read MorePosted by Aleks Sierz | 6th Mar 2017 | Review, Theatre and Gender, United Kingdom
The 1980s were a great decade for British women playwrights. During those Thatcher-dominated...
Read MorePosted by Beatriz Cabur | 4th Mar 2017 | Immersive Theatre, Interview, Transmedia, United Kingdom
The Theatre Times recently republished an article called “A New Form of Theatre Consumption...
Read MorePosted by Aleks Sierz | 1st Mar 2017 | Immersive Theatre, London, Review, United Kingdom
One of the reasons that Philip Ridley is the crown prince of imaginative playwriting is that he...
Read MorePosted by Andrew Edwards | 28th Feb 2017 | Dramaturgy, Interview, Scotland, Theatre and Dance, Transcultural Collaborations
An interview with Edinburgh-based theatre-maker Flavia D’Avilia about dramaturgy and...
Read MorePosted by Julian Meyrick | 28th Feb 2017 | United Kingdom
Irvine Welsh’s in-yer-face, anti-fairy tale of no-hope NEDs (non-educated delinquents), and the...
Read MorePosted by Adam Sherwin | 28th Feb 2017 | London, News, United Kingdom
The Breaking Bad star Bryan Cranston will make his London stage debut in a National Theatre...
Read MorePosted by Aleks Sierz | 22nd Feb 2017 | Adaptation, Review, United Kingdom
There are few modern literary fables that really resonate in the wider culture. And most that do...
Read MorePosted by Aleks Sierz | 21st Feb 2017 | Review, United Kingdom
The new writing year has started slowly. Apart from a couple of obscure fringe shows, there have...
Read MorePosted by Aleks Sierz | 19th Feb 2017 | London, Review, Theatre and Politics, United Kingdom
Young British writers are often surprisingly unadventurous when it comes to locating their plays...
Read MorePosted by Lisa Peschel | 18th Feb 2017 | Czech Republic, Theatre and Politics, United Kingdom
The film Denial, which opened in the U.K. on Holocaust Memorial Day, tells the story of author...
Read MorePosted by Tom Bawden | 16th Feb 2017 | Transmedia, United Kingdom
The way media is produced and consumed has been transformed in the past decade or so thanks to...
Read MorePosted by Aleks Sierz | 14th Feb 2017 | Germany, Review, Theatre and Politics, Translation, United Kingdom
A day or so after Theresa May’s keynote speech about Brexit the words Europe and European carry an...
Read MorePosted by Robert Reid | 14th Feb 2017 | Adaptation, Theatre and Politics, United Kingdom
Orwell’s novel 1984 is currently a bestseller in the U.S. We can soon expect many...
Read More
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 

Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026