Dolce & Duce: “The Taming of the Shrew” at the Mossovet Theatre
In a country at war, theatres continue to work… “(They) are so simple to offer war...
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Adaptation
“The Brothers Karamazov” at The Zagreb Youth Theater
Zagreb Youth Theater (ZKM), premiered on February 26, 2022 It is almost impossible to begin a...
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Theater Fest to Host Famous Plays by Foreign, Local Groups in Adana
The 23rd edition of The State Theaters – Sabancı International Adana Theater Festival will offer...
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The Dismantling of Mourning
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
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Bell Shakespeare’s “Hamlet” Highlights the “Claustrophobic Personal Dynamics” of Shakespeare’s Play
In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...
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“The Human Voice” at Harold Pinter Theatre
Is there really such a thing as an unmissable show? Depends on your taste of course, but for sheer...
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“One Arm” Review: Artscape
ONE ARM. Adaptation: Fred Abrahamse and Marcel Meyer. Director: Fred Abrahamse. Cast: Marcel Meyer...
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Decolonising Shakespeare: Setting Othello in Ghana and Pericles in Glasgow
Over the last few years, the issue of decolonising the curriculum has become a growing concern for...
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Four Times Shakespeare Has Inspired Stories About Robots and AI
Science fiction is a genre very much associated with technological marvels, innovations, and...
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“Cinderella” At the Masque: Review
CINDERELLA. A two-act musical. Written and directed by Faeron Wheeler. Musical Director: Tersia...
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Zadie Smith: How “The Wife of Willesden” Brings to Life Chaucer’s Tale of Sex and Power
It could be easy to assume that The Canterbury Tales, a collection of stories written in Middle...
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Dante Meets Bharatanatyain This Experimental Theatre Performance at Ranga Shankara
Italian theatre director Anna Dora Dorno talks about her project, Dante Beyond Borders. Italy was...
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Little Things We Do Together—Marianne Elliott’s “Company”
As most people reading this will already know, Company was first reworked for a female Bobbie...
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(Not) Adapting to the French Stage: “Les Producteurs”, Directed by Alexis Michalik, at the Théâtre de Paris
A week after Josephine Baker posthumously entered the French Panthéon, a musical about two...
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Nonverbal “King Lear” Review – Conflict in Visuals, Sounds, and Imaginations
What has been left after all well-written dialogues, which were once deemed to be the spirit of...
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Rena Matsui Tackles Shakespeare in an All-Female “Julius Caesar”
Rena Matsui always knew she wanted to enter the acting world, and launching her career by...
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“Cruel Games”—A Soviet Play in Post-Soviet Realities
Cruel Games at the Mossovet Theater is not just the name of a forgotten play by Alexei Arbuzov,...
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“Balkan Bordello” at Teatri Oda
Balkan Bordello: An Orgiastic Musical in the Aftermath of War Imagine yourself at a hedonistic...
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Re-Imagined Play Stirs Memories of “White Mischief” in Colonial Africa
Miss Julie’s Happy Valley is the most recent work by playwright Michael Omoke. The new play...
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“A Raisin in the Sun”: A Timeless Classic
Directed by South African theatre and film industry stalwart Dr. Jerry Mofokeng wa Makhetha, A...
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