Ivo van Hove’s “Age of Rage” at Barbican
Ivo van Hove’s production of Age of Rage is sourced from six plays by Euripides and one by...
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Adaptation
“Black Boy,” or What to Do with the White Theatre Critic
What do you do when you are blown away by a show, and yet you know that there is something...
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The Revolution of Tragedies: An Interview with Romanian Director Andrei Majeri
During the very agonic and snail-slow, first foggy year under COVID of 2020, I met theater...
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“Children of A Clockwork Orange” at the Youth Theatre, Novi Sad
Youth Theatre, Novi Sad. Premiered February 27, 2022. A few days ago, a friend who is a teacher...
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Dolce & Duce: “The Taming of the Shrew” at the Mossovet Theatre
In a country at war, theatres continue to work… “(They) are so simple to offer war...
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“The Brothers Karamazov” at The Zagreb Youth Theater
Zagreb Youth Theater (ZKM), premiered on February 26, 2022 It is almost impossible to begin a...
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Theater Fest to Host Famous Plays by Foreign, Local Groups in Adana
The 23rd edition of The State Theaters – Sabancı International Adana Theater Festival will offer...
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The Dismantling of Mourning
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
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Bell Shakespeare’s “Hamlet” Highlights the “Claustrophobic Personal Dynamics” of Shakespeare’s Play
In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...
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“The Human Voice” at Harold Pinter Theatre
Is there really such a thing as an unmissable show? Depends on your taste of course, but for sheer...
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“One Arm” Review: Artscape
ONE ARM. Adaptation: Fred Abrahamse and Marcel Meyer. Director: Fred Abrahamse. Cast: Marcel Meyer...
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Decolonising Shakespeare: Setting Othello in Ghana and Pericles in Glasgow
Over the last few years, the issue of decolonising the curriculum has become a growing concern for...
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Four Times Shakespeare Has Inspired Stories About Robots and AI
Science fiction is a genre very much associated with technological marvels, innovations, and...
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“Cinderella” At the Masque: Review
CINDERELLA. A two-act musical. Written and directed by Faeron Wheeler. Musical Director: Tersia...
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Zadie Smith: How “The Wife of Willesden” Brings to Life Chaucer’s Tale of Sex and Power
It could be easy to assume that The Canterbury Tales, a collection of stories written in Middle...
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Dante Meets Bharatanatyain This Experimental Theatre Performance at Ranga Shankara
Italian theatre director Anna Dora Dorno talks about her project, Dante Beyond Borders. Italy was...
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Little Things We Do Together—Marianne Elliott’s “Company”
As most people reading this will already know, Company was first reworked for a female Bobbie...
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(Not) Adapting to the French Stage: “Les Producteurs”, Directed by Alexis Michalik, at the Théâtre de Paris
A week after Josephine Baker posthumously entered the French Panthéon, a musical about two...
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Nonverbal “King Lear” Review – Conflict in Visuals, Sounds, and Imaginations
What has been left after all well-written dialogues, which were once deemed to be the spirit of...
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Rena Matsui Tackles Shakespeare in an All-Female “Julius Caesar”
Rena Matsui always knew she wanted to enter the acting world, and launching her career by...
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