Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 2
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
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Adaptation
Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 1
Interview and translation by Kee-Yoon Nahm with contributions from Laura Gisondi. Lee Kang-baek is...
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“The Talmud” at DOXSEE
The Talmud, Meta-Phys Ed.’s new play at The DOXSEE Theater in Brooklyn, is ambitious. I mean, just...
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Henrik Ibsen’s “A Doll’s House” at the Lyric Hammersmith: New Artistic Director’s Superb Debut
Rachel O’Riordan, the new artistic director of this Off-West End venue, has arrived with a program...
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“The Secret River” at The National Theatre
The revival of Sydney Theatre Company’s production of The Secret River, performed to great acclaim...
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Lucy Prebble’s “A Very Expensive Poison” at the Old Vic: Post-truth Games with Docu-drama
The Russian state murders dissidents not only in their homeland, but also in the UK. Recent cases...
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“Felix Starro” is Born
Felix Starro, a Ma-Yi Theater Company production playing at Theatre Row, is simultaneously...
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Robert Icke’s “The Doctor” at the Almeida Theatre
“Crystal clear.” The adjective, repeated like a mantra in Robert Icke’s The Doctor, is charged...
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Robert Icke’s “The Doctor” At The Almeida Theatre
After six years, associate director Robert Icke bids farewell to the Almeida Theatre. In this...
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Philip Luswata Brings “30 Years of Bananas” Back to Life
It is not a usual thing seeing Ugandan writers’ works celebrated years after they were created. Of...
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Stratford 2019: Perfect Production Lurching Forward Into Full-Blown Farce
Chicago. 1928. The hard-boiled boozy reporters on the crime beat are sitting around a...
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Odyssey Theatre’s “The Bonds of Interest”: Bringing New Form to Spanish Theatre
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
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“Kafka’s Ape”: Humanity Through the Eyes of a Human-like Primate
It’s natural to see apes living in the wild and climbing trees and other things. Unfathomable,...
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“Somnia” – P.A.R.T.S. / Anne Teresa & Jolente De Keersmaeker
Engaging choreography in a green discourse Anyone associating ‘De Keersmaeker’ and P.A.R.T.S....
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Building Bridges To Bangkok Through Stage
Never at risk of being run of the mill, Chelfitsch — which took its name from a baby’s...
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Soyinka Meets Shakespeare
One of the only three curated shows showcased at the 2019 edition of the Lagos Theatre Festival...
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Lekan Balogun’s “Ogun Skugga”: Memoirs of A Civil War
The Lagos Theatre Festival may have come and gone but the memories of the week-long activities...
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10 Years On: Miguel del Arco’s “The Play to Be Done” In Its Swansong Run
It has been a decade since Miguel del Arco—now one of Spain’s most admired directors— burst onto...
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“The Caucasian Chalk Circle” at Antaeus Theatre Company
“Oh, one wants to come to some arrangement, does one? You don’t get more shameless than that. He...
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Company of Fools: No Foolin’. This “Romeo and Juliet” Is a Capering Classic
Has A Company of Fools rediscovered its mojo? After a series of hits and misses, including last...
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