Natal’ya Vorozhbit’s “Bad Roads” at The Royal Court Theatre
War is morally acidic: it dissolves social rules, loosens inhibitions and gives permission to men...
Read MorePosted by Aleks Sierz | 29th Nov 2017 | London, Review, Theatre and Politics, Ukraine, United Kingdom
War is morally acidic: it dissolves social rules, loosens inhibitions and gives permission to men...
Read MorePosted by Jonathan Kalb | 28th Nov 2017 | New York, Review, Theatre and Politics, United States of America
Julia Cho’s Office Hour began life as a reaction to the 2007 mass-shooting at Virginia Tech. It...
Read MorePosted by Anadolu Agency | 27th Nov 2017 | Bosnia, News, Theatre and Politics, Turkey
The life of legendary Bosnia-Herzegovina leader Alija Izetbegovic, known for his peaceful...
Read MorePosted by Emily Jupp | 27th Nov 2017 | News, Theatre and Art, Theatre and Politics
Taking place 100 years after the Russian Revolution, Art Riot: Post-Soviet Actionism opened at...
Read MorePosted by Khaleem Ali | 26th Nov 2017 | Boston, France, Review, Theatre and Politics, United States of America
“[It] is utterly useless to accuse my characters of being symbolical,” wrote Albert Camus...
Read MorePosted by Aleks Sierz | 25th Nov 2017 | London, Review, Theatre and Politics, United Kingdom
Asylum is one of the most emotive words in the English language. It evokes valleys of pain,...
Read MorePosted by Rie Hammer | 23rd Nov 2017 | Denmark, Essay, Festivals, Theatre and Politics
When can performing arts be considered culturally diverse and inclusive? Where will new...
Read MorePosted by Nikolai Klimeniouk | 22nd Nov 2017 | News, Russia, Theatre and Politics
Transparency International-Russia’s recent report on the financial operations of Russia’s state...
Read MorePosted by Nat Muller and Sandra Noeth | 22nd Nov 2017 | Interview, Theatre and Art, Theatre and Dance, Theatre and Politics
“The grander nationalist ostentatiousness gets, the smaller and quieter bodies...
Read MorePosted by Hayley Malouin | 21st Nov 2017 | Canada, Review, Theatre and Art, Theatre and Gender, Theatre and Politics
Shelley Liebembuk reviews Cahoots Theatre and Obsidian Theatre’s world premiere of The Other Side...
Read MorePosted by Sebanti Sarkar | 19th Nov 2017 | India, Playwriting, Review, Theatre and Politics
Six decades of writing, acting and directing often inspired by the changing milieu — Bengali...
Read MorePosted by Jane Baldwin | 19th Nov 2017 | Adaptation, France, Review, Theatre and Politics
Albert Camus’ 1948 play The State of Siege (L’État de Siège) is presently touring the U.S. in a...
Read MorePosted by Trevor Boffone | 18th Nov 2017 | News, Producing, Theatre and Politics, United States of America
When I founded the 50 Playwrights Project the last thing I wanted to do was produce live theatre....
Read MorePosted by Karen Morash | 17th Nov 2017 | Essay, Management, Theatre and Gender, Theatre and Politics
The Old Vic has announced that it has received 20 personal testimonies of alleged inappropriate...
Read MorePosted by Sigríður Jónsdóttir | 16th Nov 2017 | Iceland, Musical Theatre, Review, Theatre and Politics
The economic crisis in Iceland was messy, merciless and brought an entire nation completely...
Read MorePosted by Barbara Hatley | 15th Nov 2017 | Australia, Festivals, Indonesia, Melbourne, News, Participatory Theatre, Theatre and Politics, Transcultural Collaborations
This is the second in a two-part series by Barbara Hatley. Read Part 1 here. Reflections on...
Read MorePosted by Jane Baldwin | 12th Nov 2017 | Boston, Review, Theatre and Gender, Theatre and Politics, United States of America
The Nora Theatre Company at the Central Square Theatre in Cambridge, MA is currently...
Read MorePosted by Duška Radosavljević | 11th Nov 2017 | London, Review, Theatre and Politics, United Kingdom
Every soldier has a story to tell–sometimes a joke, sometimes a parable, often a tragedy. The...
Read MorePosted by Diane de Beer | 10th Nov 2017 | Adaptation, Review, South Africa, Theatre and Politics
The audience members were vocal in their approval from start to finish with Es’kia...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Given the rather uneven record of the National Theatre at the moment, there’s already a certain...
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