Marketing, Sales And Production Are Crucial For The Survival And Success Of Any Project
An Interview with Mr. Meir Bar-Giora (Hungary/Israel/China), theatre and performing arts agent...
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Romeo Castellucci “Believing In Masks” At Milan’s Fog Festival
FOG, Milan’s performing arts festival, is back with some rare treats for theatregoers keen to...
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“Last Call” Brings Us Closer To Bernstein And Von Karajan
Plays about famous people have always held special attraction to dramatists, theatres and...
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“Is Love Energy Or Matter?” An Interview With Rok Vilcnik, Slovenian Playwright, Author, Musician, Poet
Rok Vilčnik (b. 1968), also known as rokgre, is a prominent Slovenian author, poet, playwright,...
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The Piccolo Theatro’s “Miracle In Milan”
On the opening night of Miracle in Milan at the Piccolo Teatro Strehler, the excitement of the...
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“An Enemy Of The People:” An Oblique Look At Democracy From Schaubühne Berlin
An Enemy of the People was first introduced to Greek audiences in 1902 by the pioneering “New...
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A Beer And A Mop
Jake Brasch’s The Reservoir tells the story of a charmingly self-deprecating, openly gay NYU...
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“Digital Access To The Performing Arts” Released Open Access
The newly published book Digital Access to the Performing Arts: A Comparative Study of Legal and...
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Dea Loher’s New Play “Frau Yamamoto Ist Noch Da” In Bremen And Osnabrück
Dea Loher (b. 1964), has been a prominent German dramatist since the world premiere of her first...
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Monster Mash
Ngozi Anyanwu’s The Monsters is a poignant and muscular two-hander about a Black brother and...
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Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello”
By a fortuitous coincidence, a new theatre-work The Chair and The Cello – which features an...
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Picasso’s “Barber” At The Spanish National Theatre
Balding men are often precious about their hair. Pablo Picasso (1881-1973) was no exception. First...
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Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic
Today, in Geneva, there are tentative peace talks between Ukraine and Russia; today, in London,...
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In the City of al-Sayyab, Theatre Still Speaks
Basra is shaped by louder forces such as oil, politics, and the constant negotiation of visible...
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Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival
Terence Rattigan is a posh playwright whose work encapsulates the emotional restraint of the...
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“Hamlet²” (“Amleto²”)
In late January and early February, Filippo Timi’s Hamlet² played to full houses at the 500-seater...
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The Trans Excellence of Faggotica
Anticipation and intrigue flood the room– a room which both is and is not the club. I and around...
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“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland
Somewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.Pomiędzy Festival...
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NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future
In January, the NYC Under the Radar Festival presented some of the most innovative and...
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Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland
Some shows have great moments, but somehow just don’t work — the whole is less than the sum of its...
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