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Frank Wedekind’s “Spring Awakening” Comes to Japan

Posted by Nobuko Tanaka | 6th May 2017 | Japan

The old never give the young an easy time. “They think they know everything,” “They’re lazy” — the...

“Charlie and the Chocolate Factory” on Broadway

Posted by Jonathan Kalb | 5th May 2017 | Musical Theatre, New York, Review, Theatre for Young Audiences, United States of America

My companion at Charlie and the Chocolate Factory, the new Broadway musical adaptation of Roald...

“Sensuality of Action”: Paula Vogel’s “Indecent” on Broadway

Posted by Richard Vetere | 5th May 2017 | LGBTQ+ Theatre, New York, United States of America

Indecent is the new play by Pulitzer Prize-winning playwright Paula Vogel, belated making her...

Boston Lyric Opera’s “The Marriage of Figaro

Posted by Katrina Holden-Buckley | 4th May 2017 | Boston, Theatre and Gender, Theatre and Opera, United States of America

Boston Lyric Opera’s The Marriage of Figaro opened on Friday to an audience that the John Hancock...

The Documentary Doubles of Milo Rau

Posted by Frederik Le Roy | 4th May 2017 | Documentary Theatre, Switzerland, Theatre and Politics

Realistic rituals Milo Rau and the International Institute of Political Murder. The Swiss...

Mourning in America: Target Margin Brings O’Neill’s Ghosts to Life

Posted by Jessica Rizzo | 3rd May 2017 | New York, Review, United States of America

Though regarded by many as the father of American drama, Eugene O’Neill correctly diagnosed...

“La Sección”: Women Submission and Indoctrination. So Far, so Close

Posted by EfeJota Suárez | 3rd May 2017 | Spain, Theatre and Gender, Theatre and Politics

La Sección recovers the figure of three women to draw a robot sketch of the submission, obedience...

Lady Macbeth Sings Traditional Korean Ballad: An Interview With Tae-Sook Han

Posted by Zoe Ryu | 2nd May 2017 | Adaptation, Interview, South Korea, Theatre and Opera

Tae-sook Han’s 2016 production of Lady Macbeth, a Changgeuk (Korean traditional opera),...

Vigor Mortis Visits Dr. Lucchetti’s Grisly Universe

Posted by Raphael Cassou | 2nd May 2017 | Brazil

“I have a horror of reality. That’s why I’m a fiction writer” – RF Lucchetti...

The Power Hunger: Jeton Neziraj’s “Balkan Brothel”

Posted by Fjolla Hoxha | 1st May 2017 | Kosovo, Theatre and Politics

“The object of terrorism is terrorism. The object of oppression is oppression. The object of...

Martin Crimp’s “The Treatment” at Almeida Theatre

Posted by Aleks Sierz | 1st May 2017 | London, Review, United Kingdom

Playwright Martin Crimp’s 1993 satirical epic, The Treatment, is a fabulous work, but it’s rarely...

Russian Puppetry

Posted by Julia Rybina and Anastasiya Karagodina for Russia Beyond Headlines | 1st May 2017 | Essay, Puppetry, Russia

It is natural for humans to animate and anthropomorphize anything they touch. Puppetry is a...

The Critically Performative Work Of Hassan Khan

Posted by Ajay Hothi | 1st May 2017 | Germany, Transmedia

MMK3 is the smallest of Frankfurt’s Museum für Moderne Kunst’s three buildings, and...

Duncan Macmillan’s “City of Glass” at Lyric Hammersmith

Posted by Aleks Sierz | 30th Apr 2017 | Review, United Kingdom

Playwright Duncan Macmillan has had a good couple of years. In 2015, his play People, Places and...

All Shizuoka’s a Stage for SPAC’s Theater Festival in Japan

Posted by Nobuko Tanaka | 30th Apr 2017 | Festivals, Japan

At a recent news conference, Satoshi Miyagi, the artistic director of Shizuoka Performing Arts...

Amanda Li in “Dream of the Red Chamber”

Posted by Zolima Citymag | 30th Apr 2017 | China, Hong Kong, Review, Theatre and Opera

When Amanda Li steps onto the stage in the classic Dream of the Red Chamber, she’ll do so having...

Conversation with Renée Fleming – American Soprano

Posted by Antigoni Gaitana | 30th Apr 2017 | New York, Theatre and Opera, United States of America

The evening of April 25th marked the culmination of Opera America’s Onstage at the Opera...

Istanbul Theaters to Offer a Multitude of Star-Studded Programs

Posted by The Theatre Times | 30th Apr 2017 | Turkey

With seven plays that include adaptations from world-renowned playwrights, Istanbul City Theaters...

“Hand to God” at Circa Theatre

Posted by John Smythe | 30th Apr 2017 | New Zealand, Puppetry

If there is such a thing as typical Circa Theatre fare, Hand to God is certainly not it, yet the...

Giving the Leading Role to the Body

Posted by Izabela Szymańska | 30th Apr 2017 | News, Poland, Theatre and Dance

Stage movement has managed to secure its place in Polish theatres. The work of a dancer or a...

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Latest

Frank Wedekind’s “Spring Awakening” Comes to Japan

“Charlie and the Chocolate Factory” on Broadway

“Sensuality of Action”: Paula Vogel’s “Indecent” on Broadway

Boston Lyric Opera’s “The Marriage of Figaro

The Documentary Doubles of Milo Rau

Mourning in America: Target Margin Brings O’Neill’s Ghosts to Life

“La Sección”: Women Submission and Indoctrination. So Far, so Close

Lady Macbeth Sings Traditional Korean Ballad: An Interview With Tae-Sook Han

Vigor Mortis Visits Dr. Lucchetti’s Grisly Universe

The Power Hunger: Jeton Neziraj’s “Balkan Brothel”

Martin Crimp’s “The Treatment” at Almeida Theatre

Russian Puppetry

The Critically Performative Work Of Hassan Khan

Duncan Macmillan’s “City of Glass” at Lyric Hammersmith

All Shizuoka’s a Stage for SPAC’s Theater Festival in Japan

Amanda Li in “Dream of the Red Chamber”

Conversation with Renée Fleming – American Soprano

Istanbul Theaters to Offer a Multitude of Star-Studded Programs

“Hand to God” at Circa Theatre

Giving the Leading Role to the Body

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