“The Conditions are Never Ideal:” In Conversation with Melanie Lomoff
Song of the Goat Theatre was founded in 1996 by Grzegorz Bral and Anna Zubrzycki, and is now led...
Read More
Theatre and Dance
Young Japanese Man Introduces Zeybek Dance in His Hometown
Twenty-five-year-old Japanese Takasaki Taito attended folk dance courses organized by the...
Read More
“Isandlwana Lecture: Narration through Song” is a Transformative Musical Experience!
Recently staged to SOLD-OUT audiences at the Joburg Theatre, the Isandlwana Lecture: Narration...
Read More
Return of the Revolutionaries: “rEVOLUTION” at the Boston Ballet
From Stravinsky’s dissonant strings heralding the arrival of four black and white clad men in the...
Read More
Sally Abbott’s “I Think We Are Alone” at Theatre Royal Stratford East: Coolly Controlled Study of Loneliness
Once radical theatre companies are increasingly celebrating anniversaries, as if to say, hey,...
Read More
The Bolshoi Theater School: Only in Russia and… Brazil
Twenty years ago, the school’s founders included leading Moscow ballet masters and today, a...
Read More
“The Chains:” Dance Theatre Uganda Returns with a Bang!
We last saw them on stage in 2016. We thought they had gone down the way of most companies –...
Read More
Filming in Cunningham’s Footprints
Cunningham Directed by Alla Kovgan “A 3D cinematic experience about legendary American...
Read More
A Light in the Dark: “Unikkaaqtuat” a Joyful, Moderate Success at Ottawa’s National Arts Centre
From the pre-show announcement, we know we won’t catch all that is said onstage...
Read More
“Chicago:” Presenting Crime as a Show
Chicago combines passion, adultery, crime, murder, greed, corruption, violence, exploitation and...
Read More
“Queen-Size:” Blurring the Lines Between Public and Private
Single Performance: Queen-Size, by Sandbox Collective, a dance-performance at Spaces, Chennai,...
Read More
Willy Tsao: Hong Kong’s Dance Pioneer Embraces the Mainland
If anyone is responsible for Hong Kong’s contemporary dance scene, it’s Willy Tsao. Forty years...
Read More
Bodily Dressage: Cruel and Optimistic Pleasures of the Speaking and Moving Body
Researcher and critic Lisa Moravec explores how two performances of this year’s ImPulsTanz,...
Read More
“Inchoate Buzz:” A Testing Ground for Interaction and Interdisciplinarity
How far can bodily interaction amongst the audience members, with performance objects, and with...
Read More
Dance on Screen. Three Moments from the 58th International Art Exhibition-La Biennale di Venezia
Artists from three different and fairly distant parts of the world — Australia, Brazil and...
Read More
Dance Umbrella’s “The Future Bursts In” at Linbury Theatre celebrates Merce Cunningham
Within ten seconds, I am in love. Three men have taken off their shoes at the side of a white,...
Read More
Dance Umbrella Celebrates Merce Cunningham Centenary with “The Future Bursts In” at the Linbury Theatre in London
Within ten seconds, I am in love. Three men have taken off their shoes at the side of a white,...
Read More
“VAST” Uses Physical Theatre to Drive Home the Point that Man Longs for Nature
A young boy from Nepal snatched away from his home in the Himalayas, now lives in a big slum in...
Read More
Dance Umbrella’s “Out of the System” at Bernie Grant Arts Centre
For the last three years, dance maker and artist Freddie Opoku-Addaie has been a guest programmer...
Read More
An Expansive and Permeating Work Embracing Death and Humanity: A Paradox for Our Times: Gregory Maqoma – “Cion: Requiem of Ravel’s Bolero”
In darkness, a quiet sobbing, acutely intimate in the vastness of the Barbican main stage. Now...
Read MoreLike Us On Facebook
Most Popular Posts
David Yazbek: The Master of Adapting Films into… 2nd April 2026 - Maxim Sukhanov – About The “Brew”… 1st May 2026
- Waking Up in the Spotlight with “The Unusual… 24th March 2026
- Michael Frayn’s “Copenhagen” at the Hampstead… 14th April 2026
- Chekhov’s “Uncle Vanja”, directed… 14th April 2026
