Theaters In Japan Are Looking At Longer Runs For Their Productions
As I turned the pages of a free magazine in London this summer, a picture of a beaming woman...
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The Words of The Plays
Continta me tienes, the Spanish publishing house, sent us the volume The Words of the Plays,...
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Patricia Cornelius’ “Big Heart” Exposes Hypocrisy In Tale Of Multicultural Adoption
Playwright Patricia Cornelius is known for populating the stage with complex, working-class,...
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Supertitles Galore At The 2017 Avignon Festival: Necessary Or Not?
I’ve recently returned from the Avignon Festival where I’m sure I saw more shows with supertitles...
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The Inability to Fill the Void: Eduardo Orozco’s “Asatia”
Premise: The protagonist in Eduardo Orozco’s play Asatia discovers that dedicating...
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On Liberation And Progression – “Theatertreffen in Hong Kong”
It was an achievement that West Kowloon Cultural District Authority and Goethe-Institut Hong Kong...
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From “Hamlet” To “El Huracán”: An Interview With Charise Castro Smith
While Charise Castro Smith began her career as an actor, in recent years the Miami native has...
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The Easy Trigger Of “Guilty Landscapes III”
Given that the publicity synopsis to Dries Verhoeven’s video installation pretty much tells all,...
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“Laser Beak Man” Busts The Fourth Wall And Blows Minds With Superheroic Puppetry
Laser Beak Man, the madcap superhero creation of artist Tim Sharp, who has autism, flew into La...
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“Onegin:” 21st Century Sensibility Moves Musical Theatre Far Beyond The Box
First of all, do not read Pushkin’s Onegin before seeing The Musical Stage Company and NAC English...
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Theatre Of Remembrance: Geschichtliches Gefuhl
Hardly another art form is better suited for the work of remembrance than the theatre as a medium...
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Sir Peter Hall: A Colossus Who Rebuilt British Theatre From The Ground Up
A titan of the stage, whose influence over the development of post-War British theatre was...
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Performative States In Cuba: Coco Fusco In Conversation With Stephanie Bailey
In this conversation, Cuban-American interdisciplinary artist and writer Coco Fusco talks about...
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“The Blinding Light” at Jermyn Street Theatre
Anyone who likes playing “Spot the weirdo” will find themselves instantly at home in Howard...
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Classic Scripts, New Writing, And Diverse Subjects At The NCPA’s Pratibimb Marathi Theatre Festival
Feminist themes, whether overt or subtextual, found expression in the plays that were showcased at...
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Martial Law Musicals: Theatre of a New War?
“Philippine theater has, through three eras of political struggle—Filipino-American, Japanese,...
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“The Hungry Ghosts” A Comedy About Addiction
Core Artists Ensemble brings Tessa Borbridge’s The Hungry Ghosts to The Barrow Group Theatre this...
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“When There Were Grenades In November” At Casa Musa In Monterrey
Leticia Huijara’s theatrical piece When There Were Grenades In November is being presented...
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The National Theatre Of Iceland, Politics, And The Elf Palace
The Icelandic theatre season is about to come out of hibernation, where theatres close for the...
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Francesco De Sanctis: From the Electoral Travel to the Stage
Francesco De Sanctis (1817–83) is one of the most important Italian literary critics and scholars,...
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