Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival
Terence Rattigan is a posh playwright whose work encapsulates the emotional restraint of the...
Read MorePosted by Aleks Sierz | 19th Feb 2026 | Acting, Directing, Review, United Kingdom
Terence Rattigan is a posh playwright whose work encapsulates the emotional restraint of the...
Read MorePosted by Margaret Rose | 17th Feb 2026 | Adaptation, Italy, Review
In late January and early February, Filippo Timi’s Hamlet² played to full houses at the 500-seater...
Read MorePosted by Morgan Skolnik | 13th Feb 2026 | LGBTQ+ Theatre, New York, Review
Anticipation and intrigue flood the room– a room which both is and is not the club. I and around...
Read MorePosted by Teodora Medeleanu | 10th Feb 2026 | Essay, Festivals, Poland, Romania, Transcultural Collaborations
Somewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.Pomiędzy Festival...
Read MorePosted by Victoria Zavyalova | 9th Feb 2026 | Australia, Festivals, Review, United States of America
In January, the NYC Under the Radar Festival presented some of the most innovative and...
Read MorePosted by Aleks Sierz | 9th Feb 2026 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Some shows have great moments, but somehow just don’t work — the whole is less than the sum of its...
Read MorePosted by Lisa Monde | 8th Feb 2026 | Essay, Musical Theatre, United States of America
For American audiences, the musical The Devil Wears Prada, anticipated to premiere on Broadway in...
Read MorePosted by Paulina Peret | 6th Feb 2026 | Essay, Festivals, Poland
The “Screen / Stage” program was created as a space for shared viewing, discussion, and reflection...
Read MorePosted by Daniel Meyer-Dinkgräfe | 6th Feb 2026 | Directing, Germany, Review
For this production of Shakespeare’s play, Oldenburgisches Staatstheateer used the 2007...
Read MorePosted by Margaret Rose | 6th Feb 2026 | Directing, Italy, Review
Neapolitan poet and dramatist Enzo Moscato passed away in 2024 at the age of 75. Together with...
Read MorePosted by Yizhou Zhang | 5th Feb 2026 | Argentina, Canada, Review, Theatre and Decolonization
A shimmering Andes mountain range made of light and weave. The sound of rattling bells. A...
Read MorePosted by Jonathan Kalb | 4th Feb 2026 | Playwriting, Review, United States of America
At the risk of sounding smug, let me say: I have been yowling, since the early days of the...
Read MorePosted by Maria Delgado | 4th Feb 2026 | Chile, Festivals, Review
There were two key themes running through this year’s Teatro a Mil, the Chilean capital’s...
Read MorePosted by Margaret Rose | 3rd Feb 2026 | Italy, Review, Theatre and Politics
A Place of Safety, A Journey in the Central Mediterranean, produced by the Kepler-452 Company...
Read MorePosted by David O'Donnell | 29th Jan 2026 | Festivals, Hawaii, New Zealand, Theatre and Decolonization, Transcultural Collaborations
In the opening scene of Puana, a musical play written and directed by Professor Tammy Haili‘ōpua...
Read MorePosted by Margaret Rose | 27th Jan 2026 | Acting, Italy, Review
Before the Storm is set in a rather dilapidated dressing room where an elderly actor waits to go...
Read MorePosted by Morgan Skolnik | 27th Jan 2026 | Review, United States of America
The morning of the day I saw Narcissister’s spellbinding and stunningly original Voyage Into...
Read MorePosted by Daniel Meyer-Dinkgräfe | 26th Jan 2026 | Directing, Germany, Review
Many, especially prestigious, new productions of Chekhov’s The Seagull in the UK and USA...
Read MorePosted by Morgan Skolnik | 23rd Jan 2026 | New York, Review, Theatre and Gender, United States of America
Wet Mess is a captivating performer with a playfully defined aesthetic. Their checkerboard face...
Read MorePosted by Jonathan Kalb | 20th Jan 2026 | Acting, Review, United States of America
Bug is a thoughtfully creepy psycho-thriller, set in a Texas motel, about a seemingly likeable yet...
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