Cricoteka: A Centre Of New Life For Tadeusz Kantor’s Art
During Tadeusz Kantor’s lifetime (1915-1990), his singular performances found their way to many...
Read MorePosted by Lauren Dubowski | 15th Mar 2018 | News, Poland, Theatre and Art
During Tadeusz Kantor’s lifetime (1915-1990), his singular performances found their way to many...
Read MorePosted by Jane Baldwin | 15th Mar 2018 | Boston, Review, United States of America
The White Card, Claudia Rankine’s play on racism is having its world premiere at Boston’s...
Read MorePosted by KaiChieh Tu | 15th Mar 2018 | Dramaturgy, Interview, Poland, Theatre for Young Audiences
Walking into the old basement of the legendary Old Theatre (Stary Teatr) in Krakow, you soon realize nothing is old here. MICET, the new interactive theatre museum, which opened just about a year ago, completely transforms the theatre’s dark, moldy basement into one of the most cutting-edge museum/installation/performance spaces in Europe.
Read MorePosted by Hilary Halba | 15th Mar 2018 | New Zealand, Review, Theatre and Politics
The newest theatre company to emerge from Dunedin, New Zealand’s funky, eclectic arts scene is...
Read MorePosted by The Theatre Times | 14th Mar 2018 | Lebanon, News
The Zoukak Theatre in Lebanon has received the 2nd Annual Ellen Stewart International Award for...
Read MorePosted by Monika Larini | 14th Mar 2018 | Estonia, Festivals, News
To mark the 100th anniversary of the Republic of Estonia in 2018, The Estonian Association of...
Read MorePosted by Helen Rynne | 14th Mar 2018 | Interview, London, Management, United Kingdom
Lauren Clancy, the new Executive Director of the Bush Theatre, talks to us about her first few...
Read MorePosted by Jamie Portman | 14th Mar 2018 | Canada, LGBTQ+ Theatre, Review, United States of America
Larry Kramer’s The Normal Heart is a play fueled by anger. Anger at the political, medical and...
Read MorePosted by Aleks Sierz | 13th Mar 2018 | Adaptation, London, Playwriting, Review, United Kingdom
Electra is the protagonist in two Ancient Greek tragedies, one by Sophocles and the other by...
Read MorePosted by Jonathan Kalb | 13th Mar 2018 | New York, Review, Theatre and Disability, United States of America
Lindsey Ferrentino has done a marvelous thing in conceiving a substantial and nuanced lead...
Read MorePosted by Vikram Phukan | 13th Mar 2018 | Adaptation, India, Interview, LGBTQ+ Theatre, Theatre and Gender
Mahesh Dattani explores the symbolism, futurism and surreal influences of Spanish dramatist...
Read MorePosted by Corrie Tan | 13th Mar 2018 | Festivals, Immersive Theatre, Review, Singapore
If the avant garde director Robert Wilson died and went to purgatory, Einstein in the Carpark is...
Read MorePosted by Stefanie Bäuerle | 12th Mar 2018 | Interview, Serbia, Theatre and Dance, Theatre and Politics
The Serbian choreographer, performance artist, and stage director Milos Sofrenovic has been at...
Read MorePosted by Aleks Sierz | 12th Mar 2018 | London, Review, United Kingdom
Theatre is a business as well as a craft. In an age of austerity cuts, and at a time when most...
Read MorePosted by Jean-Baptiste Joly | 12th Mar 2018 | Chad, Devised Theatre, Interview, Theatre and Dance
… when no one is willing to listen, no one you could tell, no one you could talk it over with to...
Read MorePosted by Michael Schweikardt | 11th Mar 2018 | Design, Interview, United States of America
Set Designers are known for creating beautiful, finished renderings of scenic environments,...
Read MorePosted by Krisztina Rosner | 11th Mar 2018 | Acting, Essay, Japan, Theatre and Science, Transmedia
Ten Years of Robot Theatre Directed by Oriza Hirata In Japan, the development of humanoid robots...
Read MorePosted by Sara Taylor | 10th Mar 2018 | Participatory Theatre, Poland, Review, Theatre and Disability, Theatre and Politics
Pesach or Passover is the most widely observed Jewish holiday and arguably the most joyful....
Read MorePosted by Massimo Malavasi | 10th Mar 2018 | Italy, Review, Theatre and Opera
Do you know what operetta is? Literally, it indicates a small opera, mostly in one act, with a...
Read MorePosted by Christopher Harris | 10th Mar 2018 | Adaptation, Review, Transcultural Collaborations, Translation, United Kingdom
Terry Eagleton reminds us that in order for tragedy to occur, then the protagonist must be in...
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