James Graham’s “Quiz” With Audience Participation
Life-changing wealth which is won in an instant then recklessly sacrificed a second later is the...
Read MorePosted by Gary Shipton | 20th Nov 2017 | Festivals, London, Playwriting, Review, United Kingdom
Life-changing wealth which is won in an instant then recklessly sacrificed a second later is the...
Read MorePosted by Aleks Sierz | 20th Nov 2017 | Adaptation, London, Review, United Kingdom
The Second World War is central to our national imagination, yet it has been oddly absent from our...
Read MorePosted by Aleks Sierz | 19th Nov 2017 | London, Playwriting, Review, United Kingdom
Is Buddhism a path to finding spiritual enlightenment — or just an excuse for not facing your...
Read MorePosted by Joe Turnbull | 19th Nov 2017 | London, News, Theatre and Dance, Theatre and Disability
Disability theatre company, Fittings Multimedia, headed by Garry Robson got an Unlimited...
Read MorePosted by Duška Radosavljević | 11th Nov 2017 | London, Review, Theatre and Politics, United Kingdom
Every soldier has a story to tell–sometimes a joke, sometimes a parable, often a tragedy. The...
Read MorePosted by Holly Williams | 10th Nov 2017 | Adaptation, London, Review, United Kingdom
“Whenever I tell anybody I’m doing an adaptation of The Exorcist, the first question is: ‘Will the...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Given the rather uneven record of the National Theatre at the moment, there’s already a certain...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | Adaptation, Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Some site-specific theatre feels like a really good fit. You could say, in this case, that it...
Read MorePosted by Gemma Nash | 7th Nov 2017 | Interview, Theatre and Disability, Theatre and Politics, United Kingdom
Jackie Hagan: In Skem (Skelmersdale) there’s no class system, just people with slightly nicer...
Read MorePosted by Letizia Fusini | 5th Nov 2017 | China, Chinese Theatre Abroad, London, Review, Theatre and Opera, United Kingdom
Founded in 1955 by the renowned Chinese theatre star Mei Lanfang, the China National Peking Opera...
Read MorePosted by Katie Grant | 5th Nov 2017 | Theatre and Gender, Theatre and Opera, United Kingdom
It’s known as the world’s oldest profession yet, for the most part, sex work remains shrouded in...
Read MorePosted by Aleks Sierz | 1st Nov 2017 | London, Playwriting, Review, United Kingdom
In Bertolt Brecht’s Life of Galileo (1943), there’s a typically didactic exchange: Andrea, the...
Read MorePosted by Aleks Sierz | 31st Oct 2017 | London, Playwriting, Review, United Kingdom
Prolific writer Mike Bartlett is the most impressive penman to have emerged in British theatre in...
Read MorePosted by Iain Hollingshead | 30th Oct 2017 | London, Musical Theatre, Review, Theatre and Politics, United Kingdom
Last month, 1,601 people were left disappointed by the news that Hamilton, the American musical...
Read MorePosted by Aleks Sierz | 29th Oct 2017 | LGBTQ+ Theatre, London, Review, United Kingdom
A new baby is like an alien invasion: it blows your mind and it colonizes your world. For any...
Read MorePosted by Duška Radosavljević | 25th Oct 2017 | London, Review, Theatre and Gender, United Kingdom
Over the last ten years, a new form has evolved on the British stage, rather simply referred to as...
Read MorePosted by Nick Rongjun Yu | 25th Oct 2017 | China, Essay, Festivals, Transcultural Collaborations, United Kingdom
In August, the stage play, The Dreamer was performed for enthusiastic audiences at the Pleasance...
Read MorePosted by Aleks Sierz | 25th Oct 2017 | London, Playwriting, Review, Theatre and Gender, United Kingdom
What does it mean to feel contemporary? Feel. Contemporary. Really feel. According to...
Read MorePosted by Duška Radosavljević | 24th Oct 2017 | Adaptation, London, Review, United Kingdom
How do you bring a 10th-century Old English epic closer to a 21st-century audience? And, more...
Read MorePosted by Len Collin | 24th Oct 2017 | Musical Theatre, Review, United Kingdom
Katie Hopkins, the controversial British media commentator, has become the subject of a new stage...
Read More
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026 
“Today, Krleža Would Go Straight For The… by Ivanka Apostolova Baskar 5th June 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Historical Memory On the Stage: Juan Mayorga’s… by Maria Delgado 11th June 2026