“On the Verge of Tragedy and Farce”: An Interview with Dmitry Krymov
Dmitry Krymov: artist, director, stage designer, teacher. The son of two of the great theatrical...
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Adaptation
The Beast is Back: Radiotheatre’s Live Audio Play “King Kong”
Since its original 1933 film debut, the story of King Kong has become a mainstay of America’s, and...
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Fresh “Ham” at the Public
Fat Ham arrives at the Public Theater for its first live production following the Zoom staging by...
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“Sky of Darkness” Comes to NYC: A Chinese Reimagination of “Heart of Darkness” in Our Neocolonial World
Sky of Darkness is enjoying its US premiere June 2-12 at Theaterlab in Midtown Manhattan. The...
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Belgian Premiere of “Molly Bloom” in Ghent
In 1999, Viviane De Muynck and Jan Lauwers set to work with the last chapter of James...
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“The Burnt City,” One Cartridge Place
Punchdrunk theatre, the eponymous progenitors of “immersive theatre,” have been wowing...
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Ivo van Hove’s “Age of Rage” at Barbican
Ivo van Hove’s production of Age of Rage is sourced from six plays by Euripides and one by...
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“Black Boy,” or What to Do with the White Theatre Critic
What do you do when you are blown away by a show, and yet you know that there is something...
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The Revolution of Tragedies: An Interview with Romanian Director Andrei Majeri
During the very agonic and snail-slow, first foggy year under COVID of 2020, I met theater...
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“Children of A Clockwork Orange” at the Youth Theatre, Novi Sad
Youth Theatre, Novi Sad. Premiered February 27, 2022. A few days ago, a friend who is a teacher...
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Dolce & Duce: “The Taming of the Shrew” at the Mossovet Theatre
In a country at war, theatres continue to work… “(They) are so simple to offer war...
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“The Brothers Karamazov” at The Zagreb Youth Theater
Zagreb Youth Theater (ZKM), premiered on February 26, 2022 It is almost impossible to begin a...
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Theater Fest to Host Famous Plays by Foreign, Local Groups in Adana
The 23rd edition of The State Theaters – Sabancı International Adana Theater Festival will offer...
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The Dismantling of Mourning
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
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Bell Shakespeare’s “Hamlet” Highlights the “Claustrophobic Personal Dynamics” of Shakespeare’s Play
In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...
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“The Human Voice” at Harold Pinter Theatre
Is there really such a thing as an unmissable show? Depends on your taste of course, but for sheer...
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“One Arm” Review: Artscape
ONE ARM. Adaptation: Fred Abrahamse and Marcel Meyer. Director: Fred Abrahamse. Cast: Marcel Meyer...
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Decolonising Shakespeare: Setting Othello in Ghana and Pericles in Glasgow
Over the last few years, the issue of decolonising the curriculum has become a growing concern for...
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Four Times Shakespeare Has Inspired Stories About Robots and AI
Science fiction is a genre very much associated with technological marvels, innovations, and...
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“Cinderella” At the Masque: Review
CINDERELLA. A two-act musical. Written and directed by Faeron Wheeler. Musical Director: Tersia...
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