Latest Archives - Page 229 of 279

Bouchra Ouizguen’s Subversive Feminine

Posted by Nahrain Al-Mousawi | 15th May 2017 | Morocco, Theatre and Dance, Theatre and Gender

Originally from Ouarzazate, Morocco, Bouchra Ouizguen studied and performed with choreographers...

A Critical Look At Criticism: An Interview With Nikolaus Müller-Schöll And Gerald Siegmund

Posted by Esther Boldt | 15th May 2017 | Germany, Interview

Criticism is currently booming in Germany. Many symposia are devoted to it, as, for example, the...

Lagos, Theatre, Critic: Working Together

Posted by Amatesiro Dore | 14th May 2017 | Nigeria

Three red chairs on a stage, at the upstairs bar, overlooking the Food Court at Freedom Park....

“Black Is The New White” Gives The Comedy Of Manners An Irreverent Makeover

Posted by Huw Griffiths | 14th May 2017 | Australia, Sydney

Black is the New White is Nakkiah Lui’s latest play, following last year’s well-received Kill the...

Adapting Pier Paolo Pasolini: “T.E.O.R.E.M.A.T.” by Grzegorz Jarzyna

Posted by Armando Rotondi | 13th May 2017 | Adaptation, Italy, Poland, Polish Theatre Abroad, Review

Teorema occupies a position of special importance in Pier Paolo Pasolini’s production, both as a...

Peter Scolari in “The Dreyfus Affair” at BAM

Posted by Marcina Zaccaria | 13th May 2017 | New York, Theatre and Opera, Transmedia, United States of America

Journeying back to late 1800s, we see how anti-semitism, the sympathies of a poet, and military...

Paweł Korbus: “Influence Diagram”

Posted by Miroslav Ballay | 12th May 2017 | Poland, Review, Theatre and Politics

During his residential stay (May–June 2016), the Polish artist and performer Paweł Korbus (1983)...

A Paradox in a War Fable: “The Great Play”

Posted by Shin Hyunsook | 12th May 2017 | Adaptation, Devised Theatre, South Korea

In late 2016, a chaotic period both in and out of Korea, Doosan Art Center and Theatre Company...

Experiments in Opera Presents Flash Operas

Posted by Amanda Boekelheide | 12th May 2017 | New York, Theatre and Opera, United States of America

Symphony Space presents Fuse Project April 30 through May 23, which is, in their words:...

Wagner’s “Forbidden Love” (“Das Liebesverbot”) at the Teatro Colón in Buenos Aires

Posted by Pablo Bardin | 11th May 2017 | Adaptation, Argentina, Theatre and Opera

German composer’s Forbidden Love is premièred at the Teatro Colón The Colón hasn’t offered Richard...

LA County Museum Art Makes the Most of Mozart’s “Magic Flute”: Frances Stark’s Film and Chagall’s Designs

Posted by Lauren Deutsch | 11th May 2017 | Adaptation, France, Los Angeles, Theatre and Art, Theatre and Opera

In advance of the Los Angeles County Museum of Art’s forthcoming exhibition, Chagall: Fantasies...

Interview with Amy Aquino

Posted by Krista Jarboe | 11th May 2017 | Acting, Interview, Los Angeles, United States of America

You may have seen Amy Aquino grazing the big screen as Miss Martinez in White Oleander or Alice...

The Representation of Political Violence in the Plays about Iraq (2003-2011)

Posted by Amir Al-Azraki | 11th May 2017 | Iraq, Theatre and Politics

Introduction [1] Political violence (resistance violence, revolutionary violence, state violence,...

Is Polish Theatre Under the Threat? News From Kraków

Posted by Kasia Lech | 10th May 2017 | News, Poland, Theatre and Politics

The Old Theatre in Kraków has just got a new General Director. Surprisingly, or maybe even...

The Latinx Play Project: Building a Movement in Ashland

Posted by Trevor Boffone | 10th May 2017 | News, Playwriting, United States of America

On April 27-29, Oregon Shakespeare Festival (OSF) welcomed Latinx theatre artists and advocates to...

Collusion of Cultures in Neil Coppen’s “BuiteLand”

Posted by Wim Vorster | 9th May 2017 | LGBTQ+ Theatre, South Africa

Now and then a stage production is mounted supplying more than entertainment, albeit intellectual...

Moscow to Host Benois de la Dansé for the Best in Ballet

Posted by Oleg Krasnov - Russia Beyond Headlines | 9th May 2017 | News, Russia, Theatre and Dance

The Benois de la Dansé prize for contributions to the art of ballet is one of the most prestigious...

Lies, Monsters and Kate Mulvany’s Intensely Human Portrayal of Richard III

Posted by Christian Griffiths | 8th May 2017 | Australia, Melbourne, Theatre and Disability

As we all know, the first line of Shakespeare’s Richard 3 reads, “Now is the winter of our...

Shakespeare and the Hindi Theatre

Posted by Vikram Singh Thakur | 8th May 2017 | India, Translation

Hamara Shakespeare: Shakespeare and the Hindi Theatre in India Shakespeare has been performed in...

The Great Australian Plays: Sex, Poetry and “The Chapel Perilous”

Posted by Julian Meyrick | 7th May 2017 | Australia, Playwriting

When she died in 2002, The Age hailed Dorothy Hewett as “the grande dame of Australian literature”...

Latest

A Critical Look At Criticism: An Interview With Nikolaus Müller-Schöll And Gerald Siegmund

Lagos, Theatre, Critic: Working Together

“Black Is The New White” Gives The Comedy Of Manners An Irreverent Makeover

Adapting Pier Paolo Pasolini: “T.E.O.R.E.M.A.T.” by Grzegorz Jarzyna

Peter Scolari in “The Dreyfus Affair” at BAM

Paweł Korbus: “Influence Diagram”

A Paradox in a War Fable: “The Great Play”

Experiments in Opera Presents Flash Operas

Wagner’s “Forbidden Love” (“Das Liebesverbot”) at the Teatro Colón in Buenos Aires

LA County Museum Art Makes the Most of Mozart’s “Magic Flute”: Frances Stark’s Film and Chagall’s Designs

Interview with Amy Aquino

The Representation of Political Violence in the Plays about Iraq (2003-2011)

Is Polish Theatre Under the Threat? News From Kraków

The Latinx Play Project: Building a Movement in Ashland

Collusion of Cultures in Neil Coppen’s “BuiteLand”

Moscow to Host Benois de la Dansé for the Best in Ballet

Lies, Monsters and Kate Mulvany’s Intensely Human Portrayal of Richard III

Shakespeare and the Hindi Theatre

The Great Australian Plays: Sex, Poetry and “The Chapel Perilous”

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