“The Suppliant Women” at The Young Vic
Asylum is one of the most emotive words in the English language. It evokes valleys of pain,...
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United Kingdom
“The Suppliant Women” – A New Version for Modern Times
Lizzie Clachan’s set is a simple stone floor slanting downwards towards the audience in a warm...
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“Heather” at The Bush Theatre
Harry Potter has a lot to answer for. The phenomenal success of JK Rowling’s books, and of their...
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“One Green Bottle” Exploring Japanese And English Sensibilities
One Green Bottle is a new-ish work co-written by the renowned Japanese dramatist Hideki Noda and...
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“Poison” at The Orange Tree Theatre
Continental drama, in this era of Brexit negotiations, seems to be rarer and rarer on British...
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Council Estates: A Rich Array Of Art Making
The music video for grime artist Skepta’s award-winning single Shut Down is shot in the concrete...
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James Graham’s “Quiz” With Audience Participation
Life-changing wealth which is won in an instant then recklessly sacrificed a second later is the...
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“The Slaves Of Solitude” at The Hampstead Theatre
The Second World War is central to our national imagination, yet it has been oddly absent from our...
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“The Retreat” at The Park Theatre
Is Buddhism a path to finding spiritual enlightenment — or just an excuse for not facing your...
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The Unlimited House Of Krip: Vogue Ball With D/deaf And Disabled Performers
Disability theatre company, Fittings Multimedia, headed by Garry Robson got an Unlimited...
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“Minefield” Review: Stories From The Soldiers
Every soldier has a story to tell–sometimes a joke, sometimes a parable, often a tragedy. The...
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“The Exorcist” On Stage: ‘I Don’t Think Our Vomit Is Going To Be Green’
“Whenever I tell anybody I’m doing an adaptation of The Exorcist, the first question is: ‘Will the...
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“Young Marx” at Bridge Theatre
Given the rather uneven record of the National Theatre at the moment, there’s already a certain...
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“Witness For The Prosecution” at London County Hall
Some site-specific theatre feels like a really good fit. You could say, in this case, that it...
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At The Intersection Of Disabled And Working Class, An Interview With Jackie Hagan
Jackie Hagan: In Skem (Skelmersdale) there’s no class system, just people with slightly nicer...
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“A River All Red” And “The Phoenix Returns Home” By The China National Peking Opera Company At London’s Sadler’s Wells
Founded in 1955 by the renowned Chinese theatre star Mei Lanfang, the China National Peking Opera...
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Access All Arias: “Sex Workers’ Opera” Takes Swipe at No More Page 3 Feminists
It’s known as the world’s oldest profession yet, for the most part, sex work remains shrouded in...
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“Saint George and the Dragon” at The National Theatre
In Bertolt Brecht’s Life of Galileo (1943), there’s a typically didactic exchange: Andrea, the...
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Mike Bartlett’s “Albion” at Almeida Theatre
Prolific writer Mike Bartlett is the most impressive penman to have emerged in British theatre in...
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Life In The West End’s Second Best Historical Musical “The End of History”
Last month, 1,601 people were left disappointed by the news that Hamilton, the American musical...
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