When Women Sing Their Stories
The various signposts of a woman’s life find striking expression in the songs that have graced the...
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The Politics of Being Unaided: Act Alone Solo Performance Festival in Sudureyri, Iceland
Suðureyri, a small fishing village found in a fjord at the northern tip of the Icelandic...
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Disabled Bodies in American Theatre
In its simplest form, theatre is storytelling. From theatre professionals and academics to...
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High Flying, Adored? When “Evita” Gets Whitewashed
How many major Latinx or Latin American characters can you name from mainstream musical theatre...
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We Can Know More Than We Can Tell: “L.I.F.E: A History of Distance”
Stark white light from bulbs hanging in a straight line against a white backdrop greets audiences...
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Iranian Theatre, Its Discontinuity and Discontent: An Interview with Amin Azimi, Part II
To read Part I of this interview, click here. Amin Azimi is an Iranian theatre researcher,...
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“Seven Plays of Koffi Kwahulé: In and Out of Africa” Is Made Available To Anglophone Audiences
The work of renowned Ivoirian playwright Koffi Kwahulé has been translated into some 15 languages...
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Analog Virtual Reality Worlds of SIGNA Performance Group
Signa and Arthur Köstler are the creative directors of SIGNA, the well-known performance...
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“Lions And Tigers” at Sam Wanamaker Playhouse
Gandhi has a lot to answer for. I don’t mean the saintly campaigner for Indian independence, who...
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Experimental Performances: Iraq Proves Perfect Setting For ‘Theatre Of The Oppressed’
In Nasiriyah, a group of local actors have been using a special sort of open-air theatre to...
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Can an English Artist Use Classical Nigerian Art as He Likes?
Reaction to Damien Hirst’s use/misuse of Ife art image. The insensitivity of many Westerners in...
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Foreign Radical: The Intimate Power of Interactivity
Please, take your laptops out of the suitcase. Liquids in a plastic bag. No belts. No shoes....
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In Memoriam: Adel Hakim
Adel Hakim was a French-Egyptian actor, playwright, pedagogue, and director. He was well-known for...
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“The Maids”: A New Stage of Power and Performance
The Taiwan-based theatre troupe, Yang’s Ensemble, used to deal mostly with Sino-centric cultures...
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A Place to Remember: “Oedipus – Those Who Want to See”
It has only been one hundred days into President Moon Jae-In’s administration, but the new...
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Iranian Theatre, Its Discontinuity and Discontent: An Interview with Amin Azimi, Part I
Amin Azimi is an Iranian theatre researcher, dramaturg, translator, and director. He studied...
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The Inability to Fill the Void: Eduardo Orozco’s “Asatia” at El Milagro Theatre
Given that in Eduardo Orozco’s play, Asatia, the protagonist discovers that dedicating one’s...
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Joe Orton’s “The Loot” Revived at Park Theatre
Fifty years ago this month, playwright Joe Orton was murdered by his lover Kenneth Halliwell. His...
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Stratford’s “Breathing Hole” is One for the Memory Books
STRATFORD, Ontario — Our first encounter with the mythic polar bear dominating the Stratford...
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150 Years After Ira Aldridge’s Death, The Need For a Colour-Blind Stage Is as Vital as Ever
At a time when many black British actors are leaving their home country to travel to the US in...
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