What’s Eating You
Bug is a thoughtfully creepy psycho-thriller, set in a Texas motel, about a seemingly likeable yet...
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Sharing Crafts, Or Laboratory Space
The “Sharing Crafts” Performative Laboratory took place on 19–22 May 2025 as part of...
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For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
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Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling
New Year, new line up of West End stars. This time it’s the turn of Olivier-Award-winner Sheridan...
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Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room
A towering figure in Chicago theatre, Charles Newell—former Marilyn F. Vitale Artistic Director of...
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Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen
It’s very hard to define Chiao-Jung Chen as one kind of artist, for she is someone who works...
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Echoes of a Crumbling Republic: Review of “Berlin” at Chicago’s Court Theatre (2025)
Berlin at Chicago’s Court Theatre (April–May 2025) was nothing short of a theatrical...
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“Leili And Majnun:” An Ancient Love Story For Modern Times
We all know the iconic closing lines: “For never was a story of more woe / Than this of...
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“With Ruby and I” – review – more McDonagh than Robinson
“So high you can kiss the sky” is one of the many iconic lines from With Ruby and I, a debut show...
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Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo
How do forgiveness and reconciliation projects help heal a country’s collective trauma and...
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Thought-Provoking Crime Drama And Star Vehicle: “Nebenan” At The Renaissance Theater, Berlin
The play Nebenan was premiered at Burgtheater Wien in 2022, based on the film of the same title...
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Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer”
There are directors who have gotten us accustomed to treading on unconventional paths. They have...
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Gender Allows A Different Perspective On Ibsen’s “Der Volksfeind” (“An Enemy Of The People”) In Bremerhaven
In 2019, Landestheater Salzburg used a new translation of Ibsen’s An Enemy of the People as the...
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What Happens In Mecca, Stays In Mecca: “Pilgrimage” By Humaira Ghilzai And Bridgette Dutta Portman
Golden Thread Productions and Z Space’s world premiere of Pilgrimage, written by Humaira...
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“Historia de una maestra” (Story of a Teacher) at Madrid’s Teatro Valle-Inclán: Arguing for Education as a Way of Life
The power of education as a tool for emancipation and democratic thinking has been the subject of...
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Lolita Flores Places Poncia Centre-stage: A New Re-fashioning of “The House of Bernarda Alba”
The House of Bernarda Alba has engendered no shortage of spin-offs — dance and film adaptations...
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“L’amor venia amb taxi” (Love Arrived By Taxi): La Cubana’s Affectionate Homage to the Catalan Amateur Theatre
La Cubana have been making theatre for over 45 years – stagings that have reimagined popular...
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Faustin Linyekula’s Missing Bodies: “My body, my archive” at the Aichi Triennale 2025
Laying Historical Ground, Wide-angle Towards the end of Faustin Linyekula’s theatrical dance piece...
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“El día del Watusi” (The Day of the Watusi): Iván Morales stages Francisco Casavella’s cult novel on Barcelona in transition
El día del Watusi (The Day of the Watusi) gets a second outing at the Teatre Lliure. First seen in...
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Diego Garrido Sanz’s “Violencia” (Violence) at the Centro Dramático Nacional: exploring the possibilities of restorative justice
How do we learn to forgive, especially in the aftermath of a massacre that has no rational...
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