The WaxFactory’s “Lulu XX”
The WaxFactory’s new production Lulu XX is many steps away from originality. The heart of the play...
Read MorePosted by Abigail Weil | 28th Sep 2019 | Adaptation, Design, New York, Review, Theatre and Film, Theatre and Gender, United States of America
The WaxFactory’s new production Lulu XX is many steps away from originality. The heart of the play...
Read MorePosted by Lorena Meeser | 23rd Sep 2019 | Adaptation, Immersive Theatre, Mexico, Review
A wonderful experience of intimate theatre. Distancias Cortas is a scenic production that presents...
Read MorePosted by Kee-Yoon Nahm | 15th Sep 2019 | Adaptation, Interview, Playwriting, South Korea, Theatre and Politics, Translation
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
Read MorePosted by Kee-Yoon Nahm | 15th Sep 2019 | Adaptation, Interview, Playwriting, South Korea, Theatre and Politics, Translation
Interview and translation by Kee-Yoon Nahm with contributions from Laura Gisondi. Lee Kang-baek is...
Read MorePosted by Abigail Weil | 14th Sep 2019 | Adaptation, New York, Review, Theatre and Religion, Transcultural Collaborations, United States of America
The Talmud, Meta-Phys Ed.’s new play at The DOXSEE Theater in Brooklyn, is ambitious. I mean, just...
Read MorePosted by Aleks Sierz | 13th Sep 2019 | Adaptation, London, Review, United Kingdom
Rachel O’Riordan, the new artistic director of this Off-West End venue, has arrived with a program...
Read MorePosted by Konrad Zielinski | 12th Sep 2019 | Adaptation, London, Review, United Kingdom
The revival of Sydney Theatre Company’s production of The Secret River, performed to great acclaim...
Read MorePosted by Aleks Sierz | 8th Sep 2019 | Adaptation, Documentary Theatre, Review, Theatre and Politics, United Kingdom
The Russian state murders dissidents not only in their homeland, but also in the UK. Recent cases...
Read MorePosted by Abigail Weil | 6th Sep 2019 | Adaptation, Musical Theatre, New York, Review, Theatre and Religion, Theatre and Science, United States of America
Felix Starro, a Ma-Yi Theater Company production playing at Theatre Row, is simultaneously...
Read MorePosted by Mert Dilek | 5th Sep 2019 | Adaptation, London, Review, United Kingdom
“Crystal clear.” The adjective, repeated like a mantra in Robert Icke’s The Doctor, is charged...
Read MorePosted by Aleks Sierz | 4th Sep 2019 | Adaptation, London, Review, United Kingdom
After six years, associate director Robert Icke bids farewell to the Almeida Theatre. In this...
Read MorePosted by Kaggwa Andrew Mayiga | 4th Sep 2019 | Adaptation, Review, Theatre and Politics, Uganda
It is not a usual thing seeing Ugandan writers’ works celebrated years after they were created. Of...
Read MorePosted by Barbara Gabriel | 3rd Sep 2019 | Adaptation, Canada, Review
Chicago. 1928. The hard-boiled boozy reporters on the crime beat are sitting around a...
Read MorePosted by Alvina Ruprecht | 17th Aug 2019 | Adaptation, Canada, Review, Spain
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
Read MorePosted by Lungile Sojini | 7th Aug 2019 | Adaptation, Review, South Africa
It’s natural to see apes living in the wild and climbing trees and other things. Unfathomable,...
Read MorePosted by Rathsaran Sireekan | 2nd Aug 2019 | Adaptation, Belgium, Essay, Review, Theatre and Dance, Theatre and Politics
Engaging choreography in a green discourse Anyone associating ‘De Keersmaeker’ and P.A.R.T.S....
Read MorePosted by Nobuko Tanaka | 1st Aug 2019 | Adaptation, Directing, Japan, News, Thailand, Transcultural Collaborations
Never at risk of being run of the mill, Chelfitsch — which took its name from a baby’s...
Read MorePosted by Franklin Ugobude | 28th Jul 2019 | Adaptation, Festivals, Lagos Theatre Festival 2019, Nigeria, Review
One of the only three curated shows showcased at the 2019 edition of the Lagos Theatre Festival...
Read MorePosted by Franklin Ugobude | 27th Jul 2019 | Adaptation, Festivals, Lagos Theatre Festival 2019, Nigeria, Review
The Lagos Theatre Festival may have come and gone but the memories of the week-long activities...
Read MorePosted by Maria Delgado | 23rd Jul 2019 | Adaptation, Review, Spain
It has been a decade since Miguel del Arco—now one of Spain’s most admired directors— burst onto...
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