Inside Pussy Riot: “Political Art Can Change The World”
Taking place 100 years after the Russian Revolution, Art Riot: Post-Soviet Actionism opened at...
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Theatre and Politics
Review Of Albert Camus’ “State Of Siege” By Théâtre De La Ville
“[It] is utterly useless to accuse my characters of being symbolical,” wrote Albert Camus...
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“The Suppliant Women” at The Young Vic
Asylum is one of the most emotive words in the English language. It evokes valleys of pain,...
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Diversity – YES, But How?
When can performing arts be considered culturally diverse and inclusive? Where will new...
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Clean Hands And Empty Heads: Transparency International’s New Report On Russian Theatre
Transparency International-Russia’s recent report on the financial operations of Russia’s state...
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A Conversation About Movement, Nationalism, And Collectivity
“The grander nationalist ostentatiousness gets, the smaller and quieter bodies...
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Sitting With Amanda Parris’ “Other Side Of The Game”
Shelley Liebembuk reviews Cahoots Theatre and Obsidian Theatre’s world premiere of The Other Side...
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Theatre Of The Real: Bengali Playwright Manoj Mitra’s New Work on Socrates
Six decades of writing, acting and directing often inspired by the changing milieu — Bengali...
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“The State Of Siege” (L’état De Siège): A Political Warning
Albert Camus’ 1948 play The State of Siege (L’État de Siège) is presently touring the U.S. in a...
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Why Produce Karen Zacarías’ “Just Like Us”? Why now?
When I founded the 50 Playwrights Project the last thing I wanted to do was produce live theatre....
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Why Harassment Is So Common In The Theatre
The Old Vic has announced that it has received 20 personal testimonies of alleged inappropriate...
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Cleansed Through Chaos: “God Bless Iceland” at The Reykjavik City Theatre
The economic crisis in Iceland was messy, merciless and brought an entire nation completely...
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Encountering Indonesia At AsiaTOPA (Part 2)
This is the second in a two-part series by Barbara Hatley. Read Part 1 here. Reflections on...
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“The Revolutionists”: How Far Have We Come?
The Nora Theatre Company at the Central Square Theatre in Cambridge, MA is currently...
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“Minefield” Review: Stories From The Soldiers
Every soldier has a story to tell–sometimes a joke, sometimes a parable, often a tragedy. The...
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A Suitcase Packed With Stories: James Ngcobo’s New Play
The audience members were vocal in their approval from start to finish with Es’kia...
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“Young Marx” at Bridge Theatre
Given the rather uneven record of the National Theatre at the moment, there’s already a certain...
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Why The Way Race Is Cast On Stage And Screen Needs To Change
When news of Rapture Theatre’s 2017 production of Tennessee Williams’ classic play A Streetcar...
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“Witness For The Prosecution” at London County Hall
Some site-specific theatre feels like a really good fit. You could say, in this case, that it...
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At The Intersection Of Disabled And Working Class, An Interview With Jackie Hagan
Jackie Hagan: In Skem (Skelmersdale) there’s no class system, just people with slightly nicer...
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