Theater Fest to Host Famous Plays by Foreign, Local Groups in Adana
The 23rd edition of The State Theaters – Sabancı International Adana Theater Festival will offer...
Read MorePosted by Daily Sabah | 13th Apr 2022 | Adaptation, Festivals, News, Turkey
The 23rd edition of The State Theaters – Sabancı International Adana Theater Festival will offer...
Read MorePosted by Paweł Schreiber | 9th Apr 2022 | Adaptation, Poland, Review, Theatre and Politics
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
Read MorePosted by Gabrielle Edelstein | 3rd Apr 2022 | Adaptation, Australia, Directing, Review
In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...
Read MorePosted by Aleks Sierz | 2nd Apr 2022 | Adaptation, Directing, London, Review, United Kingdom
Is there really such a thing as an unmissable show? Depends on your taste of course, but for sheer...
Read MorePosted by Beverley Brommert | 9th Mar 2022 | Adaptation, Review, South Africa
ONE ARM. Adaptation: Fred Abrahamse and Marcel Meyer. Director: Fred Abrahamse. Cast: Marcel Meyer...
Read MorePosted by Henry Bell | 30th Jan 2022 | Adaptation, Essay, Ghana, India, Theatre and Decolonization, Transcultural Collaborations, United Kingdom
Over the last few years, the issue of decolonising the curriculum has become a growing concern for...
Read MorePosted by Sarah Annes Brown | 25th Jan 2022 | Adaptation, Essay, Theatre and Science, United Kingdom
Science fiction is a genre very much associated with technological marvels, innovations, and...
Read MorePosted by Sheila Chisholm | 22nd Jan 2022 | Adaptation, Musical Theatre, Review, South Africa
CINDERELLA. A two-act musical. Written and directed by Faeron Wheeler. Musical Director: Tersia...
Read MorePosted by Natalie Hanna | 7th Jan 2022 | Adaptation, Review, Theatre and Gender, United Kingdom
It could be easy to assume that The Canterbury Tales, a collection of stories written in Middle...
Read MorePosted by Praveen Sudevan | 27th Dec 2021 | Adaptation, India, Interview, Transcultural Collaborations
Italian theatre director Anna Dora Dorno talks about her project, Dante Beyond Borders. Italy was...
Read MorePosted by Jonathan Kalb | 23rd Dec 2021 | Adaptation, New York, Review, Theatre and Gender, United States of America
As most people reading this will already know, Company was first reworked for a female Bobbie...
Read MorePosted by Lara Cox | 15th Dec 2021 | Adaptation, France, Musical Theatre, Review, Translation
A week after Josephine Baker posthumously entered the French Panthéon, a musical about two...
Read MorePosted by Dawna Fung | 2nd Dec 2021 | Adaptation, China, Hong Kong, Review
What has been left after all well-written dialogues, which were once deemed to be the spirit of...
Read MorePosted by Nobuko Tanaka | 30th Nov 2021 | Adaptation, Interview, Japan
Rena Matsui always knew she wanted to enter the acting world, and launching her career by...
Read MorePosted by Emiliia Dementsova | 29th Nov 2021 | Adaptation, Review, Russia
Cruel Games at the Mossovet Theater is not just the name of a forgotten play by Alexei Arbuzov,...
Read MorePosted by Borisav Matić | 21st Nov 2021 | Adaptation, Kosovo, Review, Serbia, Transcultural Collaborations
Balkan Bordello: An Orgiastic Musical in the Aftermath of War Imagine yourself at a hedonistic...
Read MorePosted by Alexander Nderitu | 19th Nov 2021 | Adaptation, Denmark, Kenya, Review, Theatre and Decolonization, Transcultural Collaborations
Miss Julie’s Happy Valley is the most recent work by playwright Michael Omoke. The new play...
Read MorePosted by Tonderai Chiyindiko | 9th Nov 2021 | Adaptation, Review, South Africa
Directed by South African theatre and film industry stalwart Dr. Jerry Mofokeng wa Makhetha, A...
Read MorePosted by Emiliia Dementsova | 7th Nov 2021 | Adaptation, Covid-19, Review, Russia
It’s trite to write about how hard it is to live from lockdown to lockdown; from one mask...
Read MorePosted by Aleks Sierz | 2nd Nov 2021 | Adaptation, Review, United Kingdom
Remembering the months of lockdown, I can’t be the only person to thrill to this play’s opening...
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