“Mnquma & Ithemba”: African Contemporary Dance-Based Storytelling
The TX Theatre’s double bill Mnquma & Ithemba is rich modern African contemporary dance-based...
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Theatre and Dance
On Contemporary Art as Part of Culture’s DNA: Interview with Mira Todorova
Five years ago in November, a new space for contemporary dance and performance opened its doors in...
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“Knife” Critiques Human Nature Through Mime And Dance
Sometimes a gesture of gratitude comes in the form of a carte blanche. Akira Shirai, the departing...
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Under the Influence of Dada: Readymade Cabaret 2.0 Breaks Out of Linear Time, Celebrates Chance
The brilliant performance reaffirms its disregard for conventional attitudes and unjustified inequalities—a nod to the social and political context from which the work sprang.
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The Interplay of Text and Movement in Dance Dramaturgy
Rute Costa in conversation with Uzma Hameed, dance dramaturg of Woolf Works It was December 2019...
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The Intercultural Journey of An Iranian Performing Artist
Niayesh Nahavandian is a young, Iranian female performing artist that has lived and worked in...
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Notes from the Generation After 4 Showcase
Mid-September brought us a week of new, Polish theatre productions, and a sneak peek behind the...
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ConFormazioni Dance Festival 2020. Reporting from Sicily
Despite national and regional COVID-19 guidelines for the logistical elements of performance,...
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True Inner-Emotion: Butoh Festival Amsterdam 2020
The Butoh dance – born in Japan in the late ’50s, and welcomed and metabolized by the West in the ’80s – is not annulled in the stereotype of a technique handed down and transmittable, but lives an ever new epiphany in the individual experience of each dancer whose results, formally indefinable, go from improvised performative intervention to the extreme of the choreographic mechanism.
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Embodying Inclusion Through Vulnerability Of Dance And Multimedia Performance: Heidi Latsky Dance Company
Heidi Latsky is a dancer and a choreographer who puts her vision of an inclusive integrated world...
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Kalanilayam’s Drama “Hidimbi” Streams Live
When performance spaces closed during the lockdown, digital mediums became the stage for several...
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“Scored In Silence”: Digital Dance Piece Tells Stories Of Deaf Survivors Of The Hiroshima And Nagasaki Attacks
Digital dance piece tells the never-before heard stories of deaf survivors of the A-bombs dropped...
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An Interview with Grzegorz Bral Director of “Anty-Gone Triptych Part II”
Anty-gone Triptych Part II is a melange of movement, song, poetry, and emotion. Giving the viewer...
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Dance Performance About One of Egypt’s National Movement Founders Qassem Amin Released on YouTube
Qassem Amin, a dance performance staged by the Egyptian Modern Dance Theatre Company, has been...
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Interview With Davide Bombana, The Newly Appointed Director Of The Corps De Ballet Of Teatro Massimo In Palermo
Dancer and choreographer of international reputation, David Bombana is required to bridge...
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Choreographer Yasmine Hugonnet at Biennale Arcipelago Mediterraneo
Seven bodies, moving in silence, form a slowly transitioning human landscape. The change in their...
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“#GestezChezVous” Participative Project by Compagnie Hippocampe and Théâtre Victor Hugo
The Covid-19 Emergency has been and still is a challenge for theatre companies, institutions, and...
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Italian Resilience Against COVID-19: Dancers in Quarantine
Because of COVID-19, Italian dancers’ work has abruptly stopped. In order to underline this...
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“The Conditions are Never Ideal:” In Conversation with Melanie Lomoff
Song of the Goat Theatre was founded in 1996 by Grzegorz Bral and Anna Zubrzycki, and is now led...
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Young Japanese Man Introduces Zeybek Dance in His Hometown
Twenty-five-year-old Japanese Takasaki Taito attended folk dance courses organized by the...
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