Avignon 2019 – “Outwitting the Devil”: A Mesmerizing Dance and an Hypnotic Experience Created by Akram Khan
Outwitting the Devil, Akram Khan’s latest work, truly stood out within the line up of very...
Read MorePosted by Yana Meerzon | 11th Aug 2019 | Avignon 2019, Festivals, France, Review, Theatre and Dance, United Kingdom
Outwitting the Devil, Akram Khan’s latest work, truly stood out within the line up of very...
Read MorePosted by Yana Meerzon | 6th Aug 2019 | Avignon 2019, Festivals, France, Review, United Kingdom
Le reste vous le connaissez par le cinéma written by Martin Crimp, translated by Philippe Djian...
Read MorePosted by Aleks Sierz | 26th Jul 2019 | London, Review, Theatre and Age, United Kingdom
For a while, child abuse was banished from our stages. After all, there is a limit, surely, to how...
Read MorePosted by Aleks Sierz | 25th Jul 2019 | London, Review, United Kingdom
Few theatres have done as much to promote new young talent as the Royal Court; few theatres have...
Read MorePosted by Aleks Sierz | 24th Jul 2019 | London, Review, United Kingdom
The best kind of two-hander is the play about couples. And the most dramatic way of saying...
Read MorePosted by Aleks Sierz | 20th Jul 2019 | London, Review, Theatre and Politics, United Kingdom
In the middle of the current decade, there was a mild vogue for reviving a handful of the great...
Read MorePosted by Aleks Sierz | 13th Jul 2019 | London, Review, United Kingdom
Last month, Andrzej Lukowski, London Time Out’s theater editor, wrote a well-argued piece in The...
Read MorePosted by Aleks Sierz | 13th Jul 2019 | Acting, London, Review, United Kingdom
John Malkovich is back in town — and he’s starring in the most controversial play of the year....
Read MorePosted by Aleks Sierz | 12th Jul 2019 | Ireland, London, Review, United Kingdom
Irish playwright Dylan Coburn Gray’s new play won the Verity Bargate Award in 2017, and his reward...
Read MorePosted by Christine Deitner | 9th Jul 2019 | Festivals, Hollywood Fringe 2019, Los Angeles, Review, United Kingdom
Somebody forgot to tell The Attic Collective’s production of The Last Croissant that they only...
Read MorePosted by European Theatre Lab | 8th Jul 2019 | News, Transmedia, United Kingdom
Virtual reality has been a trending topic for quite a while. Headsets and cardboards for...
Read MorePosted by Aleks Sierz | 6th Jul 2019 | London, Review, United Kingdom
Once upon a time, farce was one of the most popular of genres in postwar British theatre. Those...
Read MorePosted by Aleks Sierz | 5th Jul 2019 | London, Review, United Kingdom
An armadillo is a small mammal, but this is not a play about the amazing relative of the anteater....
Read MorePosted by Jane Baldwin | 4th Jul 2019 | Boston, Review, Theatre and Gender, United Kingdom, United States of America
Caryl Churchill’s brilliant two act play about sex Cloud Nine transpires in two eras and two...
Read MorePosted by Aleks Sierz | 2nd Jul 2019 | London, Review, United Kingdom
In one lifetime, the many loves that once dared not speak their names have become part of everyday...
Read MorePosted by Duška Radosavljević | 29th Jun 2019 | Adaptation, France, Review, United Kingdom
Ivo Van Hove directed the theatrical adaptation of Luchino Visconti’s 1969 Nazi-era film The...
Read MorePosted by Mert Dilek | 26th Jun 2019 | Adaptation, Documentary Theatre, London, Review, United Kingdom
Three generations, three centuries, three acts: The Lehman Trilogy is a theatrical feast that...
Read MorePosted by Simon Mellor | 23rd Jun 2019 | Management, News, United Kingdom
Arts Council England is the investment, development and advocacy agency for the arts, museums, and...
Read MorePosted by Mert Dilek | 22nd Jun 2019 | London, Review, Theatre and Science, United Kingdom
Dramatic representations of ennui often have an important decision to make at the onset of their...
Read MorePosted by Duška Radosavljević | 22nd Jun 2019 | Review, Russia, Russian Theatre - Featured, Russian Theatre Abroad, United Kingdom
Three Sisters was the last play Chekhov wrote in 1900, in his dacha in Yalta, and in the final...
Read More

James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 

“Lale Lili Marleen:” The Promising… by Daniel Meyer-Dinkgräfe 10th October 2025
Debating Identity: Is It Time to Rename Cairo’s… by Ati Metwaly 26th September 2025 
“Tired” Of Consuming Postdramatic… by Ivanka Apostolova Baskar 31st August 2025 
