Discussion On The Greatest Theatrical Scandal Of 2017: “Klątwa” At The Powszechny Theatre In Warsaw
Kasia Lech (KL): How could we introduce Klątwa [The Curse] and its context to someone for whom the...
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Theatre and Politics
Dunedin’s Arcade Theatre Company And “Fold:” An Absurdist Production For A Post-Truth Era
The newest theatre company to emerge from Dunedin, New Zealand’s funky, eclectic arts scene is...
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The Performative Essay “(De)signing Time”: Essay in Motion
The Serbian choreographer, performance artist, and stage director Milos Sofrenovic has been at...
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Warsaw’s Teatr 21 At POLIN: Passover Is A Celebration Of Freedom
Pesach or Passover is the most widely observed Jewish holiday and arguably the most joyful....
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Chris Goode’s “Jubilee” – The State of The (Punk) Nation
The idea here is both exquisitely complex and wonderfully simple. On the one hand, Chris Goode’s...
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Martin McDonagh’s “Hangman” at The Atlantic Theatre
New Yorkers have split into factions on Martin McDonagh since his plays first showed up here two...
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Jacek Głomb Named Polish “Theatre Person 2018”
Jacek Głomb, Polish director and Artistic Director of the Modjeska Theatre in Legnica, has just...
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Learning To Live: Two New Plays Examine Hong Kong’s High-Pressure Childhood
Children. They have the power to change everything. The power to change the future. At least...
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“Dutchman” At Secret Theater
One of New York City’s most dynamic young theater companies makes a bold addition to its...
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Liberty, Equality, And Feminism: “Stateswomen, Sluts Of The Revolution, Or The Learned Ladies”
To probe the practices of both protest and theatre-making, Teatr Polski of Bydgoszcz looked to...
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Thomas Ostermeier’s “Returning To Reims”
Plays set in recording studios, in my experience, are usually stories of entrapment. The spaces...
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Men, The Internet, and Politics: “The Believers Are But Brothers” at The Bush Theatre
Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...
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“And So You See…”: The Irrational Is In The Eye Of The Beholder
It is as if Mozart were able to capture what death sounds like, in those moments when people run...
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The Focus Is On The Power Of Those On The Margins: 33 Performances, Representing 14 Countries
The 10th edition of ITFoK touches upon diverse themes such as gender, identity, displacement, and...
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“Hymn To Love” At Divine Comedy Festival 2017
The chorus, as Nietzsche states in The Birth Of Tragedy, “can only be understood as the cause of...
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“The Rage” at Divine Comedy Festival 2017
Divine Comedy Festival 2017 situates itself awkwardly around the peaceful Christmas Market in the...
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“The Birthday Party” – Revival at Harold Pinter Theatre
Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...
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“Miruga Vidhushagam:” Contemporary Theme And Haunting Idioms
S. Murugabhoopathy’s Miruga Vidhushagam is a comment on civil society that stands mute spectators...
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Actor Sello Maake kaNcube’s Can Themba Speaks His Truth In Mahala’s “The House Of Truth”
It’s the perfect storm when the playwright, director, and actor all come together this sweetly as...
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Leaving for Good: Two New Plays on Korean Immigrants and the Cold War | Part 2
This is Part 2 of a two-part article. Read Part 1 here. From Caregiver to Citizen The Nurses, Who...
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