“Touching the Void” at The Duke of York’s Theatre
Theatre can touch thousands of lives. But can it compete with the success of a bestselling book?...
Read MorePosted by Aleks Sierz | 12th Jan 2020 | London, Review, United Kingdom
Theatre can touch thousands of lives. But can it compete with the success of a bestselling book?...
Read MorePosted by Aleks Sierz | 11th Jan 2020 | London, Review, United Kingdom
The trouble with prejudice is that you can’t control how other people see you. At the start of her...
Read MorePosted by Aleks Sierz | 7th Jan 2020 | London, Review, United Kingdom
Family dramas are a staple of British new writing, but as well as talking about our nearest and...
Read MorePosted by Aleks Sierz | 22nd Dec 2019 | London, Review, United Kingdom
Eve Leigh is an experimental playwright who has tackled difficult issues for more than a decade....
Read MorePosted by Julian De Medeiros | 20th Dec 2019 | London, Musical Theatre, Review, United Kingdom
Amanda Palmer has not come to entertain. Instead, she has written and designed what feels like an...
Read MorePosted by Mert Dilek | 19th Dec 2019 | London, Review, United Kingdom
It is hard to believe that Shelagh Delaney wrote A Taste of Honey when she was only nineteen. This...
Read MorePosted by Lisa Moravec | 19th Dec 2019 | Chile, London, Review, Theatre and Dance, United Kingdom
How far can bodily interaction amongst the audience members, with performance objects, and with...
Read MorePosted by Mert Dilek | 15th Dec 2019 | London, Review, Theatre and Gender, United Kingdom
This Duchess of Malfi is a cool one. It is so cool that it has lost its gripping temper and, with...
Read MorePosted by Aida Rocci | 15th Dec 2019 | Immersive Theatre, London, Participatory Theatre, United Kingdom
I’m crouching along with a group of strangers, waiting for Anna to arrive. I have never met Anna...
Read MorePosted by Julian De Medeiros | 14th Dec 2019 | Adaptation, London, Nigeria, Review, Theatre and Decolonization, Theatre and Gender, United Kingdom
In recent years there has been a resurgence of progressive adaptations of Chekhov’s realist...
Read MorePosted by Mert Dilek | 12th Dec 2019 | Adaptation, London, Review, United Kingdom
“You into words?” Jamie Lloyd’s magnificent treatment of Cyrano de Bergerac very much...
Read MorePosted by Clio Unger | 10th Dec 2019 | London, Review, United Kingdom
Jack and the Beanstalk, written by Joel Horwood. Lyric Hammersmith. London. 20 December 2017. As...
Read MorePosted by Mert Dilek | 8th Dec 2019 | London, Review, Theatre and Politics, United Kingdom
Fairview is a scorching minefield that looks like a green meadow. At long last, London audiences...
Read MorePosted by Mert Dilek | 6th Dec 2019 | London, Review, United Kingdom
’Tis the season for Christmas pantos across the UK, and there could not be a more ideal opener to...
Read MorePosted by Lisa Marie Bowler | 5th Dec 2019 | Dance Umbrella 2019, London, Review, Theatre and Dance, United Kingdom
Within ten seconds, I am in love. Three men have taken off their shoes at the side of a white,...
Read MorePosted by Aleks Sierz | 1st Dec 2019 | London, Playwriting, Review, United Kingdom
Naturalism is both the best thing about British theatre, being democratic and comprehensible by...
Read MorePosted by Aleks Sierz | 30th Nov 2019 | London, Review, United Kingdom
Some news stories have a very long half-life. Their power to shock does not diminish; they...
Read MorePosted by Mert Dilek | 29th Nov 2019 | Adaptation, Italy, London, Review, United Kingdom
Adapting novels for the stage is a tricky business. When the novel in question happens to be...
Read MorePosted by Aleks Sierz | 28th Nov 2019 | London, Review, Theatre and Age, United Kingdom
Actor Miriam Margolyes is a phenomenon. Not only has this Dickensian specialist starred in...
Read MorePosted by Aleks Sierz | 24th Nov 2019 | Documentary Theatre, London, Review, Turkey, United Kingdom
Truth is the first casualty of war, and often it is journalists who have to pay the price. Killing...
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