Jan Lauwers: Beyond Postmodernism
How are we to live together in this day and age? Jan Lauwers, the ‘first among equals’ at...
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Transcultural Collaborations
Shakespeare and Decolonization: #ShakespeareMustFall?
The 400th anniversary of Shakespeare’s death in 2016 provided ample room for celebrations and...
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“Quai Ouest” in Hong Kong: Extended Emotions in a Dark Warehouse
After queuing outside the Cattle Depot Theatre, in the harsh yellow street light and hot weather...
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“Between Man And Machine:” Biana Li’s Robotic Dance Show For Kids
Why We Recommend it Using pioneering technology and fun choreography, this multimedia dance show...
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Drama and Betrayal: Hit Play “The Truth” Comes to Hong Kong
Why We Recommend It After success in cities across Europe, tragicomedy The Truth — which tells the...
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Fuerza Bruta Re-Interprets a Night Out at The Theater
Since Argentinian physical theater troupe Fuerza Bruta burst onto the scene in Buenos Aires in...
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“In Sundry Languages” Is A Feast for the Ears
Toronto Laboratory Theatre declares that its show, In Sundry Languages, “looks and feels like...
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Collective Playwriting: A European Experience
The EU Collective Plays project is arguably the most ambitious new play project in the history of...
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Lina Tur Bonet On Creativity, Collaboration and Taking the Corset out of the Classics
As a storyteller and music performer, Lina Tur Bonet is wary of fusions. Last May, she was part of the presentation Made In Murcia that took place at the Cervantes Theatre in London.
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“Dream of the Red Chamber” at the 2017 Hong Kong Arts Festival
Princess Jia’s request for poetry upon her visit to the Red Chamber is met by the impetuous Bao...
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A Globalised Approach to Theatre-Making
The past weekend witnessed the culmination of a global theatre project at Theater Freiburg, an...
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“Indika” Is A Cross-Cultural Artistic Experiment Of A Snippet Of India’s History
Although they are unlikely to be exhibited in India, auteur Sankar Venkateswaran’s recent exploits...
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Dharma Drama: Peter Brook’s “Battlefield”
“An enemy is someone whose story you have not yet heard,” advised my dear friend Rabbi Arthur...
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Walter Byongsok Chon on Dramaturgy: Interview with LMD
Walter Byongsok Chon is an assistant professor of dramaturgy and theatre studies at Ithaca...
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“The Ugly One”: Examining the Instability of Identity with Brevity and Wit
An American Director and His Chinese Actors Tackle Contemporary German Theatre in Shanghai
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Breakdance, Puppets, And Sand Art: Korean Artists Perform In Cairo
A Korean b-boying dance crew and a sand artist put on a show outside the Cairo Opera House in...
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Ivo van Hove’s “Scenes from a Marriage”
Intimacy burns. A couple pummels each other in an endlessly repetitive cycle from which there is...
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Polish Director, Michal Znaniecki, in Argentina, on Globalization of Art
Polish stage director on his version of Dallapiccola’s Volo di notte and Il Prigioniero at the...
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“Hamlet” at the Tokyo Metropolitan Theatre
John Caird is widely known as the co-director with fellow Englishman Trevor Nunn of Les...
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The Transcultural Force of a Chinese-style “Decalogue” in Poland
In May, September, and November 2016, the Stary Teatr in Krakow staged an exquisite and courageous...
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