An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”
The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...
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Acting
Theatre Play “Surrender” Sheds Light On New Egyptian Talents Ready To Enter Acting Scene
Staged by the Actor’s Studio, an initiative housed by the Creativity Centre, Surrender is a...
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Traumatic Dramatics: Iraqi Addicts, Criminals, And Survivors Use Theatre As Therapy
An Iraqi man is using drama therapy to help local drug addicts, juvenile offenders and victims of...
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Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company
Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...
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Out Of Character: How Acting Puts A Mental Strain On Performers
Performers are twice as likely as the general population to experience depression, according to...
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Isabelle Huppert And Jeremy Irons Will Be Awarded Europe Theatre Prize In Rome
From the 12th to the 17th of December, Rome will host the XVI edition of Theatre Prize and the XIV...
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Junpei Mizobata Plunges Headfirst Into The Absurdist World Of Harold Pinter
As the saying goes, “You can’t judge a book by its cover.” In the same way, if you thought the...
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David Eldridge’s “Beginning” at The National Theatre
One defining characteristic of Englishness is social awkwardness, and its emotional register is an...
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“Poison” at The Orange Tree Theatre
Continental drama, in this era of Brexit negotiations, seems to be rarer and rarer on British...
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Kosovo Actors Demand Higher Salaries
The Ministry of Culture said that actors’ salaries will be raised by January of next year after...
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Bobi Pricop And The Empathetic Theatre
Each year, the Romanian higher education system supplies, through its art universities with their...
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Interview With Fanny Gautier: Exit(o) Madrid
Fanny Gautier, star of stage, television, and film, gives some insight into succeeding as a...
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David Greenspan’s One-Man, 6-Hour Performance of Eugene O’Neill’s “Strange Interlude”
The most interesting question about David Greenspan’s one-man, 6-hour performance of Eugene...
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Thomas Ostermeier’s “Richard III” at BAM
Richard Crookback is Shakespeare’s dazzling carnival monster, a showoff criminal who charms us...
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David Storey’s “The March On Russia” at Orange Tree Theatre
The family celebration drama is a genre that had its heyday in the 1960s when social mobility made...
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The Inability to Fill the Void: Eduardo Orozco’s “Asatia”
Premise: The protagonist in Eduardo Orozco’s play Asatia discovers that dedicating...
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What Is the Relationship Between Acting and Transmedia? Part II
This is the second blog post looking at acting and transmedia. It identifies several key...
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The Beginner’s Guide To Acting And Transmedia
This is the first of a series of blog posts that look at the role of the actor in a transmedia...
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“Brodsky/Baryshnikov”: The Art of Poetic Memory
From the cultural perspective, London is an extremely privileged city: the delights it enjoys are...
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Interview: Ha Sung-kwang as Cheng Ying in “The Orphan of Zhao: Seeds of Revenge”
The Orphan of Zhao: Seeds of Revenge was staged again recently. The premiere production was an...
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