Philip Luswata Brings “30 Years of Bananas” Back to Life
It is not a usual thing seeing Ugandan writers’ works celebrated years after they were created. Of...
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Adaptation
Stratford 2019: Perfect Production Lurching Forward Into Full-Blown Farce
Chicago. 1928. The hard-boiled boozy reporters on the crime beat are sitting around a...
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Odyssey Theatre’s “The Bonds of Interest”: Bringing New Form to Spanish Theatre
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
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“Kafka’s Ape”: Humanity Through the Eyes of a Human-like Primate
It’s natural to see apes living in the wild and climbing trees and other things. Unfathomable,...
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“Somnia” – P.A.R.T.S. / Anne Teresa & Jolente De Keersmaeker
Engaging choreography in a green discourse Anyone associating ‘De Keersmaeker’ and P.A.R.T.S....
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Building Bridges To Bangkok Through Stage
Never at risk of being run of the mill, Chelfitsch — which took its name from a baby’s...
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Soyinka Meets Shakespeare
One of the only three curated shows showcased at the 2019 edition of the Lagos Theatre Festival...
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Lekan Balogun’s “Ogun Skugga”: Memoirs of A Civil War
The Lagos Theatre Festival may have come and gone but the memories of the week-long activities...
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10 Years On: Miguel del Arco’s “The Play to Be Done” In Its Swansong Run
It has been a decade since Miguel del Arco—now one of Spain’s most admired directors— burst onto...
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“The Caucasian Chalk Circle” at Antaeus Theatre Company
“Oh, one wants to come to some arrangement, does one? You don’t get more shameless than that. He...
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Company of Fools: No Foolin’. This “Romeo and Juliet” Is a Capering Classic
Has A Company of Fools rediscovered its mojo? After a series of hits and misses, including last...
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Lorca, Lopez, and Translating Desire: “Yerma” at the Huntington Theater Company
Yerma, the titular character of Federico García Lorca’s play is terribly desperate. She...
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They Didn’t Give Us Permission to Sing Love Songs: A Look on Ruhollah J’afari’s Performance of “Richard III Will Not Take Place”
Ruhollah J’afari’s Richard III Will Not Take Place is an excavation of real historical events. A...
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A Radical New Adaptation Eviscerates the Dominance of Male Voices in Wake in Fright
Australian literary classics are currently enjoying a comeback at our major theatre companies....
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Shax, The Hong Kong Theatre Group That Is Shaking Up Shakespeare
Rosalind Wong didn’t plan to win the Hecklers Award 2016 for Best Director – but she did, walking...
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Samuel Beckett’s “Waiting for Godot” Is Brought into the Reiwa Era
Why are thespians the world over so drawn to Waiting for Godot, that for many older actors playing...
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“Tale of the Lion King” at Disney California Adventure Park – An Interview with Creative Director, Susana Tubert
Visitors to Disney California Adventure Park should be sure to check their schedules and make time...
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“The Damned”: La Comédie Française On the Barbican Stage.
Ivo Van Hove directed the theatrical adaptation of Luchino Visconti’s 1969 Nazi-era film The...
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“1001 Nights” From Target Margin
A drag queen lipsynching into a retro mike in a tight spotlight is the opening image of 1001SUR,...
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Stefano Massini’s “The Lehman Trilogy” at the Piccadilly Theatre
Three generations, three centuries, three acts: The Lehman Trilogy is a theatrical feast that...
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